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9 Vivaldi
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Vivaldi Album - Tenore
Tenor voice, Piano
[Sheet music]
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. Vivaldi Album est une coll...
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. Vivaldi Album est une collection d'anthologies d'airs d'opéra divisées par registre vocal, tirées des ?uvres musicales théâtrales d'Antonio Vivaldi qui ont été préservées. Les sources proviennent de vingt-quatre drames musicaux, de trois sérénades et de nombreux airs individuels. Chaque volume est composé de douze morceaux qui varient en termes de sensibilité et de style, illustrant une large gamme de genres et de situations dramatiques. Elles sont classées par ordre chronologique, de manière à offrir un aperçu optimal de l'ensemble de la carrière de Vivaldi. Découvrez les nouveaux opus de la collection Vivaldi Album, comprenant désormais les voix de ténor et de basse. / Date parution : 2023-07-31/ Recueil / Tenor et Piano
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Vivaldi Album - Contralto (VIVALDI ANTONIO)
Alto voice, Piano
[Sheet music]
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une ...
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une collection d\'anthologies d\'airs d\'opéra, subdivisée par tessiture vocale, et tirée du corpus de la musique de théâtre d\'Antonio Vivaldi qui a survécu jusqu\'à nos jours. Ce répertoire comprend vingt-quatre drames musicaux, trois sérénades et un grand nombre d\'arias. Chaque volume est composé de douze pièces qui varient en termes de sensibilité et de caractère, illustrant une pluralité de styles et de situations dramatiques. Elles sont classées par ordre chronologique de manière à fournir un échantillon représentatif de l\'ensemble de la carrière de Vivaldi. Ce recueil pour contralto est le deuxième volume disponible dans la collection, la version pour soprano étant sortie il y a quelques semaines. D\'autres volumes pour d\'autres voix suivront bientôt. / Date parution : 2022-09-27/ Recueil / Voix d\'Alto et Piano
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Conc. Per Oboe, Archi E B.C.: Per 2 Ob. In Re Min. Rv 535 F.VIi/9 (VIVALDI ANTONIO)
Matériel D'Orchestre
[Sheet music]
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F.Vii-9 - Tomo 264 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orc...
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F.Vii-9 - Tomo 264 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre
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Conc. Per Strum. Diversi E B.C.: In Re 'Del Gardellino' Per Fl., Vl. E Fg. Rv 90 - F.XII/9 (VIVALDI ANTONIO)
Matériel D'Orchestre
[Sheet music]
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Fl., Vl. E Fg. 'Del Gardellino' Rv 90 - F.Xii/9 - Parti. Par VIVALDI ANTONIO. / ...
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Fl., Vl. E Fg. 'Del Gardellino' Rv 90 - F.Xii/9 - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre
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L'Estro Armonico Op. 3/1-12 (VIVALDI ANTONIO)
4 Violons, 2 Altos, Violoncelle, Violon et Claveci
Eulenburg
Concerti Grossi. Par VIVALDI ANTONIO. 12 Concertos de Vivaldi ont été d'abord ...
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Concerti Grossi. Par VIVALDI ANTONIO. 12 Concertos de Vivaldi ont été d'abord publiés en 1711 par Roger à Amsterdam. Ces 8 livres de cadre élégant a aidé à établir la réputation de Vivaldi dans toute l'Europe et au cours duquel il a fourni les règles de laquelle des auteurs comme Quantz, Marcello et Mattheson jugés et informé les autres compositeurs. Très imité, les concertos continuent d'influencer les oeuvres de compositeurs plus tard et, en fait, j. s. Bach./ Répertoire / 4 Violons, 2 Altos, Violoncelle, Violon et Claveci
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Concerto Pour 2 Violons Et Cordes En La Mineur Op. 3 No. 8 Rv 522 Mvt. I (VIVALDI ANTONIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
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Intermediate/advanced
FLEX Editions
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambr...
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Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 4 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle
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Concerto Pour 2 Violons Et Cordes En La Mineur Op. 3 No. 8 Rv 522 Mvt. III (VIVALDI ANTONIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
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Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambr...
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Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 4 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle
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Sonate Nr. 5 E-Moll (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
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Easy
Doblinger
Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez...
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Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre
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Cello Concerto In D Minor Op. 26 #9 (VIVALDI ANTONIO)
Cello, Piano
[Sheet music]
Kunzelmann
Par VIVALDI ANTONIO. Violoncelle - Piano/ Répertoire / Violoncelle et Piano
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Sonata In Gm (VIVALDI ANTONIO)
Piano, Voice
[Sheet music]
Simrock
Edition De Concert Arrangement Pour Piano & Chant. Par VIVALDI ANTONIO. / Réper...
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Edition De Concert Arrangement Pour Piano & Chant. Par VIVALDI ANTONIO. / Répertoire / Voix et Piano
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Conc. Per Vc. Archi E B.C.: In Si Min. Rv 424 - F.III/9 (VIVALDI ANTONIO)
Matériel D'Orchestre
[Sheet music]
Ricordi
Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre
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Concerto En Ré Majeur, Op. 3, No 9 (VIVALDI ANTONIO)
Violin, Guitar (duet)
[Sheet music]
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Productions OZ
Gagnon, Claude. Par VIVALDI ANTONIO. / Niveau : Intermédiaire / Répertoire /...
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Gagnon, Claude. Par VIVALDI ANTONIO. / Niveau : Intermédiaire / Répertoire / Guitare et Violon
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Conc. Per Vl. E Vc. Solisti, Archi E B.C.: Per 4 Vl. E 1 Vc. In Fa Op. III N.7 - Rv 567 - F.IV/9 (VIVALDI ANTONIO)
Matériel D'Orchestre
[Sheet music]
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per 4 Violini, violoncello,Archi e Cembalo. Par VIVALDI ANTONIO. / Répertoire /...
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per 4 Violini, violoncello,Archi e Cembalo. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
Guitar
Classical guitar
[Sheet music]
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Intermediate
Mel Bay
The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmon...
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The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 hands
[Score]
-
Intermediate
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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Conc. Pour Vl., Archi E B.C. Delle Raccolte Edite In Vita Di Antonio Vivaldi: Op. III 'L'Estro Armonico': Vol.II (VIVALDI ANTONIO)
Violon, Cordes et Basse Continue
[Sheet music]
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Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii....
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Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii. Par VIVALDI ANTONIO. Contents: Vivaldi: Concerto, Op. 3 No. 7 'Con quattro Violini e Violoncello obligato', RV 567 Vivaldi: Concerto, Op. 3 No. 8 'Con due Violini obligati', RV 522 Vivaldi: Concerto, Op. 3 No. 9 'Con Violino Solo obligati', RV 230 Vivaldi: Concerto, Op. 3 No. 10 'Con quattro Violini e Violoncello obligato', RV 580 Vivaldi: Concerto, Op. 3 No. 11 'Con due Violini e Violoncello obligato', RV 565 Vivaldi: Concerto, Op. 3 No. 12 'Con Violino Solo obligato', RV 265/ Répertoire / Violon, Cordes et Basse Continue
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Sonate A Violino E Basso, Op. II (VIVALDI ANTONIO)
Violin, Basso continuo
[Score and Parts]
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Intermediate/advanced
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Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ...
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Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ANTONIO. Antonio Vivaldi’s second published collection is fundamental to an understanding of the leap he took, at the end of the first decade of the eighteenth century, from provincial obscurity to Europe-wide fame. This edition asks and answers the hardquestions surrounding its exact date, its choice of dedicatee and its Venetian context. Through analysis of the two different printing techniques employed - movable type and engraving - and through comparison of the sources, it has proved possible toreconstruct the context in which the opus achieved publication and establish what its truly innovative aspects were; the edition sheds light on the reception of the work, listing the huge number of composers who derived or appropriated musical ideasand solutions from it. This second published collection by Vivaldi, for too long unjustly neglected by critics and performers, may be considered a manifesto for the new musical language invented by Vivaldi for chamber music, which took shape atalmost the same time as his other great manifesto, that for the new-style solo concerto, shortly afterwards to emerge as the collection entitled L’estro armonico. RV 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-07/ Répertoire / Violon et Basse Continue
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Classical Music For Children
Deutsch
Guitar
Classical guitar
[Sheet music + CD]
-
Easy
Schott
Ce volume contient tout le nécessaire pour des leçons de guitare: 58 pièces f...
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Ce volume contient tout le nécessaire pour des leçons de guitare: 58 pièces faciles pour guitare originales de Aguado, Mertz, Diabelli, Carulli, Carcassi Sor ou, mais aussi facile à jouer des arrangements de musique classique dans les domaines de la musique d'orchestre, musique de chambre ou à l'opéra. Parmi eux se trouvent des thèmes de Quatre Saisons de Vivaldi, de Haendel Musique pour les feux d'artifice Royal, Flûte enchantée de Mozart, de Beethoven, Symphonie n o 9 ou Chorus Verdi des esclaves hébreux. Il est à craindre de ce volume pour faire chefs-d'oeuvre classiques de la littérature concert accessible aux enfants par le biais de ces arrangements plutôt faciles et les faire profiter de la musique classique. Tous les morceaux sont enregistrés sur le CD d'accompagnement pour le rendre plus facile pour les élèves d'étudier et de maîtriser les oeuvres. / Guitare
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Classical Music For Children
Guitare
Schott
This volume contains everything needed for guitar lessons: 58 easy original guit...
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This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony #9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. / Guitare
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Concerto Per Oboe Archi E B.C.: Per 2 Ob. In Re Min. Rv 535 F.VIi/9 Tomo 264 (VIVALDI ANTONIO)
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F.Vii-9 - Tomo 264. Par VIVALDI ANTONIO. / Répertoire / 1 ou 2 Hautbois
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Sonate Pour Vl. E B.C.: In Re Min. Rv 15 - F.XIII/9 Tomo 367 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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F.Xiii-9 - Tomo 367. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Contin...
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F.Xiii-9 - Tomo 367. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Concerto Per Oboe Archi E Bc.: In Re Min Op. VIII N 9 - Rv 454 F.VIi/1 Tomo 2 (VIVALDI ANTONIO)
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Op Viii N 9 F.Vii-1 - Tomo 2. Par VIVALDI ANTONIO. / Répertoire / 1 ou 2 Hautbo...
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Op Viii N 9 F.Vii-1 - Tomo 2. Par VIVALDI ANTONIO. / Répertoire / 1 ou 2 Hautbois
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