Salsa Music Styles for the Classroom & Beyond-Hola Amigos! Experience authentic music styles of the Afro-Spanish-Caribbean by Puerto Rican-born author & bi-lingual educator Alejandro Jimenez. Connect with educational philosophies and cultural backgrounds of the SpanishCaribbean to understand how they influenced the music of that area. Learn how song dance rhythmic instruments and drama all come together to help build confidence and promote personal expression. Originally developed and used inurban multi-cultural settings here in the United States the works featured in Picante are for all general music classes. Students form their own Latin Music ensembles and explore the highly rhythmic beat of the plena from PuertoRico the regueton which is popular among urban Latino youth the fast two-step beat of the merengue from the Dominican Republic the bomba from Puerto Rican folk music and the son from Cuban dance music. These different stylesinfluenced what we now call Salsa music. The kid-friendly ensembles have been written for Grades 5-9 and are presented from easy to more difficult. A variety of short easily-learned ostinato rhythm patterns are played on Latinpercussion and Orff instruments and added one at a time followed by the Spanish and English lyrics. These voice parts are also made up of short ostinato patterns that when layered in create easily-sung harmonies in an instant!You can perform all or some of the voice parts so do what best fits your situation. A helpful teaching sequence dance steps and objectives linked to the National Standards are provided for each song and all ensemble parts arereproducible! The piano/vocal printed score represents the form of each song as recorded on the companion CD and is only a suggested guide to follow. Encourage your students to be creative and make up their own song form!Available separately: Teacher Edition (with reproducible pages) Performance/Accompaniment CD Classroom Kit (Teacher and P/A CD). Suggested for grades 5-9.

Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna

The Creative Impulse. Par MAIR MARILYNN. Marilynn Mair has enjoyed a long career as a world-renowned mandolinist, esteemed for over a thousand concert performances, more than two dozen recordings and 4 previous Mel Bay books, including the first two volumes of her series, The Complete Mandolinist. In Volume 3, Marilynn steps forward as a composer, presenting over 60 of her own pieces - nearly half written during the pandemic lockdown of 2020-2021 when live music was forced off stage. Creativity didn?t take a break for Marilynn, though, and soon compositions began to sprout from those quiet days: works for solo and duo mandolin, mandolin-guitar duets, and pieces for plucked string ensembles. They fill the pages of this book with fresh ideas, playful melodies, quirky harmonies, and romantic visions. There are scores and parts for her Fantasia, Nocturnes, Études, Choro, and Ensembles, most of the music published here for the first time.Besides sheet music, the book also includes downloads of over an hour-and-a-half of Marilynn?s performances of the music, brand-new recordings of her recent works, some pieces from her earlier CDs, and a few recordings previously made but never released. This book opens the door to a new musical vision, from a musician who has already proven herself a masterful interpreter of classical and Brazilian repertoire. In her own words, ?I had friends and students in mind as I wrote, creating pieces to pass on my unique perspective on what makes classical mandolin cool.? Dive in and see what treasures you may.find.ncludes access to online audio. / Date parution : 2023-08-12/ Recueil / Mandoline

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. - A new reference set of Beethoven?s Symphonies for students, conductors and libraries Edition no.: BA 9000 ISMN: 9790006540952 Editor: Del Mar, Jonathan Language(s) of text: German, English Product format: Score, Anthology, Urtext edition Includes the following individual parts: Orchestra Binding: in a slipcase Pages / Format: 1186 S. - 32,2 x 25,0 cm

Salsa Music Styles for the Classroom & Beyond-Hola Amigos! Experience authentic music styles of the Afro-Spanish-Caribbean by Puerto Rican-born author & bi-lingual educator Alejandro Jimenez. Connect with educational philosophies and cultural backgrounds of the SpanishCaribbean to understand how they influenced the music of that area. Learn how song dance rhythmic instruments and drama all come together to help build confidence and promote personal expression. Originally developed and used inurban multi-cultural settings here in the United States the works featured in Picante are for all general music classes. Students form their own Latin Music ensembles and explore the highly rhythmic beat of the plena from PuertoRico the regueton which is popular among urban Latino youth the fast two-step beat of the merengue from the Dominican Republic the bomba from Puerto Rican folk music and the son from Cuban dance music. These different stylesinfluenced what we now call Salsa music. The kid-friendly ensembles have been written for Grades 5-9 and are presented from easy to more difficult. A variety of short easily-learned ostinato rhythm patterns are played on Latinpercussion and Orff instruments and added one at a time followed by the Spanish and English lyrics. These voice parts are also made up of short ostinato patterns that when layered in create easily-sung harmonies in an instant!You can perform all or some of the voice parts so do what best fits your situation. A helpful teaching sequence dance steps and objectives linked to the National Standards are provided for each song and all ensemble parts arereproducible! The piano/vocal printed score represents the form of each song as recorded on the companion CD and is only a suggested guide to follow. Encourage your students to be creative and make up their own song form!Available separately: Teacher Edition (with reproducible pages) Performance/Accompaniment CD Classroom Kit (Teacher and P/A CD). Suggested for grades 5-9.

Uses: General Lent Ash Wednesday Holy WeekScripture: I John 1:9; Psalm 51:10-12; Hebrews 8:12From the pages of concert music repertoire comes an adaptation that incorporates the power of theoriginal masterwork with the impact of a new sacred text. Contemplative in nature the cry for forgiveness and mercy rises like a prayer from the luxurious textures of the choral sonority. Linear voice leading gives thisthrough-composed anthem an organic quality flowing with emotion and religious devotion. A noble orchestration crowns the whole with dignity and nobility. Available separately: SATB Orchestration StudioTrax CD. (Orchestrationinstrumentation: Score & parts for flute 1&2 oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1-3 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:47.

Rock out to songs like Katy Perry's 'Roar,' The Beatles' 'She Loves You,' and Journey's 'Don't Stop Believin'' with Mari Schay's age-appropriate, skill-building arrangements for Orff and classroom percussion. Along the way, you'll reinforce rhythmic concepts, note reading, playing techniques, and so much more, as the author includes several pages of teaching strategies to guide the process (even addressing the new national standards). A handful of traditional favorites rounds out the balanced song list. Equally appropriate for existing Orff ensembles or general music class. The enhanced CD includes full performance demonstrations of all ten songs, as well as printable/reproducible/projectable instrument parts. Recommended for grades 4--9. / Orff-Instrument

After performing at many educational conferences like the TMEA and NYSSMA conferences, the creators of BARRAGE had many requests for printed, published versions of their music. Many young string players sent letters and e-mails asking that BARRAGE do something to help bring the 'cool element' to their school string program. In response, SWATH Publishing is pleased to be able to offer an exciting string orchestra arrangement of the BARRAGE favorite 'Mountain Spring'. Composed by Dean Marshall (Artistic Director of BARRAGE) and arranged by Arthur Bachmann (violist - The Calgary Philharmonic Orchestra), this piece is a guaranteed crowd pleaser for any school orchestra concert! Appropriate for the intermediate to advanced string orchestra, the piece comes with a full set of string parts (885555), conductor's score, and piano score. *BARRAGE is an internationally acclaimed violin ensemble that presents the violin in a unique and innovative way. BARRAGE combines diverse musical styles with dazzling choreography to produce a show that is truly spellbinding! / Orchestre A Cordes / 82 pages / niveau : Intermédiaire/Avancé / Partition - Format: 12 X 9