Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups. Little Voices - Ballads brings together five well-known ballads specially selected and arranged in two parts for young groups and choirs. This book includes the favourites Angels, Can You Feel The Love Tonight?, Dear Jessie, You Raise Me Up and When You Believe . / 2 Parties Mixtes

The Ukulele Decade Series: The 1990s features 80 essential '90s songs in Ukulele arrangements, including All I Wanna Do, Don't Look Back in Anger, Livin' La Vida Loca, More Than Words, Only Wanna Be with You, Smells like Teen Spirit and more. / Ukulélé

Compilation de 16 ballades Rock & Pop arangées pour guitare picking facile. Notation doigté picking. Inclus les tubes 'One' de U2 et 'Angels' de Robbie Williams. / Guitare / Partition

The 'Christmas Choirbook' is a collection of up-to-date, colorful arrangements of 22 Christmas songs from throughout the world. Among classics, dressed in new harmonic sounds, you will enjoy jazz and pop intonations, as well as gospel renditions of 'Go Tell It' and 'Joyful'. The skandinavien Christmas songs are particularly special: contemplative and musical, even droll as in the story about the Christmas troll in the finnish 'Tomtarnass Julnatt'.The 'Christmas Choirbook' offers many stylistic choices for the Christmas and Advent season choir music, so let the available CD (ED 9896-50) inspire you in the joyful singing of these pieces. Of course the recordings, meant only as a first and hopefully appealing impression, represent only a few of the many possible interpretations you will bring to the arrangements.Full verses were intentionally not recorded, although we did overlay simple instrumental accompaniments to the a cappella movements. In addition, the CD includes pure choire versions as well as some 'sing-a-longs', i.e. instrumental tracks for you to use as half-playback. / Choeur

The ultimate resource for studying the work of Miles Davis! 50 note-for-note transcriptions of his recorded solos that you can play on any Eb instrument. Includes: Airegin · All Blues · All of You · Au Privave · Bags' Groove · Billie's Bounce (Bill's Bounce) · Blue Haze · Budo · But Not for Me · Bye Bye Blackbird · Diane · Dig · Doxy · E.S.P. · Footprints · Four · Freddie Freeloader · A Gal in Calico · Green Haze · I Waited for You · I'll Remember April · If I Were a Bell · It Could Happen to You · It's Only a Paper Moon · Jeru · K.C. Blues · Love Me or Leave Me · Miles Ahead · Milestones · My Funny Valentine · Oleo · On Green Dolphin Street · The Serpent's Tooth · Seven Steps to Heaven · Sippin' at Bells · So What · Solar · Some Day My Prince Will Come · Stablemates · Stella by Starlight · Stuff · Summertime · The Surrey with the Fringe on Top · The Theme · Trane's Blues · Tune Up · Walkin' · Well You Needn't (It's over Now) · Woodyn' You · Yesterdays. / Instruments En Eb

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

Chor zu dritt with its three-part settings is aimed at the large number of choirs which cannot do full justice to the mainly four-part choral literature with divoded male voices. In Vol. 5, O little Town of Bethlehem, the singers can look forward to many national and international Advent songs and Christmas carols - and to successful concerts in the Christmas season, even with only one male voice! / Choeur Mixte (SABar) A Cappella

Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

Allows even the absolute beginner guitarist to build a repertoire of rock classics. Uses only lyrics and 3-chord symbols, no knowledge of musical notation required. Includes 'Peggy Sue', 'You Are My Sunshine', 'Kansas City' and 'Substitute'. / Paroles Et Accords (Avec Grilles D'Accords)

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD with a duet partner. Guest Spot Duets includes two CDs containing four tracks for each song: a full performance demonstration, one backing track omitting both duet parts, one containing the first duet part only, and one the second part. So whether or not you have a duet partner, Guest Spot Duets includes all you need to enjoy playing great songs. Both parts are of equal standard, aimed towards players between grades 3-5. / Flûte Traversière