Ce recueil musical constitue un florilège d'études pour piano, à l?attention des pianistes débutants et confirmés, où se côtoient les grandes études des compositeurs célèbres et les ?uvres plus didactiques d'auteurs moins connus.
A travers 101 Études, le pianiste aborde les grandes pages de la littérature pour piano, voyageant ainsi à travers les époques et les styles.
L'ouvrage est complété par un double CD (tapez TP002CD dans notre moteur de recherche) : à son gré le musicien peut y trouver un guide et un supplément indissociable de la partition.

?uvres de : Chopin, Liszt, Thalberg, Moszkovski, Sibelius, Brahms, Nazareth, Scriabin, Debussy, Czerny, Bertini, Burgmüller, Cramer, Gurlitt, Heller, Kadosa, etc.
/ [101 Etudes Pour Piano] / Classique / Feraux, Pierre / Partitions / Carré Collé /

This piece for double choir (which has a companion Ave maris stella devised for separate performance) is grounded in traditional harmonic progression. An astonishing build-up of devotional intensity is achieved withnear-exclusive reference to the notes of the G major diatonic scale. At the pinnacle of the piece an electrifying F natural is introduced which in combination with an A minor triad replicates the climactic chord from thedevelopment section of the opening movement of Beethoven’s 3rd ('Eroica') Symphony. The ‘Eroica chord’ has iconic status in Polish music playing a major role in the final movement of Górecki’s famedSymphony No.3 (the 'Symphony of Sorrowful Songs').

Adapted to the first prelude of J.S. Bach by Charles Gounod in E Flat Major for piano and voice. Includes Latin words and English translation by Henry F. Chorley. Please note that the piano part is not separateto the vocal score.

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du travail d'orchestre à Esterháza à la fin de la saison.La publication de Haydn 'Sturm und Drang' Symphonies - la symphonie des adieux et la Symphonie #48 (la soi-disant 'Maria Theresia' Symphony) - représente une continuation de la coopération entre Bärenreiter et la maison d'édition Henle pour les éditions des grandes oeuvres chorales , des opéras et des oeuvres symphoniques.Les publications sont basées sur le Henle 'édition complète des oeuvres de Joseph Haydn'.Les deux symphonies (BA BA 10971 et 10972) sera publiée avec une partition et les parties d'orchestre en vente dans un grand format. / Violoncelle, Contrebasse Et Basson

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du travail d'orchestre à Esterháza à la fin de la saison.La publication de Haydn 'Sturm und Drang' Symphonies - la symphonie des adieux et la Symphonie #48 (la soi-disant 'Maria Theresia' Symphony) - représente une continuation de la coopération entre Bärenreiter et la maison d'édition Henle pour les éditions des grandes oeuvres chorales , des opéras et des oeuvres symphoniques.Les publications sont basées sur le Henle 'édition complète des oeuvres de Joseph Haydn'.Les deux symphonies (BA BA 10971 et 10972) sera publiée avec une partition et les parties d'orchestre en vente dans un grand format. / Violon 2

Ballet héroïque in a prologue and 3 acts-With a brief foreword (Fr/Eng) containing salient information on the genesis of the work the synopsis and the edition. Les F?tes de l?Hymen et de l?Amour was performed on 15 March 1747 on the occasion of the second marriage of the Dauphin Louis Ferdinand de Bourbon and Maria Josepha of Saxony in the Man?ge de la Grande ?curie in Versailles. This second collaboration between Rameau and Cahusac makes use of the ?ballet h?ro?que? genre usually known today as ?op?ra-ballet? based on various story lines which run independently of each other. The score is based on a libretto inspired byEgyptian mythology and freemasonry. Rameau's ?Les F?tes de l'Hymen et de l'Amour? was long considered second-rate because its premi?re was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas such as ?Za?s? ?Zoroastre? and ?Les Bor?ades?. Working together with his librettist Cahusac Rameau sought to weave the dance numbers choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from ?Aru?ris? a scoring found nowhere else in his ?uvre. For the first time this scholarly-critical edition of ?Les F?tes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music including two recent musical discoveries. As most of the performance material for the premi?re has vanished this edition is based on the version prepared for the Acad?mie Royale de Musique in 1748.

Par PUSCOIU COSTEL. Well-known classical works for recorder students at all levels of ability, adapted and arranged especially for the recorder. The works are drawn from all periods, including Baroque, Classical, Romantic and Modern. The author has carefully placed the melodies in the best keys for easy recorder. / Niveau : Intermédiaire / Classic - Solos / Recueil / Flûte à Bec Soprano

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided