SKU: HL.50602118
ISBN 9781540064455. UPC: 888680966515. 9.0x12.0x0.854 inches.
VINCENZO BELLINI I Capuleti e i Montecchi Se Romeo t'uccise un figlio * GEORGES BIZET Carmen L'amour est un oiseau rebelle (Habanera) * Pres des remparts de Seville (Seguedille) * Voyons, que j'essaie - En vain, pour eviter (Air des cartes) * GAETANO DONIZETTI Anna Bolena E sgombro il loco - Ah! parea che per incanto * La favorite O mon Fernand * Maria Stuarda Deh! tu di un'umile preghiera * Di un cor che muore - Ah! se un giorno da queste ritorte * GEMINIANO GIACOMELL Bajazet Sposa son disprezzata * CHRISTOPH WILLIBALD GLUCK Orfeo ed Euridice Che faro senza Euridice? * CHARLES GOUNOD Faust Faites-lui mes aveux * Romeo et Juliette Depuis hier - Que fais-tu, blanche tourterelle * GEORGE FRIDERIC HANDEL Alcina Sta nell'ircana pietrosa tana * Ariodante Dopo notte * Giulio Cesare Presti omai * PIETRO MASCAGNI L'amico Fritz O pallida, che un giorno * JULES MASSENET Werther Va ! laisse couler mes larmes * GIACOMO MEYERBEER Les Huguenots Nobles seigneurs, salut ! * CLAUDIO MONTEVERDI L'incoronazione di Poppea Addio, Roma * WOLFGANG AMADEUS MOZART La clemenza di Tito Parto, ma tu ben mio * Cosi fan tutte Ah, scostati - Smanie implacabili * Le nozze di Figaro Non so piu cosa son * Voi che sapete * HENRY PURCELL Dido and Aeneas Thy hand, Belinda - When I am laid in earth * GIOACHINO ROSSINI Il barbiere di Siviglia Una voce poco fa * La cenerentola Nacqui all'affanno e al pianto - Non piu mesta La donna del lago Tanti affetti in tal momento * L'italiana in Algeri Cruda sorte! * Maometto II Giusto ciel, in tal periglio * Semiramide Bel raggio lusinghier * CAMILLE SAINT-SAENS Samson et Dalila Printemps qui commence * Samson, recherchant - Amour ! viensaider ma faiblesse ! * Mon cur s'ouvre a ta voix * JOHANN STRAUSS Die Fledermaus Ich lade gern mir Gaste ein (Chacun a son gout) * PYOTR IL'YICH TCHAIKOVSKY Pikovaya dama Da! Vspomnila... Podrugi milye * GIUSEPPE VERDI Un ballo in maschera Re dell'abisso, affrettati * Don Carlo O don fatale * Il trovatore Stride la vampa! * Condotta ell'era in ceppi * ANTONIO VIVALDI Orlando finto pazzo Andero, volero, gridero.
SKU: BA.BA05815-01
ISBN 9790006495610. 33 x 26.3 cm inches. Text Language: Italian. Preface: Gölz, Tanja.
Continuo realization: Thomas Hauschka.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08891
ISBN 9790006564149. 33 x 24 cm inches. Preface: Sylvie Bouissou.
Christoph Willibald Gluck's opera in four acts about the Curse of the House of Atreus is based on a tragedy by the classical Greek dramatist Euripides. The mythological plot about the siblings Iphigenia and Orestes is characterized by hatred, ritual sacrifice, and murder and was especially popular during the 18th century. The premiere of Gluck's opera in 1779 was immensely successful.Barenreiter now presents a carefully edited and corrected piano reduction that was newly set to meet Barenreiter's current quality standards. An informative preface (Ger/En/Fr) supplements the edition, which also includes all appendices of the score volume the edition is based on, as contained in the Gluck Complete Edition (GGA).
SKU: BA.BA02282
ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.
Christoph Willibald Gluck’s most popular opera “Orphe et Euridice†was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.
SKU: HL.50492258
ISBN 9788875922436. Italian.
LIBRETTO.
SKU: HL.50492290
ISBN 9788875922443. Italian.
SKU: BA.BA04086
ISBN 9790006550036. 33 x 25.8 cm inches. Pietro Metastasio.
As with many other libretti by Pietro Metastasio, “Ezio†was also set to music several times – besides Handel, by Nicola Porpora in 1728 and Christoph Willibald Gluck in 1750. As the historical events from late antiquity surrounding the Western Roman General Aëtius, who had defeated the Huns under Attila on the Catalaunian Fields, had largely fallen into oblivion by the 18th century, they merely form a backdrop to the highly-dramatic “Sex and Crime†on the operatic stage. In contrast with the original Roman story, “Ezio†remains alive at the “happy endingâ€, and the enthusiastic public experienced this version for the first time on 15 January 1732 in London . However, despite this, the opera only received five performances during Handel’s lifetime. Handel took the overture from his incomplete opera “Titus l’Empereurâ€. The new vocal score is based on Vol. II/26 of the Halle Handel Edition (BA 4086).
SKU: BA.BA05810-01
ISBN 9790006495511. 33 x 26 cm inches. Text Language: French. Preface: Philippi, Daniela. Text: Favart, Charles Simon.
For his ParisCythere assiegee, Gluck drew on his eponymous opera comique from 1759, transforming it into an opera-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version.This edition ofCythere assiegeecontains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts.The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles.
SKU: BT.EMBZ2791
English-German-Hungarian.
This publication - edited by renowned pedagogues Vilmos Bántai, Imre Kovács, and Béla Vavrinecz - offers a great selection of pieces for flutists in the lower grades of music schools. It includes compositions by prominent Baroque and Viennese Classical composers, including Arcangelo Corelli s Sarabande, excerpts from Christoph Willibald Gluck s opera Orpheus (Dance of the Blessed Spirits), Joseph Haydn s Serenade, and Franz Schubert s Andante. This collection of pieces has remained a valuable resource for musicians for several decades, and it can also serve as a basis for the chamber music repertoire of flutists and pianists.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version