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Clara Schumann
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Clara Schumann: Quatre Pièces Fugitives op. 15: Piano: Instrumental Work
Piano solo
Breitkopf & Härtel
'Clara Schumanns writing contains a number of original traits. She is far remove...
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'Clara Schumanns writing contains a number of original traits. She is far removed from merely copying Chopin Mendelssohn or Robert Schumann. At the most these masters sometimes shine through the particular coloring characteristic of all of Clara Schumanns pieces. The Quatre pièces fugitives all differ jn character and style. Especially the Andante (No. 3) contains some charming effects. No. 4 Scherzo a simple and innocent piece recalls Beethovens shorter sonatas.' (from the review printed in the 'Allgemeine Musikalische Zeitung' of 1 October 1845)
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... Dass Gott Mir Ein Talent Geschenkt (SCHUMANN CLARA)
Divers
[Sheet music]
Schott
Par SCHUMANN CLARA. Clara Schumanns Briefe An Hermann Härtel Und Richard Und He...
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Par SCHUMANN CLARA. Clara Schumanns Briefe An Hermann Härtel Und Richard Und Helene Schöne / Date parution : 1997-02-20/ Répertoire / Divers
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Clara Schumann: Piano Music: Piano: Instrumental Album
Piano solo
Dover Publications
Selected and with an Introduction by Nancy B. Reichs-Among the leading pianists ...
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Selected and with an Introduction by Nancy B. Reichs-Among the leading pianists of the 19th century Clara Schumann was a respected published composer in her lifetime regarded by her contemporaries as a member of the avant-garde 'new romantic' school. Praised by such greats as Chopin Brahms Mendelssohn and Liszt her music is being heard again today in recitals and new recordings. This rare collection reproduced mainly from the classic Breitkopf and Hartel edition of 1879 is introduced by Dr.Nancy B. Reich.
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Robert Schumann: Piano Music Series III: Piano: Instrumental Album
Piano solo
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Dover Publications
Edited by Clara Schumann-Fifteen works including 'Symphonic Etudes Op. 13' 'Fan...
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Edited by Clara Schumann-Fifteen works including 'Symphonic Etudes Op. 13' 'Fantasy In C Major Op. 17' and 'Intermezzi Op. 4'.
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Gail Smith: Clara Schumann's Piano Notebook: Piano: Instrumental Album
Piano solo
Mel Bay
Clara Schumann's Piano Notebook. This book presents seven piano solos that repre...
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Clara Schumann's Piano Notebook. This book presents seven piano solos that represent the wonderful variety of compositions by Clara Schumann. The brilliant ?Polonaise? was composed and performed by Clara as a child prodigy. The enchanting ?Prelude, Op. 16, No. 2?, and ?Romance, Op. 21. No.2? are both beautiful and suitable for many occasions. The joyful ?Mazurka? makes a great recital piece as well as ?Scherzo? in C minor. ?Nocturne in F, Op. 6, No. 2" is one of the most beautifully written nocturnes. Chopin once told Clara that she was the only woman in Germany that could play his music. She may have been inspired to compose this piece after performing many of Chopin's works in her concerts. The final piece in this collection of Clara Schumann?s Piano Notebook is her ?Theme and Variations?, which she dedicated to Robert Schumann. Robert composed and published many variations of his own on Clara's theme. Her own variations remained unknown until recently. These variations are very interesting, and the theme is easily recognizable throughout. ?Theme and Variations? truly showcases Clara?s unique sense of creativity. These piano selections are presented as examples of Clara Schumann's legacy?a great composer of the 19th century. Her music is timeless and must be preserved for future generations of pianists. This collection will be valuable for recitals, programs and your own enjoyment.
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Kinderscenen - Scènes D'Enfants Op. 15 (SCHUMANN ROBERT)
Français
Piano solo
[Sheet music]
Lemoine, Henry
Par SCHUMANN ROBERT. Pour la présente édition, l'éditeur s'est servi des manu...
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Par SCHUMANN ROBERT. Pour la présente édition, l'éditeur s'est servi des manuscrits autographes pour les pièces 1, 6 et 7, de la première édition et, en cas de doute d'interprétation, de la deuxième édition. Les Scènes d'enfants, composées en 1838, font partie de cette période où Schumann écrit exclusivement pour le piano solo. Avant ces pièces pour 'enfants', certaines grandes couvres ont vu le jour : Le Carnaval (opus 9), Les Davidsbündlertänze, Fantaisie (opus 17), etc. Les Scènes d'enfants 'sont des regards jetés en arrière par un adulte sur sa propre enfance, des souvenirs pour les personnes qui ont grandi', écrit Schumann à Clara. Oeuvre pleine de poésie, de tendresse, de candeur, d'intimité exquise, de grâce juvénile, de virile tendresse, pages apparemment simples mais chargées de tous ces rêves dont veut se délivrer un adulte à la recherche du temps perdu de son enfance. Robert écrit à Clara : 'Les qualités qui donnent leur prix à cette musique ne dépendent que d'une grâce toute simple, naturelle et sans apprêt.' Le 17 mars 1838, Schumann écrit encore à Clara : 'Est-ce une réponse à ce que tu m'écrivis un jour, tu me fais parfois l'impression d'un enfant, s'il en est ainsi, tu verras que des ailes ont poussé à cet enfant car j'ai écrit plus de trente petites pièces et j'en ai choisi une douzaine que je réunirai sous le nom de Scènes Enfantines. Tu prendras sans doute plaisir à les jouer, mais il te faudra oublier que tu es une virtuose.' Treize pièces ont été retenues parmi les trente pour l'opus 15 - les autres pièces trouvèrent place dans l'Albumblätter ou dans Bunte Blätter. Schumann donne, pour la plupart de ses oeuvres, les indications de tempo en allemand. Dans l'opus 15, les indications sont données en tempos métronomiques, sauf dans la pièce #11. Les tempos indiqués en tête de chaque pièce sont de Robert Schumann et ceux indiqués en fin sont de Clara Schumann. Ils figurent dans la deuxième édition. L'interprète choisira parmi ces différentes indications métronomiques le tempo qu'il jugera le mieux adapté au caractère de ces pièces. / Niveau : Elémentaire / classique / Répertoire / Piano
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Schumann R. - Kinderscenen - Scenes D'enfants Op.15 - Piano
Français
Piano solo
Lemoine, Henry
Pour la présente édition, l'éditeur s'est servi des manuscrits autographes po...
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Pour la présente édition, l'éditeur s'est servi des manuscrits autographes pour les pièces 1, 6 et 7, de la première édition et, en cas de doute d'interprétation, de la deuxième édition. Les Scènes d'enfants, composées en 1838, font partie de cette période où Schumann écrit exclusivement pour le piano solo. Avant ces pièces pour enfants, certaines grandes couvres ont vu le jour: Le Carnaval (opus 9), Les Davidsbündlertânze, Fantaisie (opus 17), etc. Les Scènes d'enfants sont des regards jetés en arrière par un adulte sur sa propre enfance, des souvenirs pour les personnes qui ont grandi, écrit Schumann à Clara. OEuvre pleine de poésie, de tendresse, de candeur, d'intimité exquise, de grâce juvénile, de virile tendresse, pages apparemment simples mais chargées de tous ces rêves dont veut se délivrer un adulte à la recherche du temps perdu de son enfance. Robert écrit à Clara: Les qualités qui donnent leur prix à cette musique ne dépendent que d'une grâce toute simple, naturelle et sans apprêt. Le 17 mars 1838, Schumann écrit encore à Clara: Est-ce une réponse à ce que tu m'écrivis un jour, tu me fais parfois l'impression d'un enfant, s'il en est ainsi, tu verras que des ailes ont poussé à cet enfant car j'ai écrit plus de trente petites pièces et j'en ai choisi une douzaine que je réunirai sous le nom de Scènes Enfantines. Tu prendras sans doute plaisir à les jouer, mais il te faudra oublier que tu es une virtuose. Treize pièces ont été retenues parmi les trente pour l'opus 15 - les autres pièces trouvèrent place dans l'albumblätter ou dans Bunte Blätter. Schumann donne, pour la plupart de ses oeuvres, les indications de tempo en allemand. Dans l'opus 15, les indications sont données en tempos métronomiques, sauf dans la pièce n° 11. Les tempos indiqués en tête de chaque pièce sont de Robert Schumann et ceux indiqués en fin sont de Clara Schumann. Ils figurent dans la deuxième édition. L'interprète choisira parmi ces différentes indications métronomiques le tempo qu'il jugera le mieux adapté au caractère de ces pièces.Contenu : Compositeur/Auteur : SCHUMANN RobertDiscipline/Instrument : pianoCollection : UrtextSupport : PartitionStyle/Genre : classiqueDate de parution : août-97Nombre de pages : 15
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Cadenzas to Piano Concertos (SCHUMANN CLARA)
Piano solo
[Sheet music]
Peters
by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Sch...
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by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Schumann?s cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Sémerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumann?s early cadenzas for Mozart?s D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC. / Date parution : 2023-06-01/ Recueil / Piano
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Robert Schumann: Album für die Jugend: Piano: Instrumental Album
Piano solo
Barenreiter
43 Klavierstücke Op. 68-In 1848 after finishing an album of little Piano piece...
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43 Klavierstücke Op. 68-In 1848 after finishing an album of little Piano pieces for his daughter Marie Schumann devised the plan of compiling a ‘children’s album’. Since then the resultant collection of 43 pieces has enjoyed unparalleled success. Schumann’s Album For The Young is now presented in an Urtext edition which meets the needs of performers. In addition to the famous ‘Advice to Young Musicians’ (in German English and a French translation by Liszt) other pieces related to this work but left unpublished during Schumann’s lifetime can be found in the appendix. For the first time thisedition also includes Clara Schumann’s original pedal markings. Clara’s fingering served Ragna Schirmer as an important point of departure for her own thoughts on fingering. Urtext edition at the cutting edge of scholarship. Many additional pieces and ‘Advice to Young Musicians’ in the appendix. Original pedal markings by Clara Schumann and fingering by Ragna Schirmer. Detailed Foreword (Ger/Eng) and detailed Critical Commentary (Eng)
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Clara Schumann: Drei Romanzen op. 22: Violin: Instrumental Work
Violin
Breitkopf & Härtel
'You can be rightfully pleased with what is coming!' announced Clara Schumann se...
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'You can be rightfully pleased with what is coming!' announced Clara Schumann self-confidently in late 1855 to the 24-year-old Joachim upon sending him a copy of the 'Three Romances' op. 22 for violin and piano that had just been published by Breitkopf & Härtel. There is no doubt that her acquaintance with the young virtuoso had stimulated her to write the pieces already back in 1853. The two remained linked to the Romances after publication as well: Clara Schumann and Joachim often successfully performed them in their concerts in later years.After having temporarily fallen into oblivion the Romances did not make their way more lastingly into the chamber musicrepertoire until 1983 when a reprint of the first edition was published. With the release of this new edition today's interpreters can also be 'rightfully pleased' with Clara Schumann's Opus 22.
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Kreisleriana, Op. 16
Piano solo
Alfred Publishing
Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces ...
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Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second edition has been used as the primary source, which includes revisions made by Schumann and reflects his final intentions. Discrepancies with the first edition (1838), third edition (1858), and various Clara Schumann editions have been discussed in critical notes. Prefatory matter discusses the genesis of Kreisleriana, the relationship between Hoffmann's writings and Schumann's journalism and compositions, and the early champions and performers of this masterwork. Also included are discussions of the form of each piece and helpful performance suggestions. Editorial pedaling and fingering suggestions have been provided to facilitate learning and performance.Charles Timbrell is Professor of Music and Coordinator of Keyboard Studies at Howard University in Washington, D.C., where he teaches piano, piano literature, and piano pedagogy. He also maintains an active career as a performer, author, lecturer, and adjudicator. / Piano
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3 Romances Op. 22 (SCHUMANN CLARA)
Viola, Piano
[Sheet music]
Lienau
Par SCHUMANN CLARA. Après la famille Schumann s'installe à Düsseldorf en 1850...
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Par SCHUMANN CLARA. Après la famille Schumann s'installe à Düsseldorf en 1850, Clara Schumann (1819-1896) a eu un nouveau bail de vie en termes de sa productivité en tant que compositeur. Les Trois Romances op. 22 'pour violon et piano ont été composées en 1853 et sont dédiés à la violoniste Joseph Joachim, avec qui elle a effectué le travail d'un couple de fois. La partie de piano a été laissé dans sa forme originale, avec seulement la partie d'alto étant adapté en fonction de l'instrument. Cette édition offre donc un ajout bienvenu au répertoire pour alto maigres sous la forme d'une oeuvre lyrique et romantique qui est sûr de gagner de nombreux amis./ Répertoire / Alto et Piano
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Robert Schumann: Klavierquintett Op. 44: Piano Quartet: Score and Parts
Piano Quintet: piano, 2 violins, viola, cello
[Score and Parts]
G. Henle
The composition cost him his sleep. In October 1842 when Schumann had finished ...
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The composition cost him his sleep. In October 1842 when Schumann had finished his Piano quintet in a short period of time he was physically and emotionally drained. The work in no way reflects this quite thecontrary. ?Full of strength and freshness? said Clara Schumann of the new composition as well as ?extremely brilliant and effective?. Even Richard Wagner added his voice to the great wave of admiration. Thus Op.44 soon became one of Schumann?s most successful compositions which today is still a jewel in chamber music literature. If the quartet reminds one of a Piano concerto with Orchestra in String quartet format attimes this is explained by the fact that it was intended for Clara?s repertoire. The work was also dedicated to this brilliant pianist.
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Robert Schumann: Piano Music Series II: Piano: Instrumental Album
Piano solo
Dover Publications
Edited by Clara Schumann-Dover Publications continues its series of playing edit...
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Edited by Clara Schumann-Dover Publications continues its series of playing editions of musical masterpieces with this selection of Robert Schumann's later compositions for solo piano edited by Clara Schumann. This book has been especially designed as a playing edition - the noteheads are large and easily readable at the piano and the margins and spaces between staves are adequate for written notes fingerings and turnovers. It is also most useful for analysis or simply for listening along with records.
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Robert Schumann: Piano Music Series I: Piano: Instrumental Album
Piano solo
Dover Publications
Edited by Clara Schumann-This selection of Schumann's solo piano compositions e...
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Edited by Clara Schumann-This selection of Schumann's solo piano compositions edited by Clara Schumann contains all of his major works from the period 1830-39; Papillons Toccata Grosse Sonate No. 1 Phantasiestucke Arabeske Blumenstuck and nine other works. Reprinted from Breitkopf and Härtel edition.
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Sonata No. 1 Op. 118 (SCHUMANN CLARA)
French Horn and Piano
[Sheet music]
Breitkopf & Härtel
Urtext. Par SCHUMANN CLARA. Schumann's horn sonatas were composed in 1936/37. Co...
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Urtext. Par SCHUMANN CLARA. Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional 'outbursts” up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art. Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. / Date parution : 2019-08-22/ Répertoire / Cor et Piano
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Clara Schumann: Drei Romanzen op. 22: Violin and Accomp.: Instrumental Album
Violin and Piano
Barenreiter
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
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Clara Schumann: Two Clara Schumann Lieder: Upper Voices a Cappella: Vocal Score
Choral 3-part
SSA
[Vocal Score]
Hal Leonard
Two Clara Schumann Lieder
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Great Fugues For Solo Keyboard (Bach Beethoven: Piano: Instrumental Album
Piano solo
Dover Publications
An extensive volume filled with fugues from the last 350 years! Beginning with w...
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An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.
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SCHUMANN CLARA - ROMANTIC PIANO MUSIC VOL.1
Barenreiter
Clara Schumann's Romantic Piano Music.This first volume contains: Three Prelu...
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Clara Schumann's Romantic Piano Music.This first volume contains: Three Preludes and Fugues op. 16 Variations from a theme about Robert Schumann op. 20 Romance Gminor op. 21/3 / Piano / Barenreiter
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Complete Piano Works - Vol.VI (SCHUMANN ROBERT)
Piano solo
[Sheet music]
G. Henle
Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Ro...
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Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contenu: Exercises - Etüden in Form freier Variationen über ein Thema von Beethoven- Variationen über ein eigenes Thema in Es [Geistervariationen] Es-dur - Drei Fantasiestücke op. 111- DreiKlaviersonaten für die Jugend op. 118- Albumblätter op. 124- Sieben Klavierstücke in Fughettenform op. 126- Gesänge der Frühe op. 133 - 'Einsame Blume' aus Waldszenen op. 82- Bunte Blätter op. 99 / Partition reliée / Date parution : 2010-10-15/ Répertoire / Piano
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Complete Piano Works - Vol.V (SCHUMANN ROBERT)
Piano solo
G. Henle
Complete Piano Works - Volume V. Par SCHUMANN ROBERT. À l’occasion du 200é a...
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Complete Piano Works - Volume V. Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contents: Faschingsschwank aus Wien op. 26- 3 Romanzen op. 28- Scherzo, Gigue, Romanze und Fughette op. 32- Album für die Jugend op. 68 - Vier Fugen op. 72- Vier Märsche op. 76- Waldszenen op. 82 / Partition brochée / Répertoire / Piano
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Complete Piano Works - Vol.V (SCHUMANN ROBERT)
Piano solo
[Sheet music]
G. Henle
Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Ro...
(+)
Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contents: Faschingsschwank aus Wien op. 26- 3 Romanzen op. 28- Scherzo, Gigue, Romanze und Fughette op. 32- Album für die Jugend op. 68 - Vier Fugen op. 72- Vier Märsche op. 76- Waldszenen op. 82 / Partition reliée / Date parution : 2010-10-15/ Répertoire / Piano
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Robert Schumann: Sämtliche Klavierwerke Band 2: Piano: Instrumental Album
Piano solo
[Sheet music]
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G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
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On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces.Contents:Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8Carnaval op. 9
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Robert Schumann: Sämtliche Klavierwerke Band 6: Piano: Instrumental Album
Piano solo
[Sheet music]
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Advanced
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces.Contents:Exercises [Beethoven Studies] Variations on a Theme in E flat major ['Ghost' Variations] E flat major Drei Fantasiestücke op. 111 Three Piano Sonatas for the Young op. 118 Album Leaves op. 124 Seven Piano Pieces in Fughetta Form op. 126 Gesänge der Frühe op. 133 'Einsame Blume' from Forest Scenes op. 82 Coloured Leaves (BunteBlätter) op. 99
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Robert Schumann: Sämtliche Klavierwerke - 6 Bände im Schuber: Piano: Study Score
Piano solo
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879 93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Contents:Abegg Variations op. 1Papillons op. 2 Paganini-Studies op. 3 Intermezzi op. 4 Impromptus op. 5 (1833/1850) Davidsbündlertänzeop. 6 Toccata op. 7 (1830/1834)Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8 Carnaval op. 9Symphonic Etudes op. 13 Piano Sonata with Early Version: Concert sans Orchestre f minor op. 14 Scenes from Childhood op. 15 Kreisleriana op. 16 Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19Humoresque B flat major op. 20 Novelettes op. 21 Sonata g minor op. 22 Night Pieces op. 23 Carnival of Vienna op. 26 3 Romances op. 28 Scherzo Gigue Romance and Fughetta op. 32 Album for the Youngop. 68 Four Fugues op. 72 Four Marches op. 76 Forest Scenes op. 82 Exercises [Beethoven Studies] Variations on a Theme in E flat major ['Ghost' Variations] E flat major Drei Fantasiestücke op. 111
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Robert Schumann: Sämtliche Klavierwerke Band 3: Piano: Instrumental Album
Piano solo
[Sheet music]
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Advanced
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces.Contents:Symphonic Etudes op. 13 Piano Sonata with Early Version: Concert sans Orchestre f minor op. 14 Scenes from Childhood op. 15Kreisleriana op. 16
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Robert Schumann: Sämtliche Klavierwerke Band 5: Piano: Instrumental Album
Piano solo
[Sheet music]
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Advanced
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces.Contents:Carnival of Vienna op. 26 3 Romances op. 28 Scherzo Gigue Romance and Fughetta op. 32 Album for the Young op. 68 Four Fuguesop. 72 Four Marches op. 76 Forest Scenes op. 82
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