Kantate Zum Sonntag Estomihi. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 159/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Kantate Zum Sonntag Estomihi. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 159/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Kantate Zum Sonntag Estomihi. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 159/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Kantate Zum Sonntag Estomihi. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 159/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Kantate Zum Sonntag Estomihi. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 159/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Kantate Zum Sonntag Estomihi. Par BACH JOHANN SEBASTIAN. Drinker, Henry (Trad. ) BWV 159/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Written in 1747 while C P E Bach was in Berlin probably for his then employer Frederick the Great or for Frederick's teacher J J Quantz this work was not printed until 1763. Like his father J S Bach C P E Bach chose the key of A minor for his only compositon for solo Flute but it's structure is quite different to that of Bach senior. Like J. S. Bach's Partita in A minor (BWV 1013) the sonata edited here is considered one of the most important works for solo Flute of the eighteenth century. In contrast to J. S. Bach's composition which still represents the traditional polyphonic and figurative style the work of the youngBach displays great sensitivity and occasionally an almost romantic expressiveness. This new edition of C. P. E. Bach's Sonata in A minor is based on a copy in the anthology 'Musikalisches Mancherley'; the editor owes his thanks to the Zurrich Central Library.

J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.

All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. Four of his six motets were written for the funeral services of prominent members of the St Thomas’ congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in1723 for the funeral of Johanna Maria Käsin the wife of Leipzig’s postmaster. Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer’s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln. Urtext of the New Bach Edition Performance material and choral score (BA5132) available for sale Complete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)

Cantata No.211: Schweigt Stille Plaudert Nicht (Be quiet chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach?s secular cantatas.Written in or around 1733 the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the Soprano aria ?Ah how sweet the coffee tastes lovelier than a thousand kisses milder than Muscatel?.Both cantatas reveal Bach?s mastery in their unusual subject-matter formal design and musicalworkmanship. Now they appear in separate editions based on the ?New Bach Edition? with straightforward and easy-to-play Piano reductions by Andreas Köhs.- Urtext of the ?New Bach Edition?.- Straightforward and easy-to-play Piano reduction.- Vocal score (BA10211-90) performance material (BA10211) and study score (TP1211) available for sale.

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of the work’s composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale

from Schmelli's Hymnal for Voice and Guitar BWV 439-507. Johann Sebastian Bach?s arrangements of the ?69 Sacred Songs? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bach?s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the ?69 Sacred Songs? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bach?s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes online access to PDFs of the ?Scores in their Original Keys,? and stand-alone ?Guitar Accompaniment,? and ?Bass Parts".