Par GARIBOLDI GIUSEPPE. 20 Melodic Studies, Op. 88 by Giuseppe Gariboldi is a series of 20 pleasant studies arranged for Flute. Quite challenging and with many nuances, 20 Melodic Studies, Op. 88would fit intermediate/advanced players and fill them with enjoyment while developing their learning and techniques. Giuseppe Gariboldi (1833-1905) is an Italian flautist and composer who wrote numerouspieces for Flute. Most of his study books are still used to teach the Flute, including also 'Dainty studies, Op. 131' or 'Daily exercises, Op. 89'. / Date parution : 2024-01-26/ Etude / Flûte Traversière

Easier Piano Pieces 49-17 works from Op.11 37 77 85 and 88 edited by Thomas A. Johnson.

F.I-88 - Tomo 187. Par VIVALDI ANTONIO. / Répertoire / Violon, Cordes et Basse Continue

STICKERS pour apprendre et mémoriser la position des notes... tout simplement ! Pour INSTRUMENTS de 49 - 61 - 76 ou 88 touches. 52 AUTOCOLLANTS pour touches BLANCHES avec repères Dièse et Bémol. VINYLE Haute qualité, repositionnable à volonté, à retirer sans aucun résidu. MODE D'EMPLOIS INCLUS 2 PARTITIONS offertes./ Accessoire / Piano

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821-1889) is certainly the most famous of all double bass virtuosi; his compositions are an essential pillar of the literature on this instrument. His Metodo, published in 1870 by Ricordi, is remarkable for the exceptional beauty of its studies which, with effectiveness, good taste and imagination, develop an extraordinarily modern pedagogical vision. For this reason, on the bicentenary of the composer\'s birth, it seems most opportune to re-propose the studies in the method, appropriately fingered according to the current system, which is different from the one used in Italy in the mid-19th century. These short pieces not only help the student to acquire an excellent technique in a short time, but they are also extremely useful to better understand the instrumental language of Bottesini; in particular the second part, constitutes an excellent propaedeutic base for the study of his famous pieces./ Etude / Contrebasse

With Preparatory Exercises. Par DONT JACOB. Le violoniste autrichien Jacob Dont (1815-1888) était aussi un enseignant très estimé et compositeur. Il a écrit principalement principaux ouvrages éducatifs, plus de 50 qui sont devenus assez connus. Und de Etüden de ne pas Capricen opus 35 sont arrangés pour l'alto par Max Ro / Niveau : Préparatoire / Essential Exercises / Etude / Alto

Op.Xi N.11 F.I-89 - Tomo 188. Par VIVALDI ANTONIO. / Répertoire / Violon, Cordes et Basse Continue

Après la publication du volume relié de l'édition intégrale de Fauré BA 9462, nous vous proposons par ces nouveautés les éditions pour les interprètes. Le quatuor op. 15 connut déjà un grand succès du vivant de Fauré, en 1880, l'année de la première audition en publique, le Ménestrel écrit: ' ...un quatuor pour piano ...qui se fait remarquer par une grande distinction d'idées et une facture franchement moderne'. La revue et gazette musicale de Paris:' ... une oeuvre de valeur...'. Le quatuor op. 45, probablement conçu en 1885, fut achevé en 1886 ou au début de l'année 1887, et parut vraisemblablement fin 1887 ou début janvier 1888: Fauré offrit un exemplaire à Tchaïkovski. Malgré ses valeurs intrinsèques op. 45 ne supplanta pas op. 15 et ne fut très connu qu'au cours du XXième siècle. / Musique De Chambre

Par ENYA. Cet album de 1988 de chanteur Best-seller de l'Irlande connaît le succès de point de repère pour son utilisation révolutionnaire de la technologie pour fusionner le nouvel âge et sons celtiques. Des paroles introspection combinés avec production méticuleuse et riches harmonies vocales du Enya ont contribué à créer un son calme et luxuriant qui demeure tout aussi populaire aujourd'hui. Maintenant vous pouvez créer le son unique de titres tels que 'Débit Orinoco' et de tempêtes en Afrique avec ces arrangements pour voix et piano, avec guitare boîtes de corde. / Rép International / Recueil / Piano, Chant et Guitare