SKU: HL.49010539
ISBN 9790001118309. 9.0x12.0x0.155 inches.
Dieses musikantische Konzert des bohmischen Komponisten Joseph Schubert (1757-1837) ist eine Bereicherung des Flotenrepertoires der Klassik. Partitur und Stimmen sind in der Reihe CONCERTINO erhaltlich.
SKU: GI.G-10454HB
SKU: GI.G-10454INST
SKU: BT.EMBZ6311
English-German-Hungarian.
The volumes of the series 'Music for Beginners' cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the voluumes have been published in this series for the first time.
SKU: M7.VHR-3675
ISBN 9783864341816. German.
'Laternenlicht und Weihnachtszauber' ist die ideale Ergänzung für den Querflötenunterricht in den ersten Jahren. Das farbig illustrierte Heft gliedert sich in die beiden Themenbereiche Laternen- und Sankt Martinslieder sowie Weihnachts- und Winterlieder und kann mit insgesamt fast 100 Stücken über einen langen Zeitraum im Jahr verwendet werden. Die Lieder in beiden Kapiteln sind in sich nach Schwierigkeit sortiert und an den Lernfortschritt der Bände 1 bis 3 des Schulprogramms 'Unterwegs mit der Querflöte' von Katharina Flaig angeglichen. Natürlich lässt sich das Heft auch unabhängig davon verwenden. Wie im Schulprogramm sind auch für 'Laternenlicht und Weihnachtszauber' umfangreiche Zusatzmaterialien wie weitere Stücke und Klavierbegleitungen kostenlos online verfügbar unter: www.holzschuh-verlag.de/unterwegs.
SKU: HL.49007751
ISBN 9790001082983. UPC: 073999282641. 9.0x12.0x0.099 inches.
SKU: PR.114419920
ISBN 9781491134665. UPC: 680160685257.
Have you ever yearned to perform a whole bunch of great piccolo orchestral excerpts all in one concert, programming the music yourself, without waiting through the tacet movements, and without a loud brass section behind you? Julia Grenfell’s PICCOLO RIDICOLO is a beautifully theatrical medley of favorite orchestral solos from Tchaikovsky to Beethoven to Ravel, scored for piccolo trio. The three players rotate equally between the lead part and the accompaniment to share the fun (and terror). The 9-minute work celebrates 10 favorite piccolo highlights, and more!.The prototype for Piccolo Ridicolo was first created for a joint piccolo recital at the Australian Flute Festival in Brisbane, July 2017. The recital was performed by the three piccoloists from the Sydney, Melbourne and Adelaide Symphony Orchestras: Rosamund Plummer (SSO), Andrew Macleod (MSO), and me (ASO).When searching for a final piece that we could all play together as a trio, I came up a little short. Who would have guessed there would be so little repertoire for three piccolos? Thus the idea for Piccolo Ridicolo was born – a celebratory and humorous collaboration for three piccolos, with much debt and apologies owed to Rossini, Beethoven, Tchaikovsky, and more.Thank you Andrew and Rose for being my first guinea pigs, my ASO flute colleagues for various road tests, my sister Maria Grenfell for her initial typesetting, and my mentor Leone Buyse for encouraging me to seek publication of the piece.
SKU: GI.G-1064
UPC: 785147006428.
From the music of the Buena Vista Social Club to Gloria Estefan, the lyrical melodies and infectious rhythms of Cuban music have become embedded in U.S. culture. With Caminemos con Jesús / Let Us Walk with Jesus, composer Tony Alonso presents a groundbreaking collection of liturgical music that calls on his own Cuban musical heritage to provide new ways of singing the liturgy in Spanish, English or bilingually. The first project of its kind, Caminemos con Jesús not only utilizes rich Cuban idioms but also explores what style and musical form can teach us about praying together across cultural and linguistic boundaries. The dynamic call-and-response form that is a hallmark of traditional Cuban music makes these songs especially compelling choices for bilingual worship, allowing assemblies to learn, internalize, and pray easily in both Spanish and English. “Qué AlegrÃa Cuando Me Dijeron / I Rejoiced When I Heard Them Say†uses the words of the psalm as a rhythmic mantra, creating a fresh and engaging way to gather as the Body of Christ. “LetanÃa a la Madre de las Américas / Litany of Mary of The Americas,†invokes the Mary of many names and nations with a simple yet strong response that will enliven Marian feasts throughout the year. The gentle simplicity of “Tres Guajiros / Three Peasants†re-imagines the story of the Magi as humble peasants bringing gifts of the land to honor the newborn Jesus. Also, in this collection and for the first time in published form, is Gloria Estefan’s “Caridad,†a powerful and poetic prayer to Our Lady of Charity, the patroness of Cuba. All of the pieces of this collection focus on the importance of bringing the voices of the assembly to the forefront while the arrangements are skillfully crafted to be accessible to musicians of all abilities. In addition to the spiral-bound edition, individual octavos, and flute and brass parts, Caminemos con Jesús offers a special edition featuring parts for guitar, percussion and other instruments central to Cuban music. The studio recording is a stunning source of prayer and inspiration, produced in Miami by Grammy Award winner Juan Delgado and featuring some of the finest Cuban-American musicians today. GIA Publications, Inc. is committed to responding to the rich diversity of the contemporary Church. With Caminemos con Jesús, we offer you our very best bilingual music for the liturgical year. “The music of my father’s Cuban homeland has been the language of my heart for as long as I can remember. These songs infuse that rich tradition with the unique sabor of my own experience as a Cuban-American in a distinctly liturgical shape that I hope will inspire others in their daily camino con Jesús.†–Tony Alonso Featuring “Live Mercy, Be Holy / Vive la Misericordia, Vive la Santidad,†the 2020 Los Angeles Religious Education Congress theme song! Desde la música de Buena Vista Social Club hasta la de Gloria Estefan, las melodÃas lÃricas y ritmos contagiosos de la música cubana son incrustados en la cultura estadounidense. Con Caminemos con Jesús / Let Us Walk with Jesus, el compositor Tony Alonso presenta una colección innovadora de música litúrgica que incorpora su herencia musical cubana para producir una manera nueva de cantar la liturgia — en español, inglés o bilingüemente. El primer proyecto de este tipo, Caminemos con Jesús no sólo utiliza modismos ricos de Cuba sino también explora lo que el estilo y la forma musical nos pueden enseñar con respeto a rezar juntos a través de los lÃmites culturales y lingüÃsticos. La forma dinámica de llamada-y-respuesta que es un sello distintivo de la música cubana tradicional crea opciones cautivadoras para los rituales bilingües donde la asamblea puede aprender, interiorizar y rezar facilmente tanto en español como en inglés. “Qué AlegrÃa Cuando Me Dijeron†incorpora la letra del salmo como una mantra rÃtmica, creando una manera original para congregar al Cuerpo de Cristo. La “LetanÃa a la Madre de las Américas,†la cual invoca a la MarÃa de muchos nombres y naciones utilizando una respuesta sencilla y fuerte, enriquecerá a las fiestas marianas de muchos pueblos durante todo el año. La sencillez suave de “Tres Guajiros†reimagina la historia de los Reyes Magos como guajiros humildes, trayendo regalos de la tierra para honrar al recién nacido Jesús. También se encuentra en esta colección, por la primera vez en forma publicada, el tema musical “Caridad†por Gloria Estefan, que es una oración poderosa y poética a Nuestra Madre de Caridad, la patrona de Cuba. Todas las piezas en esta colección se enfocan en la importancia de las voces de la asamblea mientras los arreglos son accesibles para los músicos de todas habilidades. Además de la edición con espiral, las partituras corales individuales, y las ediciones para flauta y instrumentos de metal, Caminemos con Jesús también ofrece una edición para guitarra con partituras adicionales para percusión y otros instrumentos centrales en la música cubana. La grabación del estudio es espectacular, una fuente de oración y inspiración. Producido en Miami por el ganador de Grammy Juan Delgado, el álbum destaca los talentos de unos de los mejores músicos cubano-americanos de hoy dÃa. GIA Publications, Inc. está comprometido a responder a la diversidad rica de la Iglesia actual. En Caminemos con Jesús, les ofrecemos nuestra mejor música bilingüe para todo el año litúrgico. “La música de la tierra cubana de mi padre ha sido el lenguaje de mi corazón desde que yo tengo memoria. Estas canciones infunden esa rica tradición del sabor único de mi propia experiencia como cubanoamericano con una forma claramente litúrgica. Es mi deseo que esta obra inspire a los demás en su propio camino diario con Jesúsâ€. –Tony Alonso Incluye el canto tema, “Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy,†compuesto para el Congreso de Educación Religiosa de Los Angeles del 2020. CONTENTS / CONTENIDO: Arriba los Corazones / We Lift Up Our Hearts • Caminemos con Jesús / Let Us Walk with Jesus • Cántico de Daniel / Canticle of Daniel • Caridad / Our Lady of Charity • LetanÃa del Santo Nombre de Jesús / Litany of the Holy Name of Jesus • LetanÃa a la Madre de las Américas / Litany to the Mother of the Americas • Qué AlegrÃa Cuando Me Dijeron / I Rejoiced When I Heard them Say • Una Gran Nube de Testigos / A Wondrous Cloud of Witnesses • Tres Guajiros / Three Peasants • Vayan Por el Mundo Entero / Go Out to All the World • Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy.  .
SKU: CA.2719709
ISBN 9790007200930. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and parts available separately - see item CA.2719700.
SKU: GH.GE-11664
ISBN 979-0-070-11664-0. 185 x 262 mm inches. Text: Erna Persson.
For flojt, blandad kor och piano. Ur Stjarna over haven - musik till Maria samt till advents- och jultid.
SKU: HL.49042434
ISBN 9783795794491. 10.25x13.5x1.141 inches. German.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: ST.C531
ISBN 9790570815319.
Formerly published by Nova Music as NM162 and by European Archive as EMA122.The Optional Basso Continuo part is free to download from https://cliftonedition.com/C531Jacques-Martin Hotteterre (1673 - 1763) was the heir to a famous family of wind instrument inventors originating in Normandy, France. The Hotteterre family is known to have brought great innovations to the development of wind instruments, including the three-part demountable flute and the oboe, whose invention is credited to his grandfather Jean. Jacques-Martin Hotteterre was perhaps the most gifted of his dynasty, with his father Martin, a renowned flute craftsman who created instruments used by Jean-Baptiste Lully.His nickname Roman was given to him following a stay in Rome. He was identified as Monsù Giacomo mastro di flauto (Monsieur Jacques master of flute), as documented at the court of The Marquis Francesco Maria Ruspoli in Rome.David Lasocki was born in London in 1947 and grew up in Manchester. Then he lived and worked in the United States and now Brazil. He holds a PhD in musicology from The University of Iowa (1983) and his dissertation won a national prize. He retired as Head of Music Reference Services in the Cook Music Library, Indiana University–Bloomington in 2011 after working there for 24 years, and is now a self-employed writer, researcher, editor, publisher (see www.instantharmony.net), and energy healer.Many kind people have viewed David as one of the world’s foremost researchers of the history of woodwind instruments, especially members of the flute family. His articles and books have also won national prizes, and he received a lifetime achievement award from the American Recorder Society in 2011.
SKU: ST.C532
ISBN 9790570815326.
Formerly published by Nova Music as NM171 and by European Music Archive as EMA123.The Optional Basso Continuo part is free to download from https://cliftonedition.com/C532.Jacques-Martin Hotteterre (1673 - 1763) was the heir to a famous family of wind instrument inventors originating in Normandy, France. The Hotteterre family is known to have brought great innovations to the development of wind instruments, including the three-part demountable flute and the oboe, whose invention is credited to his grandfather Jean. Jacques-Martin Hotteterre was perhaps the most gifted of his dynasty, with his father Martin, a renowned flute craftsman who created instruments used by Jean-Baptiste Lully.His nickname Roman was given to him following a stay in Rome. He was identified as Monsù Giacomo mastro di flauto (Monsieur Jacques master of flute), as documented at the court of The Marquis Francesco Maria Ruspoli in Rome.David Lasocki was born in London in 1947 and grew up in Manchester. Then he lived and worked in the United States and now Brazil. He holds a PhD in musicology from The University of Iowa (1983) and his dissertation won a national prize. He retired as Head of Music Reference Services in the Cook Music Library, Indiana University–Bloomington in 2011 after working there for 24 years, and is now a self-employed writer, researcher, editor, publisher (see www.instantharmony.net), and energy healer.Many kind people have viewed David as one of the world’s foremost researchers of the history of woodwind instruments, especially members of the flute family. His articles and books have also won national prizes, and he received a lifetime achievement award from the American Recorder Society in 2011.
SKU: PR.PP349
UPC: 680160561889.
The Central American Songs were written on commission from the Fourth Festival of Women Composers, for Festival directors Sara Mantel, mezzo-soprano, and Susan Wheatley, piano. They were premiered with Carl Adams, flute, and Gary Olmstead, percussion, at Gorell Hall, Indiana University of Pennsylvania, on March 21, 1996. When I was asked to write some songs for this festival (Fourth Festival of Women Composers), my thoughts turned to a most unusual book titled 'IXOK AMAR * GO' (subtitled; Central American Woman's Poetry for Peace), edited by Zoe Anglesey. The book is printed in Spanish and English, with some poems, and the title, in Mayan. The title means; 'Women Going Forward with Love, not Bitterness Many of the countries in Central America have the inherently unstable situation of a large population of 'peasants' - largely poor and Native American - and a very small group of extremely rich non-Indian landowners. The latter tends to control the government and army as well as the land and have traditionally cultivated close ties with the US government. During the 1980' s, Nicaragua and El Salvador experience prolonged struggles that stemmed from these harsh disparities, and one is currently active in southern Mexico. In Guatemala, the military government has carried out systematic actions against the Mayans, a peaceful, artistic culture. These have included forced removal and massacres. Only in the last few years has the United States tried to discourage these acts, leaving many in the region very bitter indeed. (We still remain the major supplier of weapons to this brutal regime.) The award of a Nobel Peace Prize to a Guatemalan Mayan woman, Rigoberto Menchu, in 1992 focused international attention on the situation and helped curb the atrocities. The poems come directly from these struggles for freedom and integrity, and reflect the lives of women caught up in these events. Movement I, The Woman of the Huipil is based on The Word by Celina Garcia. Movement II, Remedies is based on a poem by Virginia Grutter ; translated by Janet Rodney. Movement III, Prayer for a son disappeared is based on a poem by Maria Perez Tzu ; transcribed from Mayan and translated by Ambar Past. A huipil is a colorful and intricately embroidered vest that Mayan women traditionally wear. Until the current repressive climate began in the 1970' s, America, or Amerigo were common names in central America. - K. Hoover .
SKU: PR.144405810
ISBN 9781491101407. UPC: 680160614127.
In this ballad, Reise ponders the Red Sea Swallow, of which only one was ever found (and dead, at that). The Flight of the Red Sea Swallow imagines the final flight of what may have been the last of its kind. Originally written for violin and piano, and premiered by Maria Bachmann, Flight has also been transcribed for flute and piano. For advanced performers. Duration: 17'.
SKU: GH.CG-6341
Key: A dur / a major.
Arrangemang for tva gitarrer, flojt, tva fioler och cello. Se aven Peter Horovitz och Thomas Morley. Partitur och stamsats.
SKU: CA.2719712
ISBN 9790007200954. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700.
SKU: CA.2719749
ISBN 9790007164874. Language: Latin.
SKU: CA.2719714
ISBN 9790007200978. Language: Latin.
SKU: CA.2719711
ISBN 9790007200947. Language: Latin.
SKU: CA.2719700
ISBN 9790007164133. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony.
SKU: CA.2719705
ISBN 9790007164867. Text language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score available separately - see item CA.2719700.
SKU: CA.2719713
ISBN 9790007200961. Language: Latin.
SKU: CA.2719719
ISBN 9790007164478. Language: Latin.
SKU: HL.50603346
ISBN 9788881920600. UPC: 840126921472. 8.0x10.5x0.268 inches.
The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preservedin a non-autograph source in Brno, belongs to Vivaldi’s first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994.
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