Taste Time Technique & Timbre-A must-have DVD for all lovers of great drumming and the Big Band sound as drummer Ed Shaughnessy and conductor-arranger Clem DeRosa take you through a kaleidoscope of Jazz styles.From swing to Latin these guys are two of the very best in the business! Through live performances demonstrations and insightful discussions based on decades of professional experience they reveal: The four 'T's: the essential role of Time Taste Technique and Timbre in performanceThe secrets of effective brushwork fills and dynamicsSwing shuffle Latin and ballad drumming techniquesEvery concept is illustrated with some unstoppable big bandperformances followed by concise analysis and drum kit close-ups.

Par MOZART WOLFGANG AMADEUS. Ce score étude de 'La clemenza di Tito' est basé sur l'édition à la fois Giegling Franz de 1970, qui a été publié dans le cadre du 'New Edition Mozart', et le commentaire critique à partir de 1994. Les manuscrits autographes de numéros 2, 11 et 12 de l'opéra de Mozart ont été considérés comme perdus après la fin de la Seconde Guerre mondiale. En 1979/80 de ces pièces manuscrites ont été reportés et sont conservés dans le Jagiellonska Biblioteka, Cracovie. L'évaluation de cette source a été publié dans le commentaire critique de 1994 et a été inclus dans la deuxième impression du volume respectif de New Mozart Edition (1997). Le score étude Bärenreiter est basé sur cette nouvelle édition de 'La Clemenza di Tito', tel que publié dans le 'New Edition Mozart'. - Basé sur le Urtext de la 'Nouvelle édition Mozart', reflétant l'état actuel des bourses musicologique - Avec une préface informative/ Répertoire / Orchestre

Married To A Soldier is a three-part song for SSA Voices with Piano accompaniment. It was written in 1963 by John Clements and dedicated to the Jersey Ladies Choir and their conductor Arthur Lobb. It is a setting of the poem The Pride Of All The Village written in the 1830s by the English poet John Clare (1793-1864).John Clements (1910-1986) was a British composer who wrote both sacred and secular works. His best known work is probably There Is Sweet Music a setting of a poem by Alfred Lord Tennyson.

Volume I. Par SALVIANI CLEMENTE. Die kompletten Studien aus der Méthode de Hautbois in vier Bänden. Band 1: ER 00236700 Oboe solo Band 2: ER 00236800 Oboe solo Band 3: ER 00236900 Oboe solo Band 4: ER 00237000 Oboe solo/ Etude / Hautbois

Par BERNAY-DI CLEMENTE MARC. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par BERNAY-DI CLEMENTE MARC. / Niveau : Intermédiaire / Répertoire / Guitare Seule

A wonderful lilting Northumbrian folksong for SSA choir and Piano accompaniment. Arranged by John Clements this traditional tune has a gentle rhythmic swing.

This outstanding volume features a rich selection of the composer's greatest overtures: Idomeneo (K.366); The Abduction from the Seraglio (K.384); The Marriage of Figaro (K.492); Don Giovanni (K.527); Così Fan Tutte (K.588); The Magic Flute (K.620); and La Clemenza di Tito (K.621). All reproduced in full score from authoritative early editions. Content : OVERTURES TO THE OPERAS Idomeneo Idomeneo, rè di Creta / Idomeneus, King of Crete Die Entführung aus dem Serail The Abduction from the Seraglio Le Nozze di Figaro Die Hochzeit des Figaro / The Marriage of Figaro Don Giovanni Il dissoluto punito, ossia II Don Giovanni / Don Juan Così fan Tutte . . . ossia La scuola degli amanti / Weibertreue Die Zauberflöte The Magic Flute La Clemenza di Tito The Clemency of Titus

Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.

Ce score étude de 'La clemenza di Tito' est basé sur l'édition à la fois Giegling Franz de 1970, qui a été publié dans le cadre du 'New Edition Mozart', et le commentaire critique à partir de 1994.Les manuscrits autographes de numéros 2, 11 et 12 de l'opéra de Mozart ont été considérés comme perdus après la fin de la Seconde Guerre mondiale. En 1979/80 de ces pièces manuscrites ont été reportés et sont conservés dans le Jagiellonska Biblioteka, Cracovie. L'évaluation de cette source a été publié dans le commentaire critique de 1994 et a été inclus dans la deuxième impression du volume respectif de New Mozart Edition (1997). Le score étude Bärenreiter est basé sur cette nouvelle édition de 'La Clemenza di Tito', tel que publié dans le 'New Edition Mozart'.- Basé sur le Urtext de la 'Nouvelle édition Mozart', reflétant l'état actuel des bourses musicologique- Avec une préface informative / Orchestre

Opera seria in two acts-As remarkable as the quality of the compositions themselves is the astonishing rapidity with which Mozart composed his last two great operas ?Die Zauberflöte? K.620 and ?La clemenza di Tito? K.621: From first sketches and drafts to finished products some 800 pages of music penned within the six-month period from April to September 1791.Opinions of the work at the time of its première are as varied as the history of its reception. As a ?coronation? opera it initially lent itself to court festivities everywhere and because of its aspect of ?clemency? to charitable events. It survived in its own right as opera seria through the first twodecades of the 19th century then but for occasional performances (these sometimes with altered or added texts) fell into obscurity for the next 150 years.Urtext of the New Mozart EditionFull score (BA4554-01) vocal score (BA4554-90) and study score format 22.5 x 16.5cm (TP321) available for salePerformance material available for hire (BA4554-72)

Par JOLLET JEAN-CLEMENT. Pour en finir avec les méthodes classiques d'apprentissage du solfège, les Nuls proposent un livre amusant et illustré pour sa familiariser avec la musique dès 8 ans. La lecture de notes, la lecture de rythmes, l'harmonie... toutes les notions nécessaires à la lecture d'une partition seront abordées et illustrées par des extraits musicaux adaptés aux enfants (Maître Gims, etc.) Un livre ludique et illustré pour apprendre la musique, à destination des 8-11 ans !/ Solfège/Formation Musicale / Solfège