SKU: YM.GTW01098114
ISBN 9784636981148. 8.5 x 12 inches.
This is a collection of 23 popular songs from Studio Ghibli's works, arranged for a duet, trio, and quartet. The arrangements are considerably flexible, allowing the trio to play as a duet and the quartet as a trio.The standard trio arrangement is written for 3(or 2) alto saxophones and 3(or 2) tenor saxophones, but this arrangement is also suitable for 2 alto saxophones and 1 tenor saxophone. Please refer to the guide in the score.The quartet can also be played on 2 alto saxophones and 1 tenor saxophone. Many of the pieces are arranged for beginners, so they can be enjoyed by anyone who has just picked up an instrument.
SKU: YM.GPW01096561
ISBN 9784636965612.
7 arrangements for solo alto saxophone and piano from Disney cinemas. Lai Zi Di Shi Ni Dian Ying De 7Shou Ge Qu . 1. Bibbidi-Bobbidi-Boo; 2. A Dream Is a Wish Your Heart Makes; 3. Part of Your World; 4. Under the Sea; 5. Be Our Guest; 6. A Whole New World; 7. Let It Go 1. Mo Fa Zhi Ge ; 2. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 3. Yu Ni Wei Ban ; 4. Zai Hai Di ; 5. Huan Ying Ni ; 6. Zhan Xin De Shi Jie ; 7. Sui Ta Ba.
SKU: M7.DOHR-13938
ISBN 9790202029381.
Capricho Catalán ist das fünfte von sechs Klavierstücken aus der Suite España op. 165 aus dem Jahre 1890. Das Original dieses anmutigen Charakterstücks ist sehr durchsichtig und einfach gehalten. Die linke Hand spielt fast ohne Unterbrechung ihr synkopisches Begleitmuster, die Melodie in gefühlvoller Terzenseligkeit liegt in der rechten Hand. Die Oberstimme der Bearbeitung kann von einem Sopran- oder Alt-Saxophon gespielt werden. (Albert Loritz).
SKU: IS.SQ6414EM
ISBN 9790365064144.
SKU: YM.GTW01100365
ISBN 9784636102581. 8.5 x 12 inches.
Have you ever wanted to play some popular J-Pop songs, but the notes are too high, too detailed, too difficult to finger, or the song is too long? To solve such difficulties, the scores are arranged in keys that are easier for wind instruments to play, reviewed the detailed notes, and shortened the length of the songs. *Alto saxophone scores are notated in E-flat. *All chord symbols in alto saxophone sheet music are transposed chords. The concert key is the minor third degree above the chord listed. (For example, a piece in C is written in E-flat.).
SKU: HL.49006849
ISBN 9790001073530. 9.0x12.0x0.08 inches.
SKU: YM.GPW01096560
ISBN 9784636965605.
7 arrangements for solo alto saxophone and piano from Disney cinemas. Lai Zi Di Shi Ni Dian Ying De 7Shou Ge Qu . 1. Mickey Mouse March; 2. It's a Small World; 3. Chim Chim Cher-ee; 4. Someday My Prince Will Come; 5. Heigh-Ho; 6. Beauty and the Beast; 7. Can You Feel the Love Tonight 1. Mi Lao Shu Jin Xing Qu ; 2. Xiao Xiao Shi Jie ; 3. Yan Cong Zhi Ge ; 4. Zong You Yi Tian Wang Zi Hui Chu Xian ; 5. Hai Yo ; 6. Mei Nu Yu Ye Shou ; 7. Jin Ye Ai Wu Xian.
SKU: YM.GTP01101652
ISBN 9784636113334. 8.75 x 12 inches.
Here is the ultimate, official, complete edition of Studio Ghibli Piano Solo Collection, featuring 77 of Studio Ghibli's essential musical masterpieces, fully supported in three languages: Japanese, English and Simplified Chinese! From 20 of Studio Ghibli's most beloved films, including My Neighbor Totoro, Princess Mononoke, Spirited Away, and more, comes a piano solo collection featuring 77 iconic songs. In addition to timeless favorites, songs from popular soundtracks such as Kiki's Delivery Service and Porco Rosso are included. Featuring Studio Ghibli's musical masterpieces in solo piano arrangements, this collection includes the film's theme songs as well as fan-favorite instrumental music. The difficulty levels range from easy to intermediate, making them accessible to a wide range of players, and the simpler arrangements can be fully enjoyed by players who can feel the essence and atmosphere. The book cover features official Studio Ghibli artwork. The book is supported in Japanese, English and Chinese. This single volume offers a comprehensive, special collector's edition for enjoying the music of Studio Ghibli. Studio Ghibli 77 Selections is sure to take you on a musical journey through 20 Studio Ghibli films!
SKU: BT.DHP-1165701-070
ISBN 9789043150415. English-German-French-Dutch.
The composer Pascal Proust has many yearsâ?? experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote 14 Easy Saxophone Quartets for saxophone players at the level of approximately 2 3 yearsâ?? study and paid special attention to an easy-to-follow, attractive musical style. As a result, these quartets are ideal performance or competition works for young saxophone ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Easy Saxophone Quartets voor saxofonisten die ongeveer twee tot drie jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge saxofoonensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Easy Saxophone Quartets für Saxophonisten mit ungefähr 2 3 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Saxophonensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue dâ??oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Easy Saxophone Quartets pour saxophonistes ayant environ 2 3 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de saxophones.
SKU: BR.KM-2234
World premiere: Rottenburg am Neckar, February 1, 1987
ISBN 9790004501382. 9 x 12 inches.
Ein kurzweiliges, kontrastreiches Opus, angeregt durch das Rascher-Quartett, dem es auch gewidmet ist; keine experimentelle, aber instrumentengerechte, neue Musik, auf die Spiel- und Ausdrucksmoglichkeiten sowie auf den spezifischen Klang eines technisch und musikalisch anspruchsvollen Saxophon-Ensembles bezogen (Sopran - Alt- Tenor - Bariton)Funf suitenformig locker aneinander gereihte Satze (Funf ,,Blatter) werden durch ein dodekaphonisches Leitmotiv verknupft, das zu Anfang eines jeden Satzes erklingt.Im Circulo ostinato bestimmt diese Figur entscheidend den Verlauf des Stuckes; zu Beginn des Finales verdichtet sie sich zum vierstimmigen Kanon. Ostinate und rhythmische Formeln pragen den Charakter des ganzen Werkes.Allegro ruzzone (Ubermut)Ein knappes lebhaftes Eingangsstuck; auf dem Hohepunkt erscheint, wie ein Atemholen, ein melodisch-ausdrucksvoller Gedanke, der sich imitatorisch im Kreise dreht, ehe eine kurze Stretta in schnellem Tempo zum Pianissimoschluss fuhrt.Circulo ostinato (Kreisende Wiederholung) (Andante con moto)Der Mittelteil des Satzes entwickelt sich aus gestauten Tonwiederholungen und den melodischen Flosklen des Urthemas in immer neuen Anlaufen zu grosser Steigerung. Am Anfang und Ende steht ein mehrstimmiger Kanon, der um eine abwarts gerichtete chromatische Tonfolge kreist.Ballo estatico (,,Entfesselter Tanz) (Allegro molto)In diesem Satz dominieren rhythmisch tanzerische und aggressive Elemente; drei verschiedene Episoden entfalten sich uber ostinaten Bassbewegungen, die letzte gerat zur ,,freien Variation uber Debussys (,,Golliwoggs cake walk aus den ,,Children's Corner).Sogno solitario (Einsamer Traum) (Andante)Der ,,langsame Satz des Quartetts wachst aus rezitativischem Beginn, uber einen ausdrucksvollen Mittelteil (mit engraumiger Melodik) bis zu einer ausgedehnten Trillerflache und dichten, abwarts sturzenden chromatischen Figuren (Quintolen), kehrt uber einen ruhigen Abschnitt (in tiefer Lage) zum Rezitativ zuruck, klingt verhalten aus.Fugato scherzando (Allegro molto)Ein virtuos humorvolles Finale, nach dem einleitenden vierstimmigen ,,Kreisel-Kanon des Leitmotivs entwickelt sich aus einem skurrilen Thema eine rhythmisch vertrackte Fuge, unterbrochen von einem trioahnlichen Intermezzo und wirkungsvoll turbulent zum befreienden Schluss gesteigert.(Jurg Baur)Bibliography:Gudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002.World premiere: Rottenburg am Neckar, February 1, 1987.
SKU: BR.EB-9441
ISBN 9790004189184. 9 x 12 inches.
The two sonatas of Johannes Brahms's op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank among the most frequently played viola works of the 19th century. They far surpass in compositional substance the relatively few original sonatas written for these instrumentations during the same period.Of the two fellow works, the Sonata No. 2 in E flat major is the more accessible. Diverging from the classical-romantic tradition, Brahms used the key of E flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The serenade-like beauty of the principal theme, which opens the sonata, has always been particularly admired. In his review of the world premiere, the renowned Viennese music critic Eduard Hanslick, a friend of Brahms's, raves with the words it was as if it had fallen from the Heavens. The closing set of variations also follows with gentle gracefulness this lyrical character. However, the middle movement, with its tempestuous outer sections in E flat minor and the hymnic trio in B major provides a passionate and serious contrast, which allows the flanking idyll to unfold its beauties all the more insistently.
SKU: YM.GTP01100826
ISBN 9784636106039.
A collection of all-time favorite J-POP songs appropriate for the graduation season and farewells. The songs are filled with touching content about friendship, gratitude, and encouragement for the future.
SKU: BR.CHB-3486-02
ISBN 9790004404263. 7.5 x 10.5 inches.
The literary genre of the Nanie is a song of lament that dates back to classical antiquity. Brahms' Naenie op. 84 is a requiem in honor of the artist Anselm Feuerbach (1829-1880), whom Brahms greatly revered. After a first draft in the summer of 1880, Brahms set Schiller's poem Nenie (It was not until the preparations for the printing that Brahms changed the spelling to Nanie) one year later, when he was residing in Pressbaum near Vienna. He personally conducted the first performance in Zurich on 3 December 1881. The work is dedicated to Henriette Feuerbach, the artist's mother..
SKU: BR.CHB-16000-02
ISBN 9790004413272. 7.5 x 10.5 inches. German.
Between melancholy and exuberanceDuring his summer vacation in 1891 Brahms composed six vocal quartets which would appear in print later that autumn. This set, to become Brahms's opus 112, clearly falls into two groups. The first two in the melancholic tone of the poems Sehnsucht (Longing) and Nachtens (At Night) by Franz Kugler come upon four Zigeunerlieder (Gypsy Lieder) bursting with vitality and power. The first public performances of the work were very positively received. Even while Brahms was still alive, the work was performed not only by the four solo voices originally intended, but also by choruses. Breitkopf & Hartel's new practical edition of the Quartette follows the music text of the critical edition of the Johannes Brahms Complete Edition.
SKU: BR.EB-9440
ISBN 9790004189177. 9 x 12 inches.
SKU: BR.CHB-3541-02
Now complete with piano-vocal score
ISBN 9790004404720. 7.5 x 10.5 inches.
Brahms' Begrabnisgesang op. 13 has long been one of Breitkopf & Hartel's standard works. Yet while musicians were able to acquire the score, orchestral parts and choral score, there was no piano-vocal score up to now. This gap is now being closed. The piano-vocal score will be a valuable asset to all choirs learning and performing the work, not least because the piano reduction is conceived so as to sound compelling on the organ as well. In his preface, Ulrich Mahlert suggests that the work of the then 25-year-old composer is perhaps to be seen in the light of Robert Schumann's death and Clara Schumann's own thoughts of death.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
