Sonatas . By Carl Philipp Emanuel Bach. Arranged by Peter Hauschild. For organ. Baroque. Level: 5-7. Full score. 135 pages. Published by Wiener Urtext Edition.

By Carl Philipp Emanuel Bach. Edited by Rudolf Steglich. For Piano. Playing Score. Wq 48. Published by Baerenreiter-Ausgaben (German import).

By Carl Philipp Emanuel Bach. Woodwind and string ensembles. Published by International Music Co.

Composed by Carl Philipp Emanuel Bach (1714-1788). Masterworks; Solo Small Ensembles; String Trio - 2 Violins and Cello; Trio. Kalmus Edition. Baroque; Classical; Masterwork. Book. 24 pages. Kalmus Classic Edition #00-K04746. Published by Kalmus Classic Edition

By Carl Philipp Emanuel Bach (1714-1788). For flute and basso continuo. Baroque, Chamber. Intermediate. Full score, set of parts and play-along CD. Published by Recorder JP

By Carl Philipp Emanuel Bach. For Piano. Piano Collection. Masterwork. Book. 76 pages. Published by Alfred Publishing.

Select Piano Solos for Study, Festival and Performance with Performance CD. By Alexander Gretchaninov; Carl Czerny; Carl Philipp Emanuel Bach; Domenico Scarlatti; Franz Joseph Haydn; Genari Karganov; Georg Anton Benda; Henri-Jerome Bertini; Johann Sebastian Bach; Matyas Seiber; Paul Harris; Peter Ilyitch Tchaikowsky; Stephen Heller. Edited by Marvin Blickenstaff. Arranged by Marvin Blickenstaff. Solo piano. For Piano Solo. Classical. Level: Intermediate. Solo part. 24 pages. Published by Carl Fischer.

Harp; Methods and Music for Children

SKU: UT.MAG-268

Composed by Johann Sebastian Bach. Arranged by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 268. Published by Ut Orpheus (UT.MAG-268).

ISBN 9790215326798. 9 x 12 inches.

The study of Johann Sebastian Bach’s compositions on the harp has a long history. The first who understood its importance for educational purposes was Robert Nicolas Charles Bochsa, who inserted some fugues of Bach and Haendel in his monumental method for the harp op. 60, accompanied by detailed fingerings. However, it was from the beginning of the 20th Century that the great harp teachers began to work extensively on Bach’s repertoire. Among the most illustrious examples we can mention Henriette Renié, who published two volumes of transcriptions, one containing ten preludes and one ten short pieces, Alfred Kastner who worked on the Two–part Inventions, Marcel Grandjany with his famous studies based on partitas and sonatas for solo violin, or Annie Louis David, who published two important volumes of preludes and fugues taken from The Well-Tempered Clavier, not to mention all those who transcribed just a single piece for concert purpose.
As is known, the Notebook for Anna Magdalena (Notenbüchlein für Anna Magdalena Bach), consists of two small manuscript volumes, the first compiled in Köthen in 1722 and the second in Leipzig three years later. The first contains only compositions by Johann Sebastian, while the second also includes pieces by other authors such as Couperin, Hasse and Carl Philipp Emanuel Bach.
The idea of ​​collecting in a volume some of the simplest compositions contained in the Notebook was born mainly from the desire to introduce even the youngest students to Bach’s music, in an easy and progressive way, so as to start as soon as possible at make them familiar with polyphonic writing and the use of embellishments, introduced here in a simplified version.

Organ

SKU: BT.DHP-0970913-401

Composed by Carl Philipp Emanuel Bach and Johann Sebastian Bach. Arranged by Gregg Sewell. Educational Tool. Book Only. Composed 1997. 24 pages. De Haske Publications #DHP 0970913-401. Published by De Haske Publications (BT.DHP-0970913-401).

German.

Een verzameling eenvoudige werken voor orgel (manualiter) van Johann Sebastian Bach uit zijn Notenbüchlein für Anna Magdalena. Geschikt voor de beginnende organist.

Speziell für den noch jungen Organisten zusammengestellte einfache Werke aus dem Notenbüchlein für Anna Magdalena von Johann Sebastian Bach.

Il libro per Anna Maddalena di Johann Sebastian Bach, brani semplici concepiti per organisti giovani e meno giovani.

Volume 1: Easy to Medium. By Albert Ellmenreich; Anton Diabelli; Carl Czerny; Carl Philipp Emanuel Bach; Cesar Franck; Christopf Willibald Von Gluck; Ernesto Koehler; Felix Le Couppey; Felix Mendelssohn; Francois Adrien Boieldieu; Francois Couperin; Franz Joseph Haydn; Larry Clark. Arranged by Larry Clark. For Tenor I, Tenor II. Soft Cover. 64 pages. Published by Carl Fischer.

28 Original Beginning Piano Solos by "the Masters" - Plus an Enhanced CD with Performances, Master Class Lessons and Midi Files. By Albert Ellmenreich; Bela Bartok; Carl Maria Von Weber; Carl Philipp Emanuel Bach; Edvard Grieg; Francois Couperin; Franz Joseph Haydn; Franz Schubert; Henry Purcell; Johann F.F. Burgmuller; Ludwig Van Beethoven; Peter Ilyich Tchaikovsky; Robert Schumann. Edited by Paul Sheftel, Phyllis Alpert Lehrer. Solo piano. For Piano Solo. Score and Audio CD. 48 pages. Published by Carl Fischer.

For Alto Saxophone in Eb: Volume 1. By Adolphe Adam; Albert Ellmenreich; Anton Diabelli; Carl Czerny; Carl Philipp Emanuel Bach; Christopf Willibald Von Gluck; Daniel Gottlob Turk; Ernesto Kohler; Felix Le Couppey; Felix Mendelssohn; Francois Adrien Boieldieu; Francois Couperin; Larry Clark. Arranged by Larry Clark. Wind duo. For Alto Saxophone I, Alto Saxophone II. Volume 1: Easy to Medium. Level: Easy to Medium. Soft Cover. 64 pages. Published by Carl Fischer.

Solo piano - Intermediate

SKU: FJ.H1024

Composed by Johann Sebastian Bach. Edited by Edwin Mclean. Keyboard Catalog Heading; Masterworks. FJH Classic Editions. Form: Suite. Baroque; Masterwork; Recital. Book. The FJH Music Company Inc #98-H1024. Published by The FJH Music Company Inc (FJ.H1024).

ISBN 9781619283480. UPC: 241444437070. English.

In 1725, J.S. Bach gave his second wife, Anna Magdalena, a Notenbüchlein - a collection of solo keyboard pieces and arias. Most of the keyboard pieces were composed by friends, colleagues, and his son, Carl Philipp Emanuel Bach. The easier keyboard works were probably used to instruct their children, while the arias would have been performed by Anna Magdalena, who was a singer. For this edition, Edwin McLean has chosen and expertly edited the most popular and easier keyboard pieces. Originally, the pieces contained no dynamics and virtually no phrasing, which is typical of baroque harpsichord music and even early 18th-century fortepiano music. Sectional dynamics have been added editorially and may be changed at the discretion of the performer. A minimal amount of phrasing and articulation has also been added for clarity. This edition preserves the original notation for appoggiaturas, where small eighth or quarter notes resolve to the principal note. Ossias have been included to show how to play them; ossias also appear when needed for ornaments such as trills and mordents.