SKU: HL.438866

UPC: 852940000936. 6.25x10.25x2.259 inches.

Whether you are an international touring musician, or a weekend warrior, you should be very concerned with the power you are supplying to your pedals.....and because you are, the Carl Martin “DC Factory” Power Supply was designed just for you! With the constant addition of very 'power hungry' digital pedals on the market, we designed the DC Factory to address that very need. Highly powered and totally noise free, the DC Factory doesn't take up too much realestate on your pedalboard and literally weighs about 2/3 of a kilogram (1.5 lbs). To meet these goals, we had to forget about the standard toroidal transformers and design a fully digital switch mode power supply! The benefits go beyond ample power, the size and weight are reduced and most importantly, there is no radiation of hum to Wah pedals or certain analog drive pedals. Inside the attractive grey anodized housing are 5, 100% isolated and separated, 500 mA power supplies, four with two 9v DC output jacks, and 1 with two 12v DC output jacks. These 10 output jacks supply a massive 2500mA of pure clean power for your effects. Most digital pedals require somewhere between 300-400mA of power, and your standard analogue pedals somewhere around 20-50mA, so you have the option to run up to 5 analog pedals and 5 digital pedals simultaneously! On top of that, using the Current Doubler Cable, you can plug into 2 DC Outputs (as shown in the diagram) for 18v of power! The DC Factory is fine to use on any pedal board or on it's own, but it is also compatible with PedalTrain PT-VDL-MK (mounting brackets not included). Power supply set up... The DC Factory can power up to 5 digital pedals when you plug one of each into the five separated and isolated digital power supplies, and also 5 analogue effects when you plug them into the second jack in each of the 5 power supplies, as long as the power demand for the two pedals in each PSU does not exceed 500mA.

SKU: HP.C5740C

UPC: 763628957407. Bert Stratton. Matthew 24:30-31, Revelation 19:11-16, Philippians 3:14, Revelation 21:21, Revelation 5:13, 1 Thessalonians 4:16, Matthew 25:13, 1 John 3:2, Luke 21:27, Revelation 1:7.

Original anthem Inspired by Matthew 24:30-31 and Revelation 19:11-16, this rollicking, gospel celebration by Bert Stratton with music by Vicki Courtney reminds us that Jesus will return again and take us to a joyous, heavenly reunion where we'll walk those golden streets together. Filled with rhythmic energy and the promise of eternal life - this is sure to be an uplifting moment in your worship. The Rhythm packet contains parts for Guitar, Bass and Drums.

SKU: HL.276699

SKU: HP.C6208

UPC: 763628162085. By Chris Tomlin, Jesse Reeves, Louie Giglio & Matt Maher. Isaiah 53:3-5, John 5:24-30, I Corinthians 15:51-57, I Thessalonians 4:13-18, Revelation 4-5, Revelation 21:4.

Popular contemporary song by Chris Tomlin, Jesse Reeves, Louie Giglio & Matt Maher This popular, contemporary song has a theme of rising to heaven to be with Jesus, and offers assurance. The victory is won; he is risen from the dead. And I will rise on eagles' wings. Worthy is the Lamb! This powerful arrangement brings solace and hope to the believer for life everlasting.

SKU: GI.G-018040

What has made this Mass rise to the top in popularity in parishes across the English-speaking world? Its adaptability. From parishes with keyboard and/or guitar and cantor to cathedrals with a large SATB choir and multiple instruments (organ, brass quartet, timpani, handbells), Mass of Wisdom has proven itself as a “Mass for the masses.” Its step-wise melodic patterns make it easy to learn without sounding musically trite in any way. Music directors agree that the through-composed Gloria is one of the most finely crafted of all the new musical settings of the prayer. That fine crafting extends to all components of this Mass, especially the acclamations sung during the Eucharistic Prayer. The multi-layered Hosannas in the Sanctus will delight the members of the choir as well as the singing assembly. This is a Mass setting that simply soars. It is a perfect setting for Ordinary Time, but music directors tell us that the Christmas and Easter seasons are made more glorious and joyful when this setting is sung, especially when the additional instrumentation is added. Dioceses and parishes that employed Mass of Wisdom as the first setting during the implementation of the new translation have found themselves returning to it time and time again. It truly has become part of the “Catholic musical DNA” across the United States and beyond.

SKU: PE.EP68488A

ISBN 9790300758909. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)

SKU: KN.61965S

UPC: 822795619652.

This tuneful funk chart grooves from start to finish, and has all the characteristics that makes Jarvis' bestselling funk charts so popular with advancing jazz groups. Although it was commissioned by Chuck Wackerman for the McAuliffe Middle School program, this chart is just as appropriate for high school groups and beyond. It has a catchy melody supported by solid secondary lines and background figures, plus some other fun twists. The solo section has very accessible chord changes, and everyone has interesting parts to play throughout. A guitar chord chart by Jim Greeson is included in each set. Duration 4:25.

SKU: HL.1349224