SKU: CF.YPS195F

ISBN 9781491148174. UPC: 680160905676. 9 x 12 inches.

Dream Engine is a concert overture in classic ABA form. Opening with a tuneful melody that weaves throughout the ensemble over staccato accompaniments, the piece then evolves into a contrastingly lyrical and beautifully lush B section. As with the rest of Clark's work, Dream Engine blends musicality with teachability and is perfect for your next contest or festival.

SKU: BR.OB-4618-26

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Have a look. Motet; Baroque. Part. 2 pages. Duration 8'. Breitkopf and Haertel #OB 4618-26. Published by Breitkopf and Haertel (BR.OB-4618-26).

ISBN 9790004341568. 9 x 12 inches.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.

SKU: HL.49021180

ISBN 9790001141741.

SKU: HL.4008567

ISBN 9798350110685. UPC: 196288180043.

Whether inner peace, the peace of one's own four walls, or peace between nations—the strive for peace is always worth fighting for, even when it seems almost impossible to achieve. This simple and soulful melody should contribute ever so slightly to making the world a more peaceful place.

SKU: BR.OB-4618-16

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Have a look. Motet; Baroque. Part. 2 pages. Duration 8'. Breitkopf and Haertel #OB 4618-16. Published by Breitkopf and Haertel (BR.OB-4618-16).

ISBN 9790004341544. 9 x 12 inches.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.

SKU: FG.55011-740-2

ISBN 9790550117402.

One of the most ambitious of Kalevi Aho's composition projects has been to write a concerto for each of the main instruments in the Romantic symphony orchestra. In 2011, with the Horn Concerto (the eighteenth in the series) this project was approaching its conclusion. In the Horn Concerto the soloist does not stand in front next to the conductor but moves around several times during the course of the work. The horn's first entries are heard from backstage. After that the soloist becomes visible and plays from behind the orchestra, moving gradually from left to right while playing. In the end, the hornist leaves the stage again. This gives the work a ritualistic character - as if the solo horn brings something from afar to the audience and orchestra and, when all is said and done, disappears from view. The concerto contains a number of sections of varying character, slower and faster. The fast sections are rather virtuosic for the orchestra as well. For the tarantella-like passage in the second half of the work, the soloist has moved to a position behind the winds of the orchestra, where an exchange commences with the orchestra's hornist. After that, the soloist moves to the rearmost part of the stage and, by the time of the final notes, is already offstage. The concerto for horn and chamber orchestra can be performed by a group with around twenty performers (1(+picc).1.1(+cl.b).1-1000-01-str(44331)). The duration is c. 27 minutes.
Solo part available for sale (ISMN 9790550117396). Orchestral material available for hire from the publisher. Recording: BIS-2036 SACD / Annu Salminen (horn), Lapland Chamber Orchestra & John Storgards.

SKU: BR.OB-5556-11

ISBN 9790004342831. 12.5 x 10 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

SKU: FG.55011-742-6

ISBN 9790550117426.

Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This has flashbacks to the opening movement, and they lead to a cadenza in which the soloist plays only flageolet notes and pizzicatos. The concerto ends with a virtuosic coda in 5/8 time evocative of the second movement.

Arto Noras gave the concerto its first performance with the Lahti Symphony Orchestra conducted by Osmo Vänskä in Naantali on June 5, 2014. It was a joint commission from the Naantali Music Festival and the Lahti Symphony Orchestra.

This product consists of the solo part (18 pages) and piano reduction by Kari Vehmanen (62 pages) - have a look inside by clicking “sample. The concerto is scored for a fairly small orchestra. The instrumentation is 2(II=afl)2(II=ca)2(II=bcl)2-2200-bar-02-str and the orchestral material is available for hire from the publisher.

SKU: BR.PB-4618

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.

Have a look. Motet; Baroque. Full score. 20 pages. Duration 8'. Breitkopf and Haertel #PB 4618. Published by Breitkopf and Haertel (BR.PB-4618).

ISBN 9790004214794. 10 x 12.5 inches.

The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.