Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcover. 336 pages. Published by Hal Leonard

Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.

E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x11 inches. 464 pages. Published by Hal Leonard.

C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

Portable Edition. Arranged by Jim Beloff and Liz Beloff. Fake Book. Softcover. 464 pages. Published by Hal Leonard

C Edition. By Various. Fake Book (Includes melody line and chords). 368 pages. Published by Hal Leonard.

For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard guitar notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. 1970s and Classic Rock. Series: Authentic Guitar-Tab Editions. 276 pages. 9x12 inches. Published by Alfred Publishing.

By Various. Fake Book (Includes melody line and chords). Size 9x12 inches. 168 pages. Published by Hal Leonard.

Saxophone, Accordion, Double Bass

SKU: HL.14033723

Composed by Karsten Fundal. Music Sales America. Classical. Score. 15 pages. Music Sales #KP01526. Published by Music Sales (HL.14033723).

ISBN 9788759891322. Danish.

Together Apart/Apart Together for Saxophone, Accordion and Double Bass was composed by Karsten Fundal in 2004. Written for and commissioned by Poing. Programme note: This piece is the 3rd in a row of pieces, which concentrates on a rhythmical relationship that continues to puzzle me. It is actually two relationships embedded. The 1st is a pattern that is very inspired by the composer Per Norgard, who in the beginning of the 90's got very preoccupied with the idea that you can have rhythms that never meet. This happens if you start a rhythm, like a quintuplet, on the beat and one, like a triplet, off beat. This can, with different rhythms, give very intricate interwoven patterns, that gives the illusion that they are not cyclic. In my case I use the two ratio five to seven, in the described way. This rythms have the strange property that if you take each 5th note of the seven and each 7 note of the five you get a ratio almost identical: 49:50. This is very intriguing, as you can use the possibility of letting them be equal or the possibility of letting them interfere. In the first case you get an interlocking rhythm which is smooth: an equal rhythmic pattern. In the second case you get a similar situation, but where one of them is one short after 50 of the other ones, which results in a disturbing almost equality, but not quite. Therefore the title: because when I use the unequal rhythm I put the two layers in a similar tone register, or a similar way of playing, and when I use the equal one I put them a part tone wise speaking. This is a very technical description, but it is very hard to put it in more wide terms, but you might compare it with driving in a train and looking at two fence rows behind each other: if the poles are placed exactly halfway between each other you will experience an illusion of a fast jump if there is enough distance between them, as a result of the perspective. If they are placed in a way that there are almost the same numbers of poles, like 49:50, you will experience a very complex pattern, which seems unpredictable. But of course when using it in music the whole thing is somewhat different, but even then it gives an idea of my preoccupation. What also intrigues me is that the relations are very hard to use in a musical way, and that is also quire a challenge.' Finally I have to say that I enjoyed very much writing for Poing, as these crazy guys are capable of doing almost anything you want in an nearly literal sense. - Karsten Fundal summer 2004.

SKU: WD.080689561368

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Modern Christian. CD preview pak. Word Music #080689561368. Published by Word Music (WD.080689561368).

UPC: 080689561368.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!

SKU: WD.080689378775

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Modern Christian. Bulletins (100-pak). Word Music #080689378775. Published by Word Music (WD.080689378775).

UPC: 080689378775.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!