| Benjamin Britten: Two
Portraits for Strings
(1930): Viola: Study
Score Viola and orchestra [Study Score / Miniature] Chester
Britten's Two Portraits for strings - the composer himself called them 'Sketches...(+)
Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930 during the summer holidays preceding the sixteen-year-old composer's first term at the RoyalCollege of Music in London.Both are musical depictions of character the first portraying Britten's school friend David Layton and the second introducing a solo Viola (Britten's own string instrument) a self-portraitof the composer. According to Britten's diary he planned to compose a third portrait again for strings that was to depict another school friend Peter Floyd but this movement was not written. However David Layton was to beportrayed again though very differently in Britten's later quartet suite Alla Quartetto Serioso (1933) itself revised and re-titled in 1936 as Three Divertimenti.The Pencil manuscript score in theBritten-Pears Library at Aldeburgh although hastily written is very detailed ad dynamics and phrasing are carefully notated throughout. However in several places in the first 'Portrait' the notes themselves are either difficultto decipher or due to the highly chromatic nature of the music difficult to interpret - in some cases Britten has clearly made notational 'spelling' mistakes which have been silently corrected in this editon. A list ofthose places where the reading of the manuscript is doubtful may be obtained from the Britten-Pears Library Aldeburgh.As with virtually all orchestral music from his youth Britten did not hear either 'Portrait'performed. The first performance of Two Portraits was given by the Northern Sinfonia conducted by Martyn Brabbins broadcast by BBC Radio 3 on 5th December 1995 as part of a series entitled 'Britten's Apprenticeship'.The first concert performance of Portrait No.1 was given by the Britten Chamber Orchestra conducted by Andreas Mitisek at the Konzerthaus Schubert-Saal Vienna on 10th February 1996. The first concert performance of
16.99 GBP - Sold by Musicroom UK |
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| Benjamin Britten: Six
Early Songs: Voice: Vocal
Album Medium voice, Piano Faber Music Limited
2013 marks the centenary of Benjamin Britten’s birth and major celebratio...(+)
2013 marks the centenary of Benjamin Britten’s birth and major celebrations are planned across the world making this the widest ever global celebration of a British composer. The previously unpublished Six Early Songs were written during the composer’s schooldays whilst he was studying with Frank Bridge. But even at this tender age Britten already had such accomplished works as Quatre Chansons Francaises under his belt. The songs on the one hand display Britten’s school-boyish imagination (witches owls and moths) while on the other show a more brooding side not to mention confident piano writing and an innate understanding ofvocal drama. Previously unpublished these six songs are an important new addition to the solo song repertory.
11.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Benjamin Britten: Two
pieces for violin:
Violin: Score and Parts Violin and Piano Faber Music Limited
2013 marks the centenary of Benjamin Britten’s birth and major celebratio...(+)
2013 marks the centenary of Benjamin Britten’s birth and major celebrations are planned across the world making this the widest ever global celebration of a British composer. The previously unpublished Two Pieces were written in late 1929 after Britten composed the Rhapsody For String Quartet (March 1929). The new publication will be edited by David Matt hews who spent three years as an assistant to Benjamin Britten at Aldeburgh in the late 1960’s.
30.00 GBP - Sold by Musicroom UK |
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| Oser…
L'Opéra
(DIVERS AUTEURS (ARR) Français Choral 3-part 3-Part Mixed [Sheet music] A Coeur Joie
Par DIVERS AUTEURS (ARR.ANNE AUBERT). 10 Pièces Pour Choeur D'Après Les Plus C...(+)
Par DIVERS AUTEURS (ARR.ANNE AUBERT). 10 Pièces Pour Choeur D'Après Les Plus Célèbres Opéras/ Recueil / 3 Voix Mixtes
22.45 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Operaria Baritone Baryton [Sheet music + CD] Breitkopf & Härtel
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited b...(+)
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.
OperAria offers in every book
- a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century
- reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores
- meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint)
- a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation
The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016.
'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
36.52 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Mark Tanner: Cornish
Pastiche: Brass Ensemble:
Instrumental Album B FLAT INST/PFA::B Flat Instruments,
Piano Accompaniment [Sheet music] Spartan Press
Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can...(+)
Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) Trombone and Tuba (bass clef) Horn in F Flute Clarinet and Bassoon. While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan
12.50 GBP - Sold by Musicroom UK |
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| Mark Tanner: Cornish
Pastiche: Flute:
Instrumental Album Flute and Piano - Easy Spartan Press
Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can...(+)
Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
12.50 GBP - Sold by Musicroom UK |
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| M. Tanner: Cornish
Pastiche: French Horn:
Instrumental Album French Horn and Piano [Sheet music] Spartan Press
Timeless Cornish Melodies-As I sit myself down to write this brief foreword I a...(+)
Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
12.50 GBP - Sold by Musicroom UK |
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| Mark Tanner: Cornish
Pastiche: Clarinet:
Instrumental Album Clarinet and Piano - Easy Spartan Press
As I sit myself down to write this brief foreword I ask myself can there be mus...(+)
As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
12.50 GBP - Sold by Musicroom UK |
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| Mark Tanner: Cornish
Pastiche: Trumpet:
Instrumental Album E FLAT INST/PFA::Instruments ·
Eb, Accompagnement Piano [Partitions] Spartan Press
Brass Treble Clef E Flat-As I sit myself down to write this brief foreword I as...(+)
Brass Treble Clef E Flat-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally sung or played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the underlying charm
12.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Anne Albritton David
Friedman: Let Me Be the
Music: SATB: Vocal Score Choral SATB [Vocal Score] Shawnee Press 13.75 GBP - Sold by Musicroom UK |
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| Fiddle Masters Concert
Series, Vol.3 Violin
Fiddle Masters Series de la boutique violon de Concert est tout simplement le pl...(+)
Fiddle Masters Series de la boutique violon de Concert est tout simplement le plus bel ensemble de représentations de violon jamais capturé sur DVD. Enregistré ' live ' dans une salle de concert 50 sièges intime, violoneux au sommet de leur jeu est accompagnés par certains des meilleurs musiciens et chanteurs dans le monde. Le résultat - 64 performances étonnantes, sorti le 3 volumes, 53 musiciens de 13 différents concerts mettant en vedette. Ces DVD offre une combinaison unique et fraîche de la musique et du cinéma avec un niveau extrêmement élevé de performance et de la production. Volume 3 des caractéristiques de cette série : Daniel Carwile, Hanneke Cassel, Casey Driessen, Brittany Haas, Natalie Hass, Alex Hargreaves, Tatiana Hargreaves et Gabe Witcher. / Violon (Traditionnel)
40.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Nico Muhly: The Sweets Of
Evening: Voice: Vocal
Score Children choir, Piano [Vocal Score] St Rose Music Publishing
Nico Muhly's The Sweets Of Evening (2006) was written for Dianne Berkun and the ...(+)
Nico Muhly's The Sweets Of Evening (2006) was written for Dianne Berkun and the Brooklyn Youth Chorus. This work is for children's voices and Piano. Having worked with this group of musicians many times before Muhly was honored to finally write them a piece. Having sung in a boy choir himself Muhly is fascinated and intimate with the changing nature of young voices and looked for a text that is itself transitory – in this instance depicting the movement between dusk and night. A great fan of Christopher Smart’s poetry and particularly of Benjamin Britten’s setting of fragments from Jubilate Agno; Muhly's settingnods to Britten in its episodic nature and generosity towards the singers. The Sweets of Evening lasts six and one half minutes. Nico Muhly - The Sweets Of Evening by musicroom
4.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Supercanzoniere Lyrics and Chords [Sheet music] Hal Leonard
Par . A collection of 350 Italian and International songs in lyrics and chords f...(+)
Par . A collection of 350 Italian and International songs in lyrics and chords format. The tracklist includes evergreens by the most important artists who have made the history of pop world music and the most famous songs by contemporary artists. / Date parution : 2022-07-20/ Recueil / Paroles et Accords
21.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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| Nuovo Canzoniere
Cantautori Chanson [Sheet music] Carisch
162 Testi Con Accordi (Formato Pocket)/ Recueil / Chanson
16.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| OPERARIA MEZZOSOPRAN 2
Dramatique Piano, Voice [Sheet music] Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...(+)
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
36.52 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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