SKU: CA.3500119

ISBN 9790007139049. Language: German/English.

Adaptation of the motet Tristis est anima mea, attributed to Johann Kuhnau. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted - most likely by Bach - with a new text and the addition of instrumental parts. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted--most likely by Bach--with a new text and the addition of insturmental parts. Score and parts available separately - see item CA.3500100.

SKU: BR.CHB-5275-02

ISBN 9790004411964. 7.5 x 10.5 inches. German.

Considering that his works for chorus and orchestra once enjoyed great popularity, it seemed only fitting to turn our attention to Graun as an a cappella composer. The four choral pieces in Grauns typical empfindsam style were first published between 1776 and 1791 in the Vierstimmige Motetten und Arien. They, in turn, were issued by the Leipzig St. Thomas cantor Johann Adam Hiller and serve as the only source for this new edition (1997).

SKU: HH.HH592-FSP

ISBN 9790708213079.

Of particular interest is this beautiful trio that has been come down to us in two different tonalities, E flat major and E major. The E major version, for two flutes and continuo, is found in a single source preserved at the Royal Danish Library in Copenhagen. The transposition from the original key of E flat major, undertaken by the composer himself, places the work in a brighter tonality, albeit one that presents more of a challenge to players of the baroque flute.

SKU: HL.49000218

ISBN 9790001002035. 9.0x12.0x0.035 inches.

SKU: HL.49000217

ISBN 9790001002028. 9.0x12.0x0.035 inches.

SKU: BR.CHB-5274-02

ISBN 9790004411995. 7.5 x 10.5 inches.

SKU: HL.49000215

ISBN 9790001002004. 9.25x12.0x0.038 inches.

SKU: CA.1037913

ISBN 9790007190972. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: CA.1037911

ISBN 9790007190958. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: CA.1037912

ISBN 9790007190965. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.