In Greek mythology, Boreas is the cold, north wind, making this piece a great addition to any winter concert! The mysterious opening leads to an exciting finale. Students will experience spiccato and legato bowing styles, multiple down bows, and key changes. (3:30) / Orchestre A Cordes

The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!

The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!

Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quartet. John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, twomore quartets followed. The second quartet, untouched, is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician isa soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes/ Répertoire / Quatuor à Cordes

Where do you turn for accurate reliable information on the prices of antique and vintage musical instruments and bows? Public auctions are the only venue where antique and vintage instrument prices are ever revealed. This is the only reference work providing a detailed listing of auction sales in 1999 plus an in-depth review of the prior five years' market trends. Whether you are buying selling reevaluating a long-held possession it pays to know today's market conditions. Includes contact information for major auction houses.

Cette partition HUIT PETITES PIECES de Jakubowski Pascale a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7288. Cette oeuvre d'une durée de 00:13:00 est idéale pour les amoureux de la musique. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Divers / Partition

Hal Leonard Student Piano Library Showcase Solo Level 1/Early Elementary-Butterflies and rainbows on a summer day. Happy things are special when they come our way... Cheerful images abound in this colorful creation. A wide dynamic range 8va passages limited use of damper pedal and a delightful teacher accompaniment make this a great piece for studio or recital. Early Elementary (HLSPL Level 1). 4/4 meter; Middle-C orientation; lyrics included; 24 measures. Timing: 46 seconds.

This charming solo brings to mind the joy of seeing rainbows in the sky after the rain. Complete with a four-bar introduction and coda, the melody initially passes between the hands. When the melody is in the right hand only, it is supported with single notes in the left hand. The Middle C position and 4/4 meter make this solo accessible to many beginning pianists. The optional teacher duet provides harmonic and rhythmic support. 4 pages. / Piano

Cours complets - Formation musicale. Par GRABOWSKI ELSA / LOUIS HELENE. Ma Boîte à Musiques est un ouvrage complet pour une première année d'enseignement musical. Il aborde toutes les notions par l'apprentissage de chansons traditionnelles ou originales et la découverte d'un répertoire varié. Afin de permettre à l'enfant de s'immerger dans un contexte musical vivant et d'assimiler durablement les notions, tous les textes proposés ont un support audio. Les accompagnements des chansons sont disponibles sur l'espace éducation du site des Editions Billaudot et les musiques du répertoire sur la plateforme Deezer. L'ouvrage, en 20 leçons, comporte les rubriques suivantes: je chante/je danse, j'écoute, je lis et une partie à la maison pour le travail personnel. Le lien étroit entre chansons, ordonnances, reconnaissances et déchiffrages permet à l'enfant de conscientiser durablement les relations mélodiques. La lecture est abordée de manière relative dans les premières leçons.Les rythmes proposés se jouent avec un support sonore. Cette approche permet de rendre le rythme vivant, en lien avec une réalité musicale (phrasé, articulation, perception du mouvement sonore)./ Méthode / Formation Musicale

Early Elementary Original Compositions by Nancy Faber-Contents include: A Rainbow is a Smile (Turned Upside Down); Most of All I Like Rainbows; A Double Rainbow; I'm a Waling Rainbow; Raindbow Rainbow; The Storm and the Rainbow; At the End of the Rainbow.

Alan and Marilyn Bergman have written the music and lyrics for numerous television shows, films, and stage musicals and are one of the most successful songwriting collaborations in the latter half of the 20th Century. They have earned numerous awards, including 16 Academy Award nominations, multiple Emmys, Grammys, and three Oscars for The Windmills of Your Mind, The Way We Were, and the score for Yentl. A Christmas Love Song; A Piece Of The Sky; Alone In The World; America?The Dream Goes On; Fifty Percent; How Do You Keep The Music Playing? ; I Believe In Love; I Was Born In Love With You; I'll Never Say Goodbye; In The Heat Of The Night; It Might Be You; Job Application; Like A Lover; Make Me Rainbows; Most Of All You; Nice 'N Easy; On My Way To You; One Day; One Song; Papa Can You Hear Me?; So Many Stars; Summer Me, Winter Me; That Face; The Girl Who Used To Be Me; The Island; The Music Of Being Free; The Summer Knows; The Trouble With Hello Is Goodbye; The Way He Makes Me Feel; The Windmills Of Your Mind; Time On My Hands (You In My Arms); Way We Were; What Are You Doing For The Rest Of Your Life?; What Matters Most; Where Do You Start?; Where Is It Written?; Who Gave You Permission; Yellow Bird; You Don't Bring Me Flowers; You Must Believe In Spring.

Cette collection présente 20 joyaux du jazz qui sont un peu moins connus que les standards du Great American Songbook, mais néanmoins tout aussi beaux. Les auteurs-compositeurs connaissaient leur métier, selon Phillip, et le fil conducteur de ces compositions est l\'excellence. Jugez-en par vous-même ! Comprend : After the Ball - After You\'ve Gone - All Alone - Always - Do It Again - Fascination - I Wonder Who\'s Kissing Her Now - I\'m Always Chasing Rainbows - Manhattan - Oh Lady Be Good ! - Poor Butterfly, et bien d\'autres encore. / Partitions jazz