A Sequel to Musical Calisthenics for Brass-This book is a continuation of Musical Calisthenics for Brass authored by Carmine Caruso. This new edition compiled by Carusos student Dominic Derasse should be approached only after the completion of the original method. Derasse writes ?the most important thing I learned from Carmine was how to teach myself. In studying his method each pupil should seek the same goal.?

Par CARUSO FILIPPO. Initiation à la batterie en 3D est une méthode de batterie pour les débutants, accompagné d'un DVD vidéo et Audio d'un CD, donc terminer aussi efficace. Cette méthode est la première approche très simple. Les nombreux exercices proposés sont progressive et toujours accompagné de photos et commentaires. Grâce à de nombreux coins de la fusillade, le DVD est inséré inline texte pour vous permettre de découvrir en détail et en mouvement les gestes et les aspects techniques de la batterie, ainsi que le bruit et la cession de plusieurs exercices proposés. Enfin le CD Audio propose ' séquences de métronome physique ', mais aussi de ' boucle électronique' à différent vitesse d'exécution pour vous permettre de fonctionner correctement sur plusieurs exercices a proposé. Dans cette pièce-dos sont ajoutés pour appliquer les enseignements de la méthode et de jouer des séquences musicales sommaires. / Niveau : Intermédiaire / Pédagogie / Méthode / Batterie et Percussions

Enrico Caruso and Luisa Tetrazzini. Advice useful knowledge and encouragement in the art of singing divided into two halves separating male and female voice techniques.

Ce document, unique par son ISBN 9790215106468 a pour titre VOCI D OPERA. ENRICO CARUSO. Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Critical Edition Violin Solo Part-This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz's performance notations edited by Endre Granat one of his star proteges. Born in Austria Korngold was forced into US exile by the annexation of Austria by the Nazis. He vowed to give up composing anything other than film music until Hitler was defeated. With the end of World War II he retired from films to concentrate on music for the concert hall. The violin concerto was the first such work that Korngold wrote following some initial persuasion from violinist and fellow émigré Bronislaw Huberman. Korngold was hurt by the assumption that he hadsold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major Op.35 in 1945 dedicating it to Alma Mahler the widow of his childhood mentor Gustav Mahler. The work was premiered on February 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On March 30 1947 Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz: the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work the composer wrote In spite of the demand for virtuosity in the finale the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz.

This is a new edition of a collection of standards of Italian music with transcriptions for Piano Voice and Guitar. This volume contains 30 tracks (6 more than the previous edition) including I'll go with you O 'Sole Mio Volare (Volare) Caruso Libiam It 'Pleased Goblets Va' pensiero the Woman is mobile Una furtiva lagrima Arrivederci Roma Casta diva Core 'ngrato And the stars were shining Funiculi Funicula Glory Mother Navy morning O' land of the sun or OR 'surdato nammurato talk about love Mariu' Quando Quando Quando Rome nun is stupid tonight One fine day Vissi d'arte Ciribiribin first Brothers of Italy Saint Lucia Come back toSorrento and A love so great.

Piano - Vocal - Guitar-Contents: Anema e core ? Arrivederci Roma ? Carmela ? Caruso ? Casta diva ? Che gelida manina ? Con te partirò ? Core ´ngrato ? Coro a bocca chiusa (Madama Butterfly) ? Di quella pira ? E lucevan le stelle ? Fenesta che lucive ? Funiculì funiculà ?Inno di Mameli ? La donna è mobile ? Libiam ne´ lieti calici ? Marechiare ? Mattinata ? Mi chiamano Mimì ? Nel blu dipinto di blu ? Nessun dorma ? Non dimenticar ? O mio babbino caro ? Quando quando quando ? Recondita armonia ? Resta cu´ mme ?Roma nun fa´ la stupida stasera ? Santa Lucia ? Santa Lucia luntana ? Tammurriata nera ? Una furtiva lagrima ? Una voce poco fa ? Un bel dì vedremo ? Va pensiero sull´ali dorate ? Vierno ? Vissi d´arte vissi d´amore.

One of the greatest favourites of the Italian operatic repertoire whose productions at London's Covent Garden in 1905 (featuring Enrico Caruso among other luminaries of the day) and New York's Metropolitan Opera the following year first brought it fame. Reprinted complete and unabridged from the authoritative G. Ricordi edition.Reprinted complete and unabridged from the authoritative G. Ricordi edition.

Contents: 04/03/1943; Balla balla ballerino; Caruso; Come è profondo il mare; Cosa sarà Lanno che verrà Ma come fanno i marinai; Nuvolari; Piazza Grande; Stella di mare.