Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

Composed by Henry Schradieck. Masterworks; String - Viola Alone; Technique Musicianship. Kalmus Edition. 20th Century; Masterwork; Romantic. Book. 28 pages. Kalmus Classic Edition #00-K04289. Published by Kalmus Classic Edition

Trombone and Piano accompaniment - moderately advanced

SKU: CY.CC2780

Composed by Max Warnecke. Arranged by Ronald Babcock. German 19th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2780).

Max Warnecke's Konzertstuck is characteristic of the nineteenth-century solo Trombone tradition. At six minutes in duration, it is considerably shorter than contemporary solos of the time such as the Grafe Concerto. Like the David Concertino it uses similar martial-style opening and closing themes with a lyrical middle section. The solo and piano accompaniment are of medium difficulty and appropriate for school recitals or professional performances.

Composed by Sergei Prokofiev (1891-1953). Edited by Thomas Schumacher. Book; Masterworks; Piano Collection. Alfred Masterwork Edition. Form: Sonata. 20th Century; Masterwork; Recital. 108 pages. Published by Alfred Music

Composed by Gustav Holst (1874-1934). Edited by Richard W. Sargeant, Jr.. For Military Band. This edition: Paperback. Suites, Original Works. 20th Century; English. Study Score. 44 pages. Published by Serenissima

Intermediate to Early Advanced Works by 37 Composers. Edited by Maurice Hinson. Masterworks; Piano Collection. Alfred Masterwork Edition. 20th Century; Masterwork. Book. 208 pages. Alfred Music #00-21442. Published by Alfred Music

America -- A Prophecy by Thomas Adès and Thomas Ades (1971-). Orchestra. Full Orchestra; Masterworks; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Composed by Igor Stravinsky (1882-1971). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. 20th Century; Masterwork. Book. 80 pages. Kalmus Classic Edition #00-K09508. Published by Kalmus Classic Edition

By Jack Bullock and Anthony Maiello. For Oboe. Band Method. Belwin 21st Century Band Method. Level: Level 2. Book. 1 pages. Published by Alfred Publishing.

Composed by Nikolai Rimsky-Korsakov, arranged by John Quick. For xylophone solo, marimba solo (optional) and piano accompaniment. Includes a separate pull-out solo xylophone/marimba part. Format: set of performance parts. With standard notation, solo part and piano accompaniment. 20th century. G Minor. 6 pages. 9x12 inches. Published by Hal Leonard.

By Gustav Holst (1874-1934). Edited by Julian Lloyd Webber. For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. 20th Century; Masterwork; Romantic. Published by Faber Music

By Gustav Holst (1874-1934). Arranged by David Ferguson. For Brass Quintet. Brass Ensemble - Quintet; Masterworks; Part(s); Score. Eighth Note Publications. 20th Century; Christmas; Masterwork Arrangement; Romantic; Sacred; Winter. 20 pages. Published by Eighth Note Publications

By Anthony Maiello, Jack Bullock. For Horn in F. Band Method. Belwin 21st Century Band Method. Level: Level 2. Book. 36 pages. Published by Alfred Publishing.