This setting of the Magnificat and Nunc Dimittis is large in scale and features compelling melodies and harmonies moments of high drama and at the same time sensitive handling of the words. This is Wesley at his most masterful.Composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley founder of Methodism and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there.By most accounts Wesley was a difficult man who in his determination to improve the quality of country cathedral music often won enemies and lost support. After two unhappy appointments as cathedralOrganist Wesley accepted a position at the Leeds Parish Church which had a new building a new Organ and a vicar determined to create a choir for full Choral services. It was in these congenial circumstances that Wesley first presented this significant and influential Magnificat and Nunc Dimittis.

from Testament of Praise-Testament of Praise the cantata tribute to Charles Wesley is the source of this special anthem by Joseph Martin. The Gaelic tune “Bunessan” is married to the classic Wesley text “Love Divine All LovesExcelling” and the combination is amazing. This beloved tune will be quickly embraced by the hearts of all who hear it. The inspired orchestration from Brant Adams gives directors many performance choices. Fresh harmoniesand singable vocal writing combine in this brilliant choice for weddings Valentine's Sunday Advent or general use.

Anthem by Charles Wesley (1757-1834) first child from Samuel Wesley's first marriage.

Praise the Lord O My Soul is a long anthem for Chorus SATB with solo lines.Composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley founder of Methodism and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there.

3 Octaves of Handbells-Based on Ps. 9: 1-2 as paraphrased by Charles Wesley this anthem is for SATB voices with organ accompaniment. Handbells join forces at the end with several measures of random ringing. Use during Lent or as a general offering.

Opening with a warm choral setting of Charles Wesley's “Hail the Day That Sees Him Rise” this selection quickly builds to a triumphant and rhythmic Easter anthem. The contrasting chorale reappears giving way again tothe exciting “Sing alleluia He is risen today!” for a stunning climax. Available: SATB Instrumental Pak.

Joseph Martin has created a new setting for this well-known Charles Wesley text. Martin's compositional skills bring a fresh spirit to the theme of God's amazing love. An optional soprano descant decorates the music that almostsings itself. The new anthem is a wonderful addition to any music program.

These are charming uncomplicated settings of texts by the composer's father Charles Wesley.

From A Melody In Lyra Davidica 1708-This is a very rhythmic arrangement of one of the most popular Easter processional hymns. Charles Wesley wrote it for the first worship at Wesleyan chapel in London.

John and Charles Wesley On Music and Musicians-Carlton R Young with Preface by Richard WatsonThe achievement of John and Charles Wesley in establishing the foundations of Methodist music has been largely unexplored - until now. Carlton R Young one of the leading scholars in the field explains the theological background to the vast hymnic repertoire the brothers created and the history behind such classic 18th century tune books as the Foundery Collection of 1742 and Sacred Harmony of 1780. ISBN 0 85249 826 8 For supply to the USA or Canada please contact Hope Publishing .

Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God. / Niveau : 2 / Répertoire / Concert Band ou Harmonie

Scripture becomes song in this Hebrews-based anthem that includes words from Charles Wesley. The melody begins simply rising as if reaching to a great truth. With the words Faith is being sure of what we hope for. Faith is the proof of things we do not see we begin the search. Unison is used for clarity of text thickening in the refrain which incorporates the Wesley hymn Let Us Live by Faith Alone. Because of the foundational theology presented and the final verse's affirmation of the church's mission and destiny this would be an excellent choice for church anniversaries.

Arr. Timothy Johnson. Par WESLEY CHARLES. / Niveau : 4 / Hymnes et chorals / Répertoire / Concert Band