Per Piano,Flauto,Clarinetto In Si Bem. Fagotto, Violino, Viola, Violoncello. Par SBORDONI ALESSANDRO. / R茅pertoire / Piano, Fl没te Traversi猫re Clarinette en Sib

Asbj酶rn Schaathun TRIPLIS+ (1996-98). For mezzo-soprano percussion electric organ alto flute coranglais clarinet violin viola cello double-bass and piano.Programme noteTriplis+ consists of seven songs based on computer-manipulated text fragments from Wilhelm M眉ller’s ’Die sch枚ne M眉llerin’. The seven songs should be played without interruption:I) Warum nicht?II)Nicht so...III)AngstIV) Wohin?V) HeimatVI) StilleVII)Ruhig. The score of TRIPLIS+ has a long history. The whole project began as a piece for piano and mezzo DUALIS (1987) to which I added percussion instruments to the vocal and piano parts which was deeply unsatisfying. (I also suggested certain ways of making different versions of the piece a so-called ’open score’ but this was even worse...) From the ruins of this piece I carved out a new DUALIS (1991) using the same material but with no percussion instruments added and in the form of a traditional ’frozen’ score.In 1993 I was asked to include a separate percussion part for a trio-version of my first undertakings of DUALIS. In close collaboration with the Cikada Trio I created a new version TRIPLIS (1993) which then in turn was taken as a point of departure for an extended version of the piece called TRIPLIS+ (1996-99). In this ’version integrale’ I - due to the requirements of the commission - added an ensemble of 8 instruments sometimes elaborating material from the mezzo-line sometimes contradicting or commenting upon it. The piano has a special role in both TRIPLIS+ and TRIPLIS; functioning as a kind of ’libro’ the piano textures which have the feel of an accompanying part are played ad lib throughout the work. In this way the pianist can change the actual dramatical flow of the piece.The first performance of TRIPLIS+ took place in the Bjergsted Music Centre in Stavanger Norway in April 1999 with

Flute Clarinet Percussion Violin Viola Cello Double Bass (Full Score). Steffen W

Homage to medieval liturgical music. For bass flute (doubles flute) english horn bass clarinet horn marimba (plus two muted tom-toms and two muted gongs) piano violin viola cello and doublebass.

Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa!It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs.Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications.Santa's Little Helper for Violin isalso written as solos or duets in accommodating keys for Viola, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along.The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone.. / Violon

for clarinet in A 2 violins viola & violoncello-A new corrected edition of an important and substantial work which has been constructed from the existing set of parts by Russell Denwood.It was written in 1895 when the composer was still a student at the Royal Collegeof Music. His composition teacher Charles Villiers Stanford was so impressed by the piece that he took it with him on a visit to Berlin in 1897 where he arranged for the Joachim Quartet to play it. It was published in 1902 butno score appears to exist and the parts required corrections to be made.For Clarinet in A 2 Violins Viola and Cello. A reduction for clarinet and piano is also available (EME651).

Pour Cor Anglais (Ou Fl脙禄te Ou Clarinette Ou Alto) Violon Et Violoncelle-Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri’s Lyric Interlude: ‘A Study in Pastoral Style’. When in 2008 the composer received the commission for a piece with English Horn from Cecilia Benner patron of the Chamber Music Society of Detroit he immediately thought of the duo between this instrument and the Oboe that Berlioz in the Symphonie fantastique placed at the beginning of the ‘Sc猫ne aux champs’ making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 atone of the Scarab Club Concerts in Detroit the Lyric Interlude for English Horn Violin and Cello (Op.110a) nonetheless proclaims another tradition: that of British pastoralism illustrated by the music of Ralph Vaughan Williams (1872-1958) the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint the undulating lament of the beginning rhythmically supple evokes the waving wheat as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion briefly interrupted by a scherzo in 6/8 again pours out making the work evolve towards a slow ecstatic atmosphere close to the last of the English composer’s Three Preludes on Welsh Hymn Tunes. Far from bucolic postcard clich茅s and servile imitation this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute Clarinet or Viola) and Piano Op.110b (AL 30聽750)

Flute (also Bass Flute Piccolo) Clarinet (also Bass Clarinet) Piano Violin Viola Cello Percussion (Score & Parts) . Koch-raphael E