SKU: HL.49005888
ISBN 9790001063654. 7.5x11.0x0.148 inches. German.
Die Satze in dieser Ausgabe sind vierstimmig fur Sopran-, Alt-, Tenor- und Bassblockflote bearbeitet. Wenn erforderlich, konnen die einzelnen Lieder durch Weglassung der Tenor-Blockflote auch dreistimmig aufgefuhrt werden. Es besteht weiterhin die Moglichkeit, den drei- oder vierstimmigen Blasersatz durch Streicher zu verstarken oder Stimmen zu ersetzen. Die Stimme der Sopran-Blockflote entspricht der Melodie. Durch die abgedruckten Texte konnen die Stucke so auch mit Gesang aufgefuhrt werden. Akkordbezeichnungen ermoglichen daruber hinaus auch weitere Begleitungen, z.B. mit Gitarre.
SKU: M7.RSC-60216
English.
Morning comes from Grieg's first Peer Gynt Suite op. 46. The Norwegian playwright Ibsen wrote to Grieg asking him to compose incidental music for his play. The result was two suites which have enjoyed great popular success ever since. The first performance was in Oslo in 1876.
SKU: BT.DHP-1196076-070
ISBN 9789043158428.
Who doesnââ¬â¢t know the Italian tenor Andrea Bocelli and his signature song ââ¬ËCon te Partiròââ¬â¢ that made him world famous? This colourful version is perfect for flute quartet, and provides an active and enjoyable part for each of the four players. This arrangement will bring colour to your concert and is great fun to play!Wie kent niet de Italiaanse tenor Andrea Bocelli en zijn song ââ¬ËCon te Partiròââ¬â¢, waarmee hij over de hele wereld beroemd werd? Deze kleurrijke versie is speelbaar voor fluitkwartet en heeft wat moois te bieden voor alle spelers. Dit arrangement brengt kleur in uw concert en is heerlijk om te spelen!Wer kennt nicht den italienischen Tenor Andrea Bocelli und seine Erkennungsmelodie Con te partiròââ¬Å, die ihn weltberühmt machte? Diese lebendige Version eignet sich gut für Flötenquartett und bietet für alle Mitspieler schöne Stimmen. Dieses Arrangement bringt Farbe in Ihr Konzert und macht viel Spaß!Qui ne connaît pas le ténor italien Andrea Bocelli et la chanson ë Con te partirò û (ë Avec toi je partirai û), qui a établi sa renommée mondiale ? Destinée quatuaor de fl te, cette version étincelante comprend des parties intéressantes pour tous les musiciens. Un arrangement très agréable jouer qui apportera des couleurs vos concerts!
SKU: HL.48024645
ISBN 9781784544034. UPC: 888680949099.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
SKU: HL.48024644
ISBN 9781784544010. UPC: 888680949082. 9.0x12.0x0.273 inches.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
SKU: HL.48183857
UPC: 888680861193. 0.11 inches.
“Spanish pianist and composer, Isaac Albéniz (1860-1909) was a child prodigy. He passed the Piano entrance exam for the Paris Conservatoire at age seven, but he was refused entry due to his young age. He composed many works containing Spanish influence, Three Pieces for Saxophone Quartet being no exception. When he was 16, Albéniz studied at the Leipzig Conservatory and the Royal Conservatory of Brussels. His concert career saw him perform all over the world. The Three Pieces are, 1) Love Song, 2) Berceuse, and 3) Summer. This collection, adapted for Saxophone Quartet by Marcel Mule is a sublime addition to the ensemble's repertoire. â€.