SKU: FG.706334-14-1
ISBN 979-0-706334-14-1.
Soft harmonics, tranquiI arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence of many Koskelin's works - as in Circles within from 1999. It is scored for 10 violins, 4 violas, 3 cellos and 2 double basses. Duration ca 15 minutes.
SKU: GI.G-9889
UPC: 785147988922.
GIA is pleased to offer this second volume of favorite hymns and songs arranged for bass clef instruments. Trombones, bassoons, cellos, basses, euphoniums and baritone horns have 60 additional pieces that have their own parts to play! While intended to enhance congregational singing, these arrangements can be played as preludes or musical interludes. The contents of this collection may also be used in conjunction with the C, Bb and Eb instrumental books in GIA’s family of hymnals. The first volume of Out of the Depths, containing 70 hymns and songs arranged for bass clef instruments, is also available, G-9521.
SKU: CA.5526100
ISBN 9790007252090. English.
Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. My heart is inditing was probably played at the end of the coronation ceremony in London's Westminster Abbey. For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.
SKU: TM.14480SC
Solo in score.
SKU: FJ.ST6503
UPC: 241444414672. English.
Feature every section of your orchestra in this swashbuckling piece! Three distinct pirate themes are given to the violins, violas, and cellos/basses to allow all players a chance to shine. All seafaring melodies stay in first position with minimal low-two finger patterns and lots of doubling for a big, full sound. Each section takes an adventurous turn into new tonalities before joining forces at the end for a triumphant finale!
About FJH Beginning Strings
Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5
SKU: HL.49019158
ISBN 9790220133206. 8.25x11.75x0.222 inches.
Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work's core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale.This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.
SKU: HL.1148481
ISBN 9781705185889. UPC: 196288118282. 8.5x11.0x0.203 inches.
Unchanged, changing, or changed tenor/bass singers in middle school and high school may need a little extra help in finding their singing voices. Roger Emerson has developed a series of warm-ups that uses excerpts from classic rock and roll tunes that will provide the motivation and repetition they need to do just that. Each song features limited ranges, starting moderately and gradually ascending into the tenor range and descending through the bass range as needed. The professionally-produced audio tracks present each exercise with vocals so your Tenors and Basses have a model to emulate. Exercies are based on the following songs: Addams Family Theme * Theme from Jaws * Jump, Jive An' Wail * Land of a Thousand Dances * Mission: Impossible Theme * Na Na Hey Hey Kiss Him Goodbye * Shake, Rattle and Roll * Smoke on the Water * We Will Rock You.
SKU: SU.28160050
Originally written for a youth chorus, this work celebrates Shakespeare's words If music be the food of love play on with a cascade of solfége syllables. It may be performed with or without basses. Level: beginning/intermediate. SA or SAB Chorus & Piano Duration: 2'30 Composed: 2013 Published by: Cassiopeia Publishing Audio: Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: LO.10-5713L
ISBN 9780787777449.
This original anthem from Stan Pethel is full of joy and hope! In true southern gospel style, your basses will relish the moving lines, and each section of the choir is given fun, idiomatic part-writing. The bouncy piano accompaniment complements the package. This is one that you'll return to many times during the church year!
SKU: KN.36620S
UPC: 822795366204.
Everybody gets to dig in and play in this energetic and spiritous grade 2 piece. Written by cousins Joel & Andy Masters, the fast-paced melodic passages and supporting material are featured in every instrument section, even the basses! The unique combination of traditional American fiddle style, classical form, and a contemporary approach makes for a fun piece to play that students love. Each set includes three copies of the optional 3rd Violin/Viola T.C., and piano parts. Duration 2:30. Available in SmartMusic.
SKU: HL.134751
Author: Mengjiqi.
SKU: CA.1039400
ISBN M-007-18767-5. Key: C minor. German/English. Text: Christoph Kuffner.
In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century.
SKU: CA.5526009
ISBN 9790007311117. English.
Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. The King shall rejoice was probably played during the crowning of the king in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.
SKU: HL.50483829
8.25x11.75x0.24 inches.
SKU: HP.8893
UPC: 763628188931. By William & Gloria Gaither.
Popular worship song by William & Gloria Gaither The 'classic' Gloria & Bill Gaither song is showcased in this gleaming, artistic arrangement by Jack Schrader. This standard favorite has been given a fresh, dignified treatment and should meet the needs of many choirs during the Easter/Lenten season, as well as many other Sundays throughout the church year. The orchestration consists of a Conductor's Score and parts for: Flute, Oboe, Clarinet, Trumpets 1, 2, & 3, Horns 1 & 2, Trombone 1, 2, and 3 (or Sub. Tuba for Trombone 3), Percussion, Timpani, Harp, Violins, Violas, Cellos, and Basses.
SKU: KN.08302S
UPC: 822795083026.
Bring the creepy monsters into the moonlight! Set in 3/4 meter in E minor, all violin, viola and cello parts are playable in first position, with basses shifting to 2nd position. This is a great piece for alternating between arco and pizzicato.
SKU: HP.8968
UPC: 763628189686.
Original Anthem Far and away the best-selling anthem in the Hope catalog with over one million copies sold, Natalie Sleeth's Joy in the Morning is a true classic. This is indispensable choral music! Brass Parts include: B-flat Trumpets 1 & 2, and Trombones 1 & 2. Full Orchestration by Mark Kellner includes: Flute, Oboe, Clarinet, Trumpet 1, 2, & 3, Horns 1 & 2, Trombone 1, 2 & 3 (or Tuba), Snare, Percussion, Timpani, Harp, Violins, Violas, Cellos, and Basses.
SKU: MN.50-6142
UPC: 688670561429. English.
This anthem can be performed with or without keyboard accompaniment. Conceived for a small but capable choir, larger choirs will find it appealing and useful as well. Using the familiar text with a beautiful new melody, the divisi is limited to the sopranos and altos in a few places and the basses on the last note. A sensitive and moving offering for worship and concert settings.
SKU: RM.SL10100
ISBN 9790231091007.
SKU: IM.3745
Contents: Coventry Carol, Shepherds, Rejoice!, In dulci jubilo, O Sanctissima, While Shepherds Watched, Nun kom, der Heiden Heiland, Gaudete!, En! Natus est Emmanuel, Psallite Unigemito, Ding-Dong Ding!