SKU: BR.OB-5205-30

A text-critical edition based on the sources of this work which was first published by Breitkopf & Hartel in 1885

ISBN 9790004330623. 9 x 12 inches.

After Peter Gulke's revised edition of the Unfinished, here is the new edition (1992) of the Fifth by Peter Hauschild. Since the Fifth Symphony was first published by Breitkopf & Hartel in 1885, a text-critical edition based on the sources of this work was long overdue. Though the alterations in the earlier text were made by none other than Johannes Brahms, they are treated here as footnotes, for our new edition rigorously follows the primary sources.Die neue Partiturausgabe ist der Qualitat des Werkes ebenburtig. Sie eroffnet herrliche Einblicke in die grossartige musikalische Welt dieser Kompositon, fur deren Studium sie zum unentbehrlichen Hilfsmittel wird. (Das Liebhaberorchester)

A text-critical edition based on the sources of this work which was first published by Breitkopf & Hartel in 1885.

SKU: FG.55011-641-2

ISBN 9790550116412.

Kalevi Aho's Piano Concerto No. 2 is scored for a string orchestra comprising just twenty players. The first performance took place at the concluding concert of the 2003 Mantta Music Festival, in Vilppula Church on 29th June. The soloist was Antti Siirala and the strings of the Lahti Symphony Orchestra were conducted by Osmo Vanska. The demanding piano writing is primarily a consequence of Siirala's remarkable command of the 'Beethovenian-Lisztian-Brahmsian' pianistic tradition. At times the piano part is lean and linear, but the work also contains multi-layered, full-toned piano textures and massive rolling octaves. The concerto requires great artistry on the part of the performer. The Second Piano Concerto lasts roughly half an hour and comprises three untitled movements played without a break. The first movement and the finale are extremely fast; these outer movements contain plenty of playful music. The slow second movement is more serious in tone, and its piano texture is very ample. The difficult cadenza at the end of the finale brings more serious emotions to the coda as well.

SKU: BT.DHP-1053933-400

ISBN 9789043123204. 9x12 inches. Dutch.

Dit is een verzameling van bekende Nederlandstalige kinderliedjes, ze zijn eenvoudig om te spelen en er is een vrolijke begeleidings-cd bijgevoegd. Het eerste liedje is het gemakkelijkst en verderop in het boek worden de liedjes steedseen beetje moeilijker. De teksten staan in het boek, dus iedereen kan lekker meezingen.Inhoud:1.Hoedje van papier2.Zakdoekje leggen3.Boer, wat zeg je van mijn kippen4.â??k Zag twee beren5.Witte zwanen, zwarte zwanen6.Daar kwameen boer uit Zwitserland7.Advocaatje ging op reis8.Schipper, mag ik overvaren?9.â??k Heb de zon zien zakken10.De mosselman11.Wiegelied van Brahms12.Varen, varen over de baren13.In Holland staat een huis14.Roodborstje15.Daar was laatsteen meisje loos16.Wel Annemarieke, waar ga je naar toe?17.Toen onze mop een mopje was18.Twee violen en een bas19.Altijd is Kortjakje ziek20.Vader Jacob21.Papegaaitje, leef je nog?22.De zilvervloot23.De zevensprong24.Al die willente kaapâ??ren varen25.â??k Heb een tante in Marokko.

SKU: BT.EMBZ14779

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärung. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

SKU: HL.50512037

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

SKU: FG.55011-642-9

ISBN 9790550116429.

Kalevi Aho's Piano Concerto No. 2 is scored for a string orchestra comprising just twenty players. The first performance took place at the concluding concert of the 2003 Mantta Music Festival, in Vilppula Church on 29th June. The soloist was Antti Siirala and the strings of the Lahti Symphony Orchestra were conducted by Osmo Vanska. The demanding piano writing is primarily a consequence of Siirala's remarkable command of the 'Beethovenian-Lisztian-Brahmsian' pianistic tradition. At times the piano part is lean and linear, but the work also contains multi-layered, full-toned piano textures and massive rolling octaves. The concerto requires great artistry on the part of the performer. The Second Piano Concerto lasts roughly half an hour and comprises three untitled movements played without a break. The first movement and the finale are extremely fast; these outer movements contain plenty of playful music. The slow second movement is more serious in tone, and its piano texture is very ample. The difficult cadenza at the end of the finale brings more serious emotions to the coda as well.

SKU: BT.DHP-1053932-400

ISBN 9789043123198. 9x12 inches. Dutch.

Dit is een verzameling van bekende Nederlandstalige kinderliedjes, ze zijn eenvoudig om te spelen en er is een vrolijke begeleidings-cd bijgevoegd. Het eerste liedje is het gemakkelijkst en verderop in het boek worden de liedjes steedseen beetje moeilijker. De teksten staan in het boek, dus iedereen kan lekker meezingen.Inhoud:1.Hoedje van papier2.Zakdoekje leggen3.Boer, wat zeg je van mijn kippen4.â??k Zag twee beren5.Witte zwanen, zwarte zwanen6.Daar kwameen boer uit Zwitserland7.Advocaatje ging op reis8.Schipper, mag ik overvaren?9.â??k Heb de zon zien zakken10.De mosselman11.Wiegelied van Brahms12.Varen, varen over de baren13.In Holland staat een huis14.Roodborstje15.Daar was laatsteen meisje loos16.Wel Annemarieke, waar ga je naar toe?17.Toen onze mop een mopje was18.Twee violen en een bas19.Altijd is Kortjakje ziek20.Vader Jacob21.Papegaaitje, leef je nog?22.De zilvervloot23.De zevensprong24.Al die willente kaapâ??ren varen25.â??k Heb een tante in Marokko.

SKU: BT.DHP-1053931-400

ISBN 9789043123181. 9x12 inches. Dutch.

Dit is een verzameling van bekende Nederlandstalige kinderliedjes, ze zijn eenvoudig om te spelen en er is een vrolijke begeleidings-cd bijgevoegd. Het eerste liedje is het gemakkelijkst en verderop in het boek worden de liedjes steedseen beetje moeilijker. De teksten staan in het boek, dus iedereen kan lekker meezingen.Inhoud:1.Hoedje van papier2.Zakdoekje leggen3.Boer, wat zeg je van mijn kippen4.â??k Zag twee beren5.Witte zwanen, zwarte zwanen6.Daar kwameen boer uit Zwitserland7.Advocaatje ging op reis8.Schipper, mag ik overvaren?9.â??k Heb de zon zien zakken10.De mosselman11.Wiegelied van Brahms12.Varen, varen over de baren13.In Holland staat een huis14.Roodborstje15.Daar was laatsteen meisje loos16.Wel Annemarieke, waar ga je naar toe?17.Toen onze mop een mopje was18.Twee violen en een bas19.Altijd is Kortjakje ziek20.Vader Jacob21.Papegaaitje, leef je nog?22.De zilvervloot23.De zevensprong24.Al die willente kaapâ??ren varen25.â??k Heb een tante in Marokko.