Vocal and Guitar (BR)

SKU: HL.49023860

Lieder und Geschichten. Composed by Dapper. Edited by Beate Dapper. This edition: Paperback/Soft Cover. Sheet music. Kunter-bund-edition. Melody line (with chords). 96 pages. Schott Music #BUND 71153. Published by Schott Music (HL.49023860).

ISBN 9783795756864. German. Viktoria Lundgruen.

Diese Sammlung von insgesamt 36 Liedern, Mythen, Marchen, Gedichten und Wissenswertem fuhrt auf eine faszinierende Reise durch die Sternenwelt.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113949

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Organ. Composed 1724. BWV 139. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.139/49. Published by Carus Verlag (CA.3113949).

ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113900

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Full score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/00. Published by Carus Verlag (CA.3113900).

ISBN 9790007170479. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113911

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Violin 1. Composed 1724. BWV 139. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.139/11. Published by Carus Verlag (CA.3113911).

ISBN 9790007208240. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo

SKU: CA.3113903

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903).

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113909

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. 1x 31.139/21 oboe d'amore 1, 1x 31.139/22 oboe d'amore 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/09. Published by Carus Verlag (CA.3113909).

ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113919

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/19. Published by Carus Verlag (CA.3113919).

ISBN 9790007181277. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

By Carl Philipp Emanuel Bach. Edited by Eisert, Christian. Occasions: First Communion; Use during church year: Easter and Eastertide. Collection. 128 pages. Published by Carus Verlag (German import).

SKU: HL.49018151

Eine Langzeitstudie uber musikalisch Hochbegabte. Composed by Hans Guenther Bastian and Martin Koch. This edition: Hardback/Hard Cover. Book. Misc. 408 pages. Schott Music #ED20757. Published by Schott Music (HL.49018151).

ISBN 9783795706890. German.

1985 forderte das Bundesministerium fur Bildung und Forschung eine Biographiestudie uber musikalisch Hochbegabte, deren Ergebnisse in Leben fur Musik und Jugend am Instrument (Mainz 1989 und 1991) veroffentlicht wurden. Heute, mehr als 20 Jahre spater, haben die Autoren nachgefragt: Was ist aus diesen musikalisch sehr begabten Jugendlichen geworden? Haben sich ihre Traume erfullt? Aus den Gesprachen uber Erwartungen, Enttauschungen und Glucksmomenten ergeben sich wertvolle Ratschlage fur angehende junge Musiker, aber auch fur ihre Eltern und Lehrer sowie fur alle Ausbildungsinstitutionen - in der Hoffnung, dass diese zur Optimierung von relevanten Strukturen, Inhalten und Methoden beitragen.Hans Gunther Bastian: Lehramtsstudium Musik in Frankfurt und Studium der Musikwissenschaft in Giessen. 1980 Promotion zum Dr. phil. 1980 Professur fur Musikpadagogik an der Universitat Bonn. 1986 Lehrstuhl Musikdidaktik Universitat Paderborn. 1992-1998 Grundungsdirektor des Instituts fur Begabungsforschung und Begabtenforderung in der Musik (IBFF). 1997 Lehrstuhl fur Musikpadagogik Goethe-Universitat Frankfurt sowie Universitat Mozarteum Salzburg. 1998 Geschaftsfuhrender Direktor des Instituts fur Musikpadagogik der Goethe-Universitat Frankfurt. Zahlreiche Fachbuchveroffentlichungen.Martin Koch: Studium der Musikpadagogik, Musikwissenschaft sowie Erganzungsstudium Kulturmanagement. 1993 M.A. 1995 bis 2002 Wissenschaftlicher Angestellter Universitat Paderborn, speziell Institut fur Begabungsforschung und Begabtenforderung in der Musik, ab 1998 als Geschaftsfuhrer. 2003 bis 2005 Generalsekretar bzw. Geschaftsfuhrer von Musik-Arbeitsgemeinschaften auf Bundesebene. Diverse musikpadagogische Veroffentlichungen. Seit 2006 Lehrer an einer Haupt- und Realschule im Raum Wolfenbuttel, Fachleiter Musik. 15 Jahre aktiv als Chorleiter.