- 14 much-loved jazz songs- Easy arrangements for tenor saxophone and piano- CD of play-along tracksThis edition brings together 14 of the best-loved jazz standards, arranged for tenor saxophone and piano by Dirko Juchem. Great for lessons, performance or simply playing at home for fun with the backing tracks on the accompanying CD. / Saxophone Tenor

Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap 52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like Today Ablution, Adam's Apple, Affirmation, Alfie's Theme, All Alone (Left Alone), All My Tomorrows, Along Came Betty, Alto Itis, April Skies, Aquellos Ojos Verdes (Green Eyes), Ask Me Now, At The Mambo Inn, Azure Baby, It's Cold Outside, Bags And Trane, Bags' Groove, Baia (Bahla), Bali Ha?i, Ba-lue Bolivar Ba-ldes-arb (Bolivar Blues), Barbara, Be-bop Big P, Billie's Blues (I Love My Man), Bill's Hit Tune, Bird Feathers, Birdland, Bitches Brew, Blackberry Winter, Bloomdid, Blue ?n Boogie, Blue Serge, Blue Seven, Blue Silver, Blues By Five, Blues For Wood, Blues In The Closet, Bohemia After Dark, Bolivia, Born To Be Blue, Bossa Antigua, Bouncing With Bud, Bright Boy, Brilliant Corners, Buster Rides Again, Bye Bye Blackbird Caldonia (What Makes Your Big Head So Hard?), Caravan, Careful, Chameleon, Chasin' The Trane, Circle, Cold Duck Time, Comin' Home Baby, Continuum, Cool Blues, Cousin Mary, Crazy She Calls Me, Criss Cross Dance Of The Infidels, Day By Day, Day Dream, 'deed I Do, Dewey Square, Dheamy, Dig, Dindi, Do I Love You Because You're Beautiful?, Don't Ever Go Away (For Causa De Voce), Don't Explain, Don't Worry 'Bout Me, Doxy, Duff Early Morning Mood, East To Wes, Eclypso, Elogie, Elora, Emancipation Blues, Estate, Eye Of The Hurricane Farmer's Trust, Feels So Good, Fever, Fields Of Gold, Filthy Mcnasty, Five Brothers, Fly Me To The Moon (In Other Words), Flying Home, Fox Hunt, Freight Trane, Frenest, Full Moon And Empty Arms, Funkallero, Funky Georgia On My Mind, Gettin? It Togetha, Girl Talk, Glad To Be Unhappy, Gregory Is Here, Grooveyard H

Inoubliable...Cinq collections de musique légère mémorable, arrangé pour piano solo complet avec le symbole de la corde / Piano / 80 pages / Partition

These popular publications are compiled especially for the tastes and abilities of the talented teenage singer/actor. Songs span from classic stage musicals, to ?the golden age of Hollywood,? to the stage and cinema ofthe 1980s and '90s. Indispensible for teaching young singers, these book/CD packs also include notes on each selection. The Young Women's Edition includes 33 songs: Beauty and the Beast ? Diamonds Are a Girl's BestFriend ? Honey Bun ? I Could Have Danced All Night ? I Enjoy Being a Girl ? I Have Confidence ? Many a New Day ? Memory ? My Favorite Things ? On My Own ? Part of Your World ?Sisters ? Think of Me ? Wouldn't It Be Loverly ? and more.

Le livre réel est extrêmement précis, soignée et vise avant tout, pour un usage pratique. Cette deuxième édition nouvelle contient tunes qui sont réarrange et re-transcribed afin que vous pouvez étudier et jouer ces oeuvres avec précision. / Instruments En Do

John Jackson grew up in rural Virginia listening to the older musicians around him and the blues stars whose records he heard on his family's wind-up phonograph. For a while in his youth he played at country dances but mostly he just picked the guitar and banjo for his own amusement and his tastes ranged from the Piedmont blues of Blind Blake Josh White and Blind Boy Fuller to the hillbilly yodels of Jimmie Rodgers and an old-time banjo style that reached back to the 19th century.?I can play most anything I put my mind to if I want to ? he would say with a big smile. ?Blues mountain hoedowns dance tunes... I don't get into soul or disco or rap music or nothing likethat but I ain't got anything against it; it just didn't come along when I did.?Jackson always seemed supremely relaxed and easy-going but under his friendly country manner he was an indefatigable worker. He recalled a time when musicians would walk twenty miles over dirt roads to get to a house party play till the wee hours of the morning then walk home and put in a full day on the farm and he kept numerous jobs most famously as a grave digger into his seventies. He was just as dedicated onstage an all-around entertainer who mixed his songs with jokes and stories and tried to give his audiences a sense not only of the music he loved but of the world that had produced it.That world is long gone but it lives on in the loping rhythms of Jackson's intricate guitar picking and the mellow flow of his honey-slow Virginia drawl. This is old-time back-porch country music played by a man who always seemed like he was just kicking back and enjoying himself with some friends but put all he had into every note.