SKU: HL.322513
UPC: 888680974558. 5.0x5.0x0.184 inches. II Kings 9:13, John 12:12-19, Matthew 2:1-11.
The sacred evergreen ELLACOMBE is given festive clothing in this arrangement of a Palm Sunday must-do! Multigenerational in scope, music ministry and congregation come together as one for a unique worship experience. Imagine the waving of palms and the warmth of children's voices, the sparkle of bells and the power of corporate singing, as this paean of praise becomes essential repertoire for the community of faith. Score and Parts (perc 1-2, str bs) available as a digital download.) Handbell part (3 oct.) also available as a digital download.
SKU: HL.35032433
UPC: 888680861582. 5.0x5.0x0.185 inches. John 12:12-19, Matthew 21:1-11, Psalm 118:25-26.
The well-known hymn tune ST. DENIO is joyfully recreated for use at Palm Sunday. Lilting with festive jubilation and decorated with a cheerful buoyant accompaniment, the anthem offers an exciting acclamation of hosanna in the highest! Effective counterpoint in the development section adds a touch of classic choral to this arrangement. A must-do! Score and Parts (alto rec, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: LO.10-1214L
UPC: 000308026481.
Christ's entry into Jerusalem couldn't begin with a more exciting piece of music! The splash of Brass (parts included within the octavo -2 Trumpets/2 Trombones) and the choral shouts of Hosanna! echo with anticipated joy throughout this festive opus, signifying the advent of Holy Week celebrations.
SKU: HL.48023803
UPC: 888680626433. 9.0x12.0x0.12 inches. Gabriel Musella and Rick Rodriguez.
Composed as a follow-up to Gabriel Musella's popular Don Ricardo, this work in paso doble style is dedicated to and named for Don Hanna, legendary Texas music educator of 50 years. Exhibiting a brilliance of melodic lines and fiery orchestration, Don Hanna is a worthy addition to the repertoire in this classic Spanish style. Dur: 3:40.
SKU: CA.624000
ISBN 9790007011918.
SKU: CA.4040220
ISBN 9790007066703.
SKU: LO.10-5251L
ISBN 9780787764692.
This Palm Sunday creation from Anna Laura Page and Jean Anne Shafferman has flexibility written all over it! Suitable for SATB or two-part mixed choirs, it will be readily learned and enthusiastically embraced by choirs and congregations alike. The optional handbells and hand drum add intriguing elements to this delightful anthem.
SKU: BT.EMBZ30
English-German-Hungarian.
In 1916, as part of the series Az elemi zongorajáték gyakorlati tananyaga [Practical Repertory for Elementary Piano Playing], Rózsavölgyi & Co. published Bartók's selection of twelve pieces from the collection usually given the title Notenbüchlein für Anna Magdalena Bach. A revised 1923 edition added one more piece. The contents of our edition are an identical reprint of the 1923 version, including Bartók's in-depth preface in both Hungarian and German and the footnotes he added to the individual pieces (also provided here in an English translation).Johann Sebastian Bach gave his second wife Anna Magdalena two manuscript music-books which contain, besides his own works,compositions by other contemporaries. The present selection includes 13 pieces from the second book (dated to 1725). In der beim Budapester Musikverlag Rózsavölgyi & Co. erschienenen Reihe Az elemi zongorajáték gyakorlati tananyaga [Praktischer Lehrstoff des elementaren Klavierspiels] wurde 1916 eine aus 12 Stu cken bestehende Auswahl Béla Bartóks aus der unter dem Titel Notenbu chlein fu r Anna Magdalena Bach bekannten Sammlung veröffentlicht. Deren im Jahre 1923 veröffentliche revidierte Ausgabe wurde durch ein weiteres Stu ck ergänzt. Der Inhalt der vorliegenden Ausgabe deckt sich mit dem der Edition das Jahres 1923 (die Noten bringen wir als Reprint) einschließlich des Vorworts Bartóks in ungarischer und in deutscher Sprache sowie seiner Randnotizen zu den einzelnen Stu cken, die wir auch in englischer Übersetzung wiedergeben.
Johann Sebastian Bach schenkte seiner zweiten Frau, Anna Magdalena, zwei handgeschriebene Notenhefte, in die er neben eigenen Werken auch Stu cke anderer zeitgenössischer Komponisten aufnahm. Die vorliegende Auswahl beinhaltet die 13 Stu cke des im Jahr 1725 erstellten zweiten Heftes.
SKU: HH.HH523-FSC
ISBN 9790708185345.
The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations.
SKU: HH.HH522-IPT
ISBN 9790708185390.
SKU: UT.MAG-268
ISBN 9790215326798. 9 x 12 inches.
The study of Johann Sebastian Bach’s compositions on the harp has a long history. The first who understood its importance for educational purposes was Robert Nicolas Charles Bochsa, who inserted some fugues of Bach and Haendel in his monumental method for the harp op. 60, accompanied by detailed fingerings. However, it was from the beginning of the 20th Century that the great harp teachers began to work extensively on Bach’s repertoire. Among the most illustrious examples we can mention Henriette Renié, who published two volumes of transcriptions, one containing ten preludes and one ten short pieces, Alfred Kastner who worked on the Two–part Inventions, Marcel Grandjany with his famous studies based on partitas and sonatas for solo violin, or Annie Louis David, who published two important volumes of preludes and fugues taken from The Well-Tempered Clavier, not to mention all those who transcribed just a single piece for concert purpose.As is known, the Notebook for Anna Magdalena (Notenbüchlein für Anna Magdalena Bach), consists of two small manuscript volumes, the first compiled in Köthen in 1722 and the second in Leipzig three years later. The first contains only compositions by Johann Sebastian, while the second also includes pieces by other authors such as Couperin, Hasse and Carl Philipp Emanuel Bach.The idea of ​​collecting in a volume some of the simplest compositions contained in the Notebook was born mainly from the desire to introduce even the youngest students to Bach’s music, in an easy and progressive way, so as to start as soon as possible at make them familiar with polyphonic writing and the use of embellishments, introduced here in a simplified version.
SKU: HH.HH523-IPT
ISBN 9790708185406.
SKU: HH.HH522-FSC
ISBN 9790708185338.
SKU: HL.49019668
ISBN 9790001189873. Latin.
The movements of 'Missa di Sant' Anna' were composed over the course of several years, each one for the 'Madchenchor am Essener Dom' (girls' choir of the Cathedral of Essen). The title of the Mass is related to the dedication of the 'Agnus Dei', commemorating the innocent victims of the massacre in the Tuscany village of S. Anna di Stazzema in the year of war 1944 and appreciating the idea and spirit of the peace centre there.'Kyrie' and 'Agnus Dei' are sung solely by the choir a cappella, whereas 'Gloria' and 'Sanctus' are jointly sung by choir and congregation. This exciting piece of music can be performed either with organ accompaniment or with additional brass instruments.
SKU: FJ.H1024
ISBN 9781619283480. UPC: 241444437070. English.
In 1725, J.S. Bach gave his second wife, Anna Magdalena, a Notenbüchlein - a collection of solo keyboard pieces and arias. Most of the keyboard pieces were composed by friends, colleagues, and his son, Carl Philipp Emanuel Bach. The easier keyboard works were probably used to instruct their children, while the arias would have been performed by Anna Magdalena, who was a singer. For this edition, Edwin McLean has chosen and expertly edited the most popular and easier keyboard pieces. Originally, the pieces contained no dynamics and virtually no phrasing, which is typical of baroque harpsichord music and even early 18th-century fortepiano music. Sectional dynamics have been added editorially and may be changed at the discretion of the performer. A minimal amount of phrasing and articulation has also been added for clarity. This edition preserves the original notation for appoggiaturas, where small eighth or quarter notes resolve to the principal note. Ossias have been included to show how to play them; ossias also appear when needed for ornaments such as trills and mordents.
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