Méthode de 80 pages pour banjo. Inclus un CD avec ralentis et 20 play-backs. Titres : LA MÉTHODE UNIVERSELLE POUR LE BANJO - Histoire du banjo - Tous les conseils pour les réglages de l'instrument - Accessoires (onglets, capodastre...)… - Position des mains - Scruggs style - Technique main droite (roulements de base, arpèges alternés, roulements descendants et ascendants) - Technique main gauche (slides, hammers, pull-off) - Intégration d'une mélodie dans un arpège et synchronisation - Scruggs style avancé - Jeu en position et démanchés - Drop C Tuning - D tuning - D + High A tuning - Back up (accompagnements dÂautres instruments) - Keith style en Sol et en Ré - Reno style Le Répertoire : Tous les standards du Bluegrass et de la Country - Earl Scruggs - Doug Dillard - Sonny Osborne - J.D.Crowe - Eddie Adcock - Jim Mills - Scott Vestal - Tom Adams - Doc Watson - Tony Trischka - Bill Keith - Don Reno - Charlie Cushman - Fred Van Eps BANJO TENOR 4 CORDES - Histoire du banjo - Travail du médiator (alterné, triolets...) - Le banjo irlandais (Airs, Reels, Jigs) - Dixieland (rythmique, chord melody, trémolo, duo style) Le répertoire : Tous les standards Irlandais et Dixieland - John Dunne - Barney McKenna (The Dubliners) - Mick Moloney - Kieran Hanrahan - Gary OÂConnor - Seamus Egan - Johnny St.Cyr - Eddie Condon - Roy Smeck - Des ralentis - Les accords essentiels pour banjo 5-cordes et 4-cordes - 20 play-backs pour jouer live et improviser à volonté Méthode en français Auteur/Interprète : SEGURET CHRISTIAN Instrument : Banjo 4 et 5 cordes Support : Livre + CD

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Bill Evans Omnibook for Piano. The ultimate collection for jazz keyboardists to learn 40 Evans classics with exact note-for-note transcriptions. Includes: Alice in Wonderland · Autumn Leaves · Bill's Hit Tune · Blue in Green · Days of Wine and Roses · Emily · Everything Happens to Me · Five · For Nenette · How About You? · How My Heart Sings · I Loves You, Porgy · It Could Happen to You · Just You, Just Me · Letter to Evan · My Foolish Heart · My Funny Valentine · My Romance · Nardis · Night and Day · One for Helen · Peace Piece · Peri's Scope · Quiet Now · Re: Person I Knew · Skating in Central Park · A Sleepin' Bee · Some Other Time · Stella by Starlight · Song from M*A*S*H (Suicide Is Painless) · 34 Skidoo · Time Remembered · The Touch of Your Lips · Turn Out the Stars · Very Early · Waltz for Debby · What Kind of Fool Am I? · Who Can I Turn to (When Nobody Needs Me) · You Go to My Head · You Must Believe in Spring · and more. Spiral bound.

Carrière d'enregistrement de big Bill Broonzy duré de 1927 jusqu'à sa mort en 1958. Son répertoire est bien enregistré, de solos et de duos de jouer ensemble. Il a été redécouvert tout comme la ' folk-Renaissance ' a commencé au début des années 1950. Big Bill Broonzy était un maître de la guitare de blues ragtime et de pays dont le jeu a été mis en évidence par une forte basse pulsante et lignes mélodiques de plomb. Dans cette leçon audio complète de nouveau, Woody Mann explore les idées, techniques et styles de ce musicien légendaire qui a influencé des générations de guitaristes. Les CD contiennent trois heures pleine d'instruction mettant en vedette une instruction note par note, phrase par phrase. Sélections comprennent : House loyer Stomp - Brownskin Shuffle - Moppine Blues - Hey, Hey - Worryin'You Off My Mind - Pipe poêle Stomp - et samedi soir frotter. Ecrit en tablature et notation standard. Prévoit 3 CD / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

60 original compositions transcribed and edited by Pascal Wetzel. Leadsheets generally follow the latest recording to show the evolution of the tune and maturation of the artist. Counterlines, codas, chord extensions and chord changes for improvisation are included. Added features are lyric versions of 10 tunes, 3 essays about Bill Evans' life and music, photographs, and discography.

L'évolution du piano solo dans la musique de jazz est une étude des styles de piano solo développés par 24 des plus influents pianistes de jazz de 1900 à nos jours. De façon à montrer clairement les contributions particulière des différents pianistes, Bill Dobbins a composé un thème basé sur le changement d'accords très connu d'un classique du jazz : 'All Of Me'. En appliquant les approches stylistiques des différents pianistes au même thème, chacun devient conscient des éléments subtils mais cependant évocateurs de chaque style individuel.En français, 101 minutes. / Piano / Dvd

Folks, we are proud to say that we have a new DVD hot off the press, entitled Bill Monroe Style Mandolin. On it our son Chris, who is 25 and a mighty fine picker, teaches five Monroe-style tunes literally note-by-note: Big Mon, Bluegrass Breakdown, Raw Hide, Wheel Hoss, and also a terrific, bluesy break to Man of Constant Sorrow. Chris teaches the four Monroe compositions very close to the recorded versions, and in fact on Wheel Hoss he's practically mirroring every note of what Monroe played. These lessons are all taught carefully note-by-note, showing every pick stroke and naming every note, all the way through each tune. No Tab. DVD. / Mandoline / niveau : Intermédiaire/Avancé / Dvd - Format: 7,5 X 5,25

Par EILISH BILLIE. 15 chansons du très attendu troisième album studio d'Eilish déjà en tête des ventes et du classement des 200 albums du Billboard®. Nos songbooks sont disponibles en deux versions, avec des arrangements pour piano, voix et guitare ou alternativement pour piano facile. Comprend : Billie Bossa Nova - Everybody Dies - Getting Older - Lost Cause - My Future - NDA - Therefore I Am - Your Power - et bien d'autres. / Date parution : 2021-11-03/ Recueil / Piano/Vocal/Guitare (PVG)

Billie Eilish - Beginning Piano Solo. Ten favorites from pop superstar Billie Eilish in arrangements for beginning piano solo complete with lyrics-perfect for first and second-year piano students. Songs include: Bad Guy · Come Out and Play · Everything I Wanted · Lovely · My Future · No Time to Die · Ocean Eyes · Therefore I Am · When the Party's Over · You Should See Me in a Crown.

Instrumental Play-Along. Solo instrumental arrangements with audio accompaniment for 9 of Billie's biggest hits so far: Bad Guy ? Everything I Wanted ? I Love You ? idontwannabeyouanymore ? Lovely ? No Time to Die ? Ocean Eyes ? When the Party's Over ? You Should See Me in a Crown. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Instrumental Play-Along. Solo instrumental arrangements with audio accompaniment for 9 of Billie\'s biggest hits so far: Bad Guy ? Everything I Wanted ? I Love You ? idontwannabeyouanymore ? Lovely ? No Time to Die ? Ocean Eyes ? When the Party\'s Over ? You Should See Me in a Crown. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Instrumental Play-Along. Solo instrumental arrangements with audio accompaniment for 9 of Billie's biggest hits so far: Bad Guy ? Everything I Wanted ? I Love You ? idontwannabeyouanymore ? Lovely ? No Time to Die ? Ocean Eyes ? When the Party's Over ? You Should See Me in a Crown. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.