Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Orchestre

La popularité de son concerto de violon (première) a conduit de Max Bruch pas juste presque au désespoir-' Je ne peux pas écouter ce concerto plus ', il écrit à son éditeur - elle aussi obtenu du compositeur restant oeuvre. À tort, comme est apparent dans le Kol N / Violoncelle Et Orchestre

Réimpression de la version de violon authentique du ' Romanze ' op 85 écrit par Max Bruch lui-même. / Violon Et Orchestre

Seule partition au monde à porter le numéro ISBN 9790045010355 cette partition dont le titre est KOL NIDREI, OP. 47 comporte des morceaux regroupés et composés par le compositeur Bruch Max.Son instrumentation exacte est Violoncelle Et Accompagnement Piano. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Accompagnement Piano / Partition

It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?

Small format score of this work by Max Bruch edited by Michael Kube with a forword by Christopher Fifield. Max Bruch's String Quintet In E flat major.

The Easy to Play series has been so stupendouly successful and we are delighted to present another book in the series!Max Bruch's Violin Concerto No. 1 in G minor Op. 26 is one of the most popular Violinconcertos in the repertoire. It continues to be performed and recorded by many violinists and is Bruch's most famous composition. Adagio the slow second movement often admired for its melody and generallyconsidered to be the heart of the concerto is arranged here for easy to play Grade 3-4 solo Piano.

Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Max Bruch's sumptuous Romantic masterpiece has remained an audience favorite since it was published in 1868. Its dedicatee the great violinist Joseph Joachim had considerable input and as in the Brahms concerto his contributions add to its unstoppable lustre. In typical three-movement form it is a spectacularly lush concerto of the highest order and its intoxicating spell usually takes a firm grip on even the most jaded cynics. Guaranteed to please both player and audience! Contains a printed score and a compact disc featuring the concerto in split-channel stereo withthe violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part.