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| Eric Osterling: The
Showstopper (Concert
March): Concert Band:
Score & Parts
Concert band [Score and Parts]
Hal Leonard
This magnificent march was actually composed by Eric Osterling in 1979. In this ...(+)
This magnificent march was actually composed by Eric Osterling in 1979. In this new edition Eric has kept the chromatic flare and distinctive style but adapted it to the needs of younger players. Now even small and inexperienced bands can enjoy this march classic!
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| Philip Sparke: March of
the Robot Army: Concert
Band: Score & Parts
Concert band
Anglo Music
March of the Robot Army. March of the Robot Army was commissioned by Linda Anzol...(+)
March of the Robot Army. March of the Robot Army was commissioned by Linda Anzolin
Pre-shipment lead time: In Stock |
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| Philip Sparke: March of
the Robot Army: Concert
Band: Score
Concert band
Anglo Music
March of the Robot Army. March of the Robot Army was commissioned by Linda Anzol...(+)
March of the Robot Army. March of the Robot Army was commissioned by Linda Anzolin
Pre-shipment lead time: In Stock |
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| Joseph Horovitz: String
Quartet No.5: String
Quartet: Score
String Quartet: 2 violins, viola,
cello [Sheet music]
Novello & Co Ltd.
Horovitz composed this work during February and March 1969 as a tribute to E. H....(+)
Horovitz composed this work during February and March 1969 as a tribute to E. H. Gombrich on his 60th birthday.In this one-movement quartet the opening thematic material is deliberately based on the decadent chromatic gestures prevalent in early twentieth century Viennese music. Healthier diatonic discords tear into these themes during a long development section and in a way finally cleanse them.The melodies of the first section are entirely based on the intervals of the third and sixth but with garish appendages of extra chromaticism (produced by means of bi-tonality between the upper and lower instruments). After the conflict these intervals emerge in their trueand elemental role as essential pillars of a major key.
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| Processionals: Organ:
Instrumental Album
Organ
Novello & Co Ltd.
Organist and composer A.Herbert Brewer?s swaggering Marche Héro que became famo...(+)
Organist and composer A.Herbert Brewer?s swaggering Marche Héro que became famous at the funeral service of Earl Mountbatten of Burma in 1979 and has remained popular since then.Organ virtuoso and composer Edwin Lemare was the world?s highest-paid Organist at the height of his career in the early 1900?s drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. His Grand Cortège is Orchestral even Wagnerian in style with bold chromatic colourings.Frank Cordell?s Khartoum Fanfare and March features melodic British military themes and was a part of the film?s soundtrack.John Addison's Charge of the Light Brigade also fromthe film develops its military themes with élan.March for ?The Phoebe? was written by Percy Whitlock in honour of a naval cruiser launches in 1939 which was adopted by the Country Borough of Bournemouth where the composer was Municipal Organist.John Ireland?s Epic March was originally written for Orchestra in response to a BBC commission for a patriotic march. It is here transcribed for Organ.
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| Alun Hoddinott: Sonatina
for Guitar: Guitar:
Instrumental Work
Oxford University Press
Alun Hoddinott was born in Glamorganshire in 1929. His compositional talents dev...(+)
Alun Hoddinott was born in Glamorganshire in 1929. His compositional talents developed early and he won a university scholarship at the age of sixteen. In 1951 he was appointed Lecturer in Music at the Welsh College of Music and Drama; he later became lecturer at University College Cardiff and was made Professor and Head of Department there in 1967. Hoddinott achieved a mastery of composition which embraced almost every musical medium. His strong creative urge stimulated by a tremendous variety of eminent performers is reflected in a substantial body of works. Essentially chromatic his music often shows a dark Celtic intensity manifested in his nocturnal slowmovements. As former Professor of Music at University College Cardiff and Artistic Director of the Cardiff Festival he had considerable influence in awakening interest in contemporary music in South Wales. Alun Hoddinott died in Wales in March 2008 at the age of 78.
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| John Joubert: St. Mark
Passion: SATB: Vocal
Score
Choral SATB [Vocal Score]
Novello & Co Ltd.
POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and th...(+)
POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine
Pre-shipment lead time: In Stock |
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| Léon Jessel: The Parade
Of The Tin Soldiers Op.
123: Piano Duet:
Instrumental
2 Pianos, 4 hands [Sheet music]
Edwin Ashdown
The Parade of the Tin Soldiers is a jolly march composed originally for Piano an...(+)
The Parade of the Tin Soldiers is a jolly march composed originally for Piano and recorded many times over the decades. Each Christmas season at Radio City Music Hall in Manhattan the Rockettes perform a traditional danceroutine to the tune. Of particular charm is the moment near the end when the soldiers fall down in a long chromatic scale.Composer arranger conductor bandleader Kapellmeister Leon Jessel was active in his native Germany fromthe late 1800?s until the rise of Nazism ended his career in the 1920?s. Before that he had worked extensively as a musician and created Germany?s most beloved operetta Schwarzwaldmädel (Black Forest Girl) and others almost aspopular.
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| Ralph Vaughan Williams:
Nocturne And Scherzo/
Scherzo: String Ensemble:
Score
String Orchestra [Score]
Faber Music Limited
Of all his early chamber works the Nocturne is most clearly by the mature Vaugh...(+)
Of all his early chamber works the Nocturne is most clearly by the mature Vaughan Williams almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. In the veiled beauty of its highly chromatic harmonies we hear already the tone-poet of the slow movement of A London Symphony while in the fleet-footed Scherzo there is already a French influence in the way the folk-song is subtly woven into the texture only brief snatches of the tune being heard until the penultimate page when it receives fuller treatment. The work plays for about 10 minutes. The 1904 Scherzo is a vigorous march with fugal episodes whichlasts some 6 minutes and may effectively be performed by itself.
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| Jan Van der Roost:
Credentium: Concert Band:
Score & Parts
Concert band
De Haske Publications
A spectacular dive via an extended chromatic scale immediately submerges us in a...(+)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets horns and trombones resound in rhythmic patterns buttressed by restless motifs in the percussion. A second theme in the woodwinds begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town and people should know about it.There followsa rhythmic turbulent passage: in the course of history Peer has not been spared the ravages of war arson occupation epidemic and other evils. In contrast a slow pastoral lyrical part expresses the periods of peace and prosperity the town has known as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when via a surprising almost chaotic transitional passage we are in effect transported back to our own time. A hopeful festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen the 95 members of the concert band have experienced an extended period of good fortune and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
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| Ralph Vaughan Williams:
Nocturne & Scherzo:
String Ensemble
String Quintet: 2 violins, 2 violas,
cello [Part]
Faber Music Limited
Of all his early chamber works the 'Nocturne' is most clearly by the mature Vau...(+)
Of all his early chamber works the 'Nocturne' is most clearly by the mature Vaughan Williams almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. In the veiled beauty of its highly chromatic harmonies we hear already the tone-poet of the slow movement of 'A London Symphony' while in the fleet-footed 'Scherzo' there is already a French influence in the way the folk-song is subtly woven into the texture only brief snatches of the tune being heard until the penultimate page when it receives fuller treatment. The work plays for about 10 minutes. The 1904 'Scherzo' is a vigorous march with fugal episodes which lasts some 6minutes and may effectively be performed by itself.
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| Jan Van der Roost:
Credentium: Concert Band:
Score & Parts
Concert band [Score and Parts]
De Haske Publications
A spectacular dive via an extended chromatic scale immediately submerges us in a...(+)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets horns and trombones resound in rhythmic patterns buttressed by restless motifs in the percussion. A second theme in the woodwinds begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town and people should know about it.There followsa rhythmic turbulent passage: in the course of history Peer has not been spared the ravages of war arson occupation epidemic and other evils. In contrast a slow pastoral lyrical part expresses the periods of peace and prosperity the town has known as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when via a surprising almost chaotic transitional passage we are in effect transported back to our own time. A hopeful festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen the 95 members of the concert band have experienced an extended period of good fortune and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
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| Nikolai Rimsky-Korsakov:
Rimsky-Korsakov Concerto
For Tbn: Trombone:
Brass Wind Publications
This concerto is small in scale; the first movement making much of an energetica...(+)
This concerto is small in scale; the first movement making much of an energetically rising arpeggio figure a lyrical second movement with some chromatic harmony that foreshadows parts of Sheherazade and a brisk march-like finale with an extended cadenza. In addition to the traditional cadenza this edition contains an alternative for the more advanced player. A solo part in treble clef also is included.
Pre-shipment lead time: In Stock |
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| On Navy Pier: Concert
Band: Score & Parts
Concert band [Score and Parts]
Hal Leonard
Artist Level (correlates with Book 1 p. 34) Here is a spirited march for young ...(+)
Artist Level (correlates with Book 1 p. 34) Here is a spirited march for young players that uses easy chromatic figures and contrasting instrumentation. The effective use of varied dynamics helps to make this one sparkle! (2:10)
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| Phil Duncan: Gospel Harp:
Harp: Instrumental Album
Harmonica - Intermediate
Mel Bay
A collection for diatonic crossharp and chromatic harmonica. The gospel songs...(+)
A collection for diatonic crossharp and chromatic harmonica. The gospel songs presented here are written as the song has been presented throughout the years. Key changes have been made to accommodate the harmonica. The firstsection is standard harmonica key of C. The second section is in cross-harp (second) position. The third section uses a changed or retuned harmonica such as Lee Oskar's Melody Maker in G or the Country Tuned Hohner Harmonicain C. Written in standard notation and tablature for diatonic and chromatic harmonicas with lyrics and chord symbols. Includes 91 tunes such as The Old Rugged Cross; The Love of God; In the Garden; He's Got the Whole World inHis Hands; Oh When the Saints Go Marching In; This Train Is Bound For Glory; His Eye is on the Sparrow; and much more.
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| Fitzwilliam Virginal
Book Vol.2
Piano solo
Dover Publications
CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Gi...(+)
CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Giles Farnaby CXIII. Pawles Wharfe. Giles Farnaby CXIV. Quodlings Delight. Giles Farnaby CXV. Praeludium [X]. John Bull CXVI. Praeludium. Dor. [XIII*]. John Bull CXVII. Praeludium [VII]. Anon CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck CXIX. In Nomine [IX]. John Bull CXX. Praeludium [VII]. Anon CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC) CXXII. Galiarda. James Harding, set by Byrd CXXIII. Pavana. Thomas Tomkins CXXIV. Fantasia [I]. Thomas Morley CXXV. Christe Redemptor. John Bull CXXVI. The Maydens Song. William Byrd CXXVII. Put up thy Dagger, Jemy. Giles Farnaby CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby CXXIX. Fantasia [I]. Giles Farnaby CXXX. A Grounde. Thomas Tomkins CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins CXXXII. The Hunting Galliard. Thomas Tomkins CXXXIII. The Quadran Paven (see No. XXXI). William Byrd CXXXIV. Galiard to the Quadran Paven (see No. XXXIII) CXXXV. The King's Hunt. John Bull CXXXVI. Pavana [I]. John Bull CXXXVII. Galiarda [I]. John Bull CXXXVIII. Dr. Bull's Juell. John Bull CXXXIX. The Spanish Paven. John Bull CXL. In Nomine. [John?] Parsons CXLI. Wooddy-Cook. Giles Farnaby CXLII. The Duke of Brunswick's Alman. John Bull CXLIII. Rosasolis. Giles Farnaby CXLIV. Psalme [140]. J. P. Sweelinck CXLV. Alman [I]. Robert Johnson CXLVI. Alman [I]. Robert Johnson CXLVII. Alman. Robert Johnson, set by Giles Farnaby CXLVIII. The New Sa-Hoo. Giles Farnaby CXLIX. Nobody's Gigge. Richard Farnaby CL. Malt's come downe. William Byrd CLI. Praeludium [IX]. Anon CLII. Alman [XIII]. Thomas Morley CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley CLIV. Galiarda [IX]. Thomas Morley CLV. La Volta. William Byrd CLVI. Alman [VII]. William Byrd CLVII. Wolsey's Wilde. William Byrd CLVIII. Callino Casturame. William Byrd CLIX. La Volta. T. Morley, set by William Byrd CLX. Rowland. William Byrd CLXI. Why aske you. Anon (see No. CCLXXXVI) CLXII. The Ghost. William Byrd CLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William Byrd CLXV. Pavana [IX*]. William Byrd CLXVI. Galliarda [IX*]. William Byrd CLXVII. Pavana [I**]. William Byrd CLXVIII. Galiarda [I**]. William Byrd CLXIX. Pavana [XIII*]. Thomas Morley CLXX. Galliarda [XIII*]. Thomas Morley CLXXI. [deest, owing to an error in numbe CLXXII. The Queenes Alman. William Byrd CLXXIII. A Medley. William Byrd CLXXIV. Pavana [IX]. William Byrd CLXXV. Galliarda [IX]. William Byrd CLXXVI. Miserere. 3 parts. William Byrd CLXXVII. Miserere. 4 parts. William Byrd CLXXVIII. Pakington's Pownde. Anon CLXXIX. The Irishe Dumpe. Anon CLXXX. Watkins Ale. Anon CLXXXI. A Gigg. William Byrd CLXXXII. Pipers Paven. Martin Peerson CLXXXII. Pipers Galliard. John Bull CLXXXIII. Variatio ejusdem. John Bull CLXXXIV. Praeludium. D. [XIII]. John Bull CLXXXV. Galiarda [IX*]. John Bull CLXXXVI. Galiarda [IX*]. John Bull CLXXXVII. Allemanda. Marchant CLXXXVIII. Can Shee. Anon CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull CXC. A Gigge. John Bull CXCI. Sr. Jhon Grayes Galliard. W. B. CXCII. Preludium [VII]. John Bull CXCIII. A Toy. Anon (see No. CCIV) CXCIV. Giles Farnaby's Dreame. Giles Farnaby CXCV. His Rest. Giles Farnaby CXCVI. His Humour. Giles Farnaby CXCVII. Fayne would I wedd. Richard Farnaby CXCVIII. A Maske. Giles Farnaby CXCIX. A Maske. Giles Farnaby CC. An Almain [VII]. Anon CCI. Corranto [VII]. Anon CCII. Alman [XIII]. Anon CCIII. Corranto [X]. Anon CCIV. Corranto [VII]. (See No. CXCIII.) Anon CCV. Corranto [I]. Anon CCVI. Daunce. Anon CCVII. Worster Braules. Thomas Tomkins CCVIII. Fantasia [VII]. Giles Farnaby CCIX. A Maske. Giles Farnaby CCX. Praeludium [IX]. John Bull CCXI. [Praeludium] [V]. Anon CCXII. Martin sayd to his Man. Anon CCXIII. Almand. William Tisdall CCXIV. Pavana Chromatica. William Tisdall CCXV. Ut, re, mi, fa, sol, la. John Bull CCXVI. Gipseis Round. William Byrd CCXVII. Fantasia [I*]. J. P. Sweelinck CCXVIII. Coranto [IX]. William Byrd CCXIX. Pavana. Clement Cotton. William Tisdall CCXX. Pavana [I*]. William Tisdall CCXXI. Coranto [I]. Anon CCXXII. Alman. Hooper CCXXIII. Corranto [I]. Anon CCXXIV. Corranto [I]. Anon CCXXV. Corranto [I*]. Anon CCXXVI. Corranto [VII]. Anon CCXXVII. Alman [III]. Anon CCXXVIII. Corranto. Hooper CCXXIX. Fantasia [VII]. Giles Farnaby CCXXX. Loth to depart. Giles Farnaby CCXXXI. Fantasia [I]. Giles Farnaby CCXXXII. [Fantasia] [I*]. Giles Farnaby CCXXXIII. [Transcription of Ay me, poore Heart.] Giles Farnaby CCXXXIV. [Fantasia] [I]. Giles Farnaby CCXXXV. Walter Erle's Paven. Giles Farnaby CCXXXVI. [Fantasia] [IX]. Giles Fa CCXXXVII. [Fantasia] [VII]. Giles Farnaby CCXXXVIII. Fantasia [VII]. Giles Farnaby CCXXXIX. The L. Zouches Maske. Giles Farnaby CCXL. Grounde. Giles Farnaby CCXLI. Coranto [XIII]. William Byrd CCXLII. Up T[ails] all. Giles Farnaby CCXLIII. Jhonson's Medley. Edward Johnson CCXLIV. Nowel's Galliard. Anon CCXLV. Tower Hill. Giles Farnaby CCXLVI. Praeludium [XIII]. Giles Farnaby CCXLVII. The King's Morisco. Anon CCXLVIII. A Duo. Richard Farnaby CCXLIX. Alman [VII]. Anon CCL. A Galiard Ground. William Inglot CCLI. The Leaves bee greene. William Inglot CCLII. Pavana [IX]. William Byrd CCLIII. Galiarda [X]. William Byrd CCLIV. Pavana [IX*]. William Byrd CCLV. Galiarda [IX]. William Byrd CCLVI. Pavana [XIII]. William Byrd CCLVII. Pavana Fant[asia] [VIII]. William Byrd CCLVIII. Galiarda [VII]. William Byrd CCLIX. The Earle of Oxfords Marche. William Byrd CCLX. Galiarda. Jehan Oystermayre CCLXI. Fantasia [VIII]. William Byrd CCLXII. The Duchesse of Brunwick's Toye. John Bull CCLXIII. A Toye [VIII]. Anon CCXIV. Corranto [I]. Anon CCLXV. Lady Riche. Anon CCLXVI. Corranto [VIII]. Anon CCLXVII. A Gigge. Giles Farnaby CCLXVIII. A Toy [VII]. Anon CCLXIX. Galiarda [X]. Giles Farnaby CCLXX. A Toye [X]. Giles Farnaby CCLXXI. The Primerose. Martin Peerson CCLXXII. The Fall of the Leafe. Martin Peerson CCLXXIII. Farnabye's Conceit. Giles Farnaby CCLXXIV. Allemanda [VII]. Anon CCLXXV. Pavana. Canon, 2 in 1. William Byrd CCLXXVI. Pescodd Time. William Byrd (see No. LIX) CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd CCLXXIX. Miserere, 3 parts. John Bull CCLXXX. Tell mee, Daphne. Giles Farnaby CCLXXXI. Mal Sims. Giles Farnaby CCLXXXII. Munday's Joy. John Munday CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby CCLXXXIV. The Flatt Pavan. Giles Farnaby CCLXXXV. Pavana [VII]. Giles Farnaby CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby CCLXXXVII. Farmer's Paven. Giles Farnaby CCLXXXVIII. Dalling Alman. Anon CCLXXXIX. The Old Spagnoletta. Giles Farnaby CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII) CCXCI. Meridian Alman. Set by Giles Farnaby CCXCII. Pavana. Orlando Gibbons CCXCIII. Muscadin. Giles Farnaby (see No. XIX) CCXCIV. Lady Montegle's Paven. William Byrd CCXCV. Galiarda. William Tisdall CCXCVI. Fantasia [I]. Giles Farnaby CCXCVII. Hanskin. Richard Fa
Pre-shipment lead time: In Stock |
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| Andrew Scott: Keyboard
Method 2: Electric
Keyboard: Instrumental
Tutor
Koala Publications
Extends the range of notes to cover the chromatic scale up to the A above the tr...(+)
Extends the range of notes to cover the chromatic scale up to the A above the treble staff. Introduces seven new chords and another 40 songs. Also contains minor scales swing rhythms and syncopation. Chord charts are included atthe back of the book. Songs include: Blue Tail Fly Botany Bay Portsmouth Beautiful Dreamer Dance of the Hours Anchors Away When Johnny Comes Marching Home The 1812 Overture Here Comes The Bride AmazingGrace and many more. CD included.
Pre-shipment lead time: In Stock |
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| Liszt F. - Les Preludes
And Other Symphonic Poems
- Conducteur
Orchestra [Study Score / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...(+)
This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
Pre-shipment lead time: On order |
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| Mack Wilberg: In The
Bleak Mid-Winter: Mixed
Choir: Vocal Score [Vocal Score]
Oxford University Press
This is a reflective and beautiful arrangement of the classic Christmas carol by...(+)
This is a reflective and beautiful arrangement of the classic Christmas carol by Holst. Wilberg underpins the well-loved melody with luscious romantic harmonies including moments of exquisite chromaticism. This wonderful carol would make an ideal choice for any Christmas service or concert and will strike chords with choirs and audiences alike.Mack WilbergMack Wilberg is the Music Director of the Mormon Tabernacle Choir. He was appointed Music Director in March 2008 having served as Associate Music Director since May 1999. He is a former professor of music at Brigham Young University where he received his bachelor's degree; his master'sand doctoral degrees are from the University of Southern California. In addition to his conducting responsibilities he is active as a pianist choral clinician composer arranger and guest conductor throughout the United States and abroad. In addition to the many compositions he has written for the Mormon Tabernacle Choir his works have been performed by artists such as Renée Fleming Frederica von Stade Bryn Terfel The King's Singers and narrators Walter Cronkite and Claire Bloom. Wilberg's arrangements and compositions are performed and recorded all over the world. With their grandeur energy and craftsmanship they inspire performers and audiences everywhere.
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| Chromatic March
 Français
Exemplaire Complet [Score and Parts] - Beginner
Martin, Robert
/ Exemplaire Complet / niveau : Or:1 / Partition
(Seller in french langage)
Pre-shipment lead time: On order |
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| Chromatic March
Français
Parties Supplémentaires [Part] - Beginner
Martin, Robert
/ Parties Supplémentaires / niveau : Or:1 / Partition
(Seller in french langage)
Pre-shipment lead time: On order |
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| Chromatic March
Français
Conducteur [Score] - Beginner
Martin, Robert
/ Conducteur / niveau : Or:1 / Partition
(Seller in french langage)
Pre-shipment lead time: On order |
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| Chromatic March
Français
Partie Séparée [Part] - Beginner
Martin, Robert
/ Partie Séparée / niveau : Or:1 / Partition
(Seller in french langage)
Pre-shipment lead time: On order |
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| Mikrokosmos 6
Piano solo
EMB (Editio Musica Budapest)
Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces publish...(+)
Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Do-It-Yourself Piano
Easy Piano [Sheet music + Audio access] - Beginner
Hal Leonard
The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Piano is a fu...(+)
The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Piano is a fun way to get started playing on your own. Using over 90 well-known pop tunes and classical repertoire, you will be given step-by-step instructions on what you need to know to get started and sounding like a pro in no time. Includes over 170 audio tracks for demonstration and play-along, plus video instruction by piano teacher Alistair Watson. Covers: · Piano fundamentals · Reading standard notation · Keys
(Seller in french langage)
Pre-shipment lead time: On order |
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