SATB vocal soli, SATB choir, 2 flutes, 2 oboes, taille (english horn), bassoon, 2 violins, viola, basso continuo

SKU: CA.1029509

Lukas-Passion. Composed by Anonymous and Johann Sebastian Bach. 1x 10.295/21 flute 1, 1x 10.295/22 flute 2, 1x 10.295/23 oboe 1, 1x 10.295/24 oboe 2, 1x 10.295/25 English horn. Lukaspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. BWV 246. 64 pages. Duration 120 minutes. Carus Verlag #CV 10.295/09. Published by Carus Verlag (CA.1029509).

ISBN 9790007023935. Language: German.

From Bach's music library; formerly attributed to Bach. The present edition is based on the score partly made by Bach himself, held by the Deutsche Staatsbibliothek Berlin. The chorales, originally noted only for voices and Basso continuo, have been instrumentated according to contemporary practice of that time. Score and parts available separately - see item CA.1029500.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105809

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.058/21 oboe 1, 1x 31.058/22 oboe 2, 1x 31.058/23 oboe d'amore. German title: Ach Gott, wie manches Herzeleid 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.058/09. Published by Carus Verlag (CA.3105809).

ISBN 9790007043223. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Oboe/English Horn, Piano (4 hands) & electronic valve instrument

SKU: SU.50028780

For Oboe/English Horn, Piano (4 hands) & electronic valve instrument. Composed by Faye-Ellen Silverman. Woodwinds, Oboe/English Horn, Keyboard, Piano 4-hands/2+ Pianos. Electronic Valve Instrument. Score & Parts. Seesaw Music Corp #50028780. Published by Seesaw Music Corp (SU.50028780).

Oboe/English Horn, Piano (4-hands), Electronic Valve Instrument (EVI) Duration: c. 12' Composed: 1983 Published by: Seesaw Music.

(from 'The Nutcracker'). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Anna Cooper. For oboe trio: 2 oboe, english horn. Mallard Music series. Grade 8. Score and parts. Duration 1'29. Published by Wonderful Winds

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bassoon 3, Celesta, Cello, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.416411480

(... V'Eyt Shalom) - for Mezzo Soprano and Orchestra - Score. Composed by Richard Wernick. First performance: Orchestra Filarmonica della Scala, Riccardo Muti conducting, Freda Herseth, mezzo soprano, Ravenna, Italy, June 18, 1995. Full score. With Standard notation. Composed November 1 1994. Duration 20 minutes. Theodore Presser Company #416-41148. Published by Theodore Presser Company (PR.416411480).

UPC: 680160091287.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Organ, Percussion, Piano, Piccolo, Timpani, Trombone 1 and more.

SKU: PR.416412700

Text adapted by the composer from the poems of Walt Whitman.. Composed by Lowell Liebermann. Full score. With Standard notation. Opus 67. Duration 45 minutes. Theodore Presser Company #416-41270. Published by Theodore Presser Company (PR.416412700).

UPC: 680160092499. 11 x 17 inches. Text: Walt Whitman. Walt Whitman.

By Roger Nixon (1921-). Orchestra. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet I, Clarinet II, English Horn, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor, Tenor II, Tenor III, Timpani, Tam-Tam, Tam-Tam, Cymbal, Triangle, Tambourine, Whip. First performance: Rolf Persinger, violist, with Josef Krips conducting the San Francisco Symphony Orchestra on April 29, 1970, at the War Memorial Opera House in San Francisco. Classical. Full Score - Study. Standard notation. 127 pages

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet/Cornet 1/2, Bb Trumpet/Cornet 3, Horn in F 1, Horn) - grade 4

SKU: CN.S11008

Composed by Gordon Jacob. Band Music. Score. Duration 5:30. Published by G & M Brand Music Publishers (CN.S11008).

Gordon Jacob, like many of his British contemporaries, drew freely on the English folk song tradition. With its clear melodic lines and characteristic scoring in 'families of instruments, the Fantasia on an English Folk Song once again demonstrates Jacob's mastery of the concert band.

Wind band

SKU: FG.55011-850-8

Arrangement for wind band. Composed by Einar Englund. Arranged by Robert J. Ambrose. Classical, contemporary, pedagogical. Score & parts. Fennica Gehrman #55011-850-8. Published by Fennica Gehrman (FG.55011-850-8).

ISBN 9790550118508.

Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title War Symphony, not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.

American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:

Piccolo
Flute 1-2
Oboe 1
Oboe 2 doubling English horn
Bassoon 1-2
Clarinet 1-3 B-flat
Bass Clarinet B-flat
Soprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Horn 1-4 F
Trumpet 1-3 B-flat
Trombone 1-3
Euphonium (BC)
Tuba
Timpani
Percussion 1-4
Harp (opt.)
Double Bass.

For Orchestra - Full Score. By Sebastian Currier. Orchestra. For Piccolo I, Piccolo II, Piccolo III, Flute I, Flute II, Flute III, Oboe I, Oboe II, Oboe III, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Bassoon III, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, Tenor III, Percussion I, Percussion II, Percussion III, Percussion IV, Piano I, Piano II, Celesta, Harp, Violin I, Violin II, Viola, Cello, Contrabass. Full Score - Study. 87 pages. Published by Carl Fischer.

(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Mixed Choir, Ball, Flute (2), Oboe 1, Oboe 2/English Horn, Bassoon (2), Horn (4), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 111. Duration 150'

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri) - grade 4

SKU: CN.S11242

Composed by Adam Gorb. Arranged by Michael Brand. Band Music. Score only. Duration 4:20. Published by G & M Brand Music Publishers (CN.S11242).

Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.

This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester . International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.