10 Original Duets for Flute. Par SCHWARZ OTTO M.. The “Stay Tuned - Swinging Christmas” duets stem from another collaboration with the trumpeter Thomas Gansch. These duets are not only available for trumpets, however. The pop & jazz duets are also available for trumpet with trombone, two trombones, two horns, two saxophones at the same pitch, two flutes and two clarinets. / Date parution : 2021-12-09/ Recueil / 2 Flûtes Traversières

The Best Christmas Flute Duet Book Ever! is a great collection of festive flute duets. Spruce up your performances, concerts and cantatas with these fabulous Christmas pieces for two! Warm up the winter evenings with these wonderful selections of favourites and standards such as Deck the Halls , Away in Manger to Santa Baby and Frosty the Snowman . These exciting and varied pieces are set as easy arrangements suitable for earlier grades but are enjoyable to play and are sure to delight. / Flûte Traversière

A fun collection of Christmas solos and duets. Par HARRIS PAUL. Christmas Flute Basics is a collection of fun and festive flute repertoire. Leap through the twelve days of Christmas in twelve stages, including Christmas-themed improvisations, warm-ups and studies, and your favourite Christmas tunes with piano accompaniment, or as duets for 2 flutes or flute and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing. Christmas Flute Basics is a collection of fun and festive flute repertoire. Leap through the twelve days of Christmas in twelve stages, including Christmas-themed improvisations, warm-ups and studies, and your favourite Christmas tunes with piano accompaniment, or as duets for 2 flutes or flute and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing./ Recueil / Flûte Traversière et Piano

10 Original Duets for Horn. Par SCHWARZ OTTO M.. The “Stay Tuned - Swinging Christmas” duets stem from another collaboration with the trumpeter Thomas Gansch. These duets are not only available for trumpets, however. The pop & jazz duets are also available for trumpet with trombone, two trombones, two horns, two saxophones at the same pitch, two flutes and two clarinets. / Date parution : 2021-12-09/ Recueil / 2 Cors

Over fifty Christmas songs arranged for Piano and voice featuring performances by the National Philharmonic Orchestra, Royal Philharmonic Orchestra, The Fireside Singers, The Ambrosian Singers and more! Includes two CDs of stunning performances from world class orchestras!/ Recueil / Chant et Piano

10 Original Duets for Clarinet. Par SCHWARZ OTTO M.. The ?Stay Tuned - Swinging Christmas? duets stem from another collaboration with the trumpeter Thomas Gansch. These duets are not only available for trumpets, however. The pop

10 Original Duets for Trombone. Par OTTO M. SCHWARZ. The ?Stay Tuned - Swinging Christmas? duets stem from another collaboration with the trumpeter Thomas Gansch. These duets are not only available for trumpets, however. The pop

Par LOCHS BERT. Le concept à succès des Swing Quartets, Jazz Quartets et Groove Quartets se présente maintenant également en habits de Noël : Bert Lochs a arrangé quatre chants traditionnels de Noël dans un style swingué avec accompagnement de combo. Les Swingin' Christmas Quartets sont disponibles pour quatuors de trompettes, flûtes, clarinettes et saxophones altos, toutes les versions étant combinables entre elles. Dans la partie audio disponible en ligne de cette publication figurent non seulement une version de démonstration avec l'instrumentation complète et une version d'accompagnement, mais aussi quatre versions dans lesquelles chacune des quatre voix est supprimée à tour de rôle afin de permettre à chaque instrumentiste de s'entraîner individuellement. / Niveau : Intermédiaire / Recueil / 4 Flûtes Traversières

for 1-2 instruments (violins, recorders, flutes, oboes, trumpets in C) and piano (guitar), voices ad lib., arranged and edited by Dagmar Wilgo and Nico Oberbanscheidt. Unknown, yet very beautiful Christmas songs from off the beaten path that are well suited for integration. Small surprises from Belgium, England, Greece, Luxemburg, Latvia, Lithuania, Malta, the Netherlands, Poland, Rumania, Russia, Slovakia, Slovenia, Czechia, and Hungary will musically enrich both school lessons as well as promote the growing together of different cultures. Can also be used to advantage with voices only (and, for example, guitar) in the primary school, and also viable just with piano/guitar. Inclusive Play-along-CD.Volume 1 (40 pages, score and parts) / Ensemble Divers

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière