| Hillbilly Fingerstyle
Blues Guitar Guitar notes and tablatures [Sheet music + Audio access] Grossman's Guitar Workshop
Par . The musical appeal of the Blues, as they began to be heard in the early tw...(+)
Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare
28.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Michiel Borstlap: Michiel
Borstlap: Velvet: Piano:
Instrumental Album Piano solo [Sheet music] - Intermediate/advanced BMG
Michiel Borstlap Pianist composer and embodiment of a new generation of muscia...(+)
Michiel Borstlap Pianist composer and embodiment of a new generation of muscians with a more 'out of the box' attitude. Composer of the first Arabic opera he has performed with Ludovico Einaudi and Gino Vannelli. Blessed with a virtuoso playing technique Michiel Borstlap remains the Pianist on a search for a balance between the mind heart and gut going back to the roots of music that originates from chords melody and rhythm. Since he focussed more on playing solo the heart has a more predominant place in his music. “You sail on your senses to bring both yourelf as well as the audience into a certain mood.” In the albums that havecome out since that choice was made one can hear how the music rids itself from ballast how silence finds a place between the notes. The ‘less is more’ creeps into the music. Michiel Borstlap can bend it to his will even though we hear whispers of Chopin Skriabin Satie or Philip Glass. In a sense in his approach he is the forerunner of stars like Nils Frahm or Ludovico Einaudi. Now there is a printed folio containing most of the compositions from the CD “Velvet” which was released this year complemented by 4 compositions from the 2014-CD “Frames”. “Velvet” is Michiel’s second printed folio since the release of the 2013 “Piano Solo”.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| JOHN MILLER - HILLBILLY
FINGERSTYLE BLUES GUITAR Guitar notes and tablatures Mel Bay
The musical appeal of the Blues, as they began to be heard in the early twentiet...(+)
The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. 1. Hillbilly Fingerstyle Blues Guitar ? An Introduction 2. Learning the Songs 3. Understanding the Tablature 4. The Songs 5. 1) Knoxville Blues?Sam McGee 6. 2) Easy Rider?Sam McGee 7. 3) Railroad Blues?Sam McGee 8. 4) Sally Long?Sam McGee 9. 5) Fuzzy Rag?Riley Puckett 10. 6) Worried Blues?Frank Hutchison 11. 7) Train That Carried The Girl From Town?Frank Hutchison 12. 8) The Miner?s Blues?Frank Hutchison 13. 9) K. C. Whistle?Lester McFarland 14. 10) John Hardy Was A Desperate Little Man?The Carter Family 15. 11) Johnson City Blues?Clarence Greene 16. 12) Brown Skin Blues?Dick Justice 17. 13) Cocaine?Dick Justice 18. 14) She Lied To Me?Emry Arthur 19. 15) Everyday Dirt?David McCarn 20. 16) Take Them For A Ride?David McCarn 21. 17) Jailhouse Rag?David Miller 22. 18) Match Box Blues?Larry Hensley 23. 19) New Chattanooga Mama?Lake Howard 24. 20) Soap Box Blues?Debs Mays 25. 21) Rabbit Blues?Debs Mays 26. 22) Graveyard Blues?Hobart Smith 27. 23) Railroad Bill?Hobart Smith 28. 24) K. C. Moan?Hobart Smith 29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb 30. 26) Riley And Spencer?Fields Ward 31. 27) Raggin? The Wires?E. C. Ball 32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball 33. Appendix?Default Chord Positions 34. ABOUT THE AUTHOR 35. Afterword 36. ACKNOWLEDGEMENTS / Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY
22.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Paul Cardall: Paul
Cardall - 40 Hymns for
Forty Days: Piano:
Instrumental Album Piano solo Hal Leonard
Paul Cardall - 40 Hymns for Forty Days. Contemporary jazz pianist Paul Cardall r...(+)
Paul Cardall - 40 Hymns for Forty Days. Contemporary jazz pianist Paul Cardall released this 3-disc set of his performances of 40 timeless hymns in 2015. Our matching folio features piano solo arrangments of all 40 songs, including: Amazing Grace (for piano, cello and violin) · Be Still, My Soul · For the Beauty of the Earth · God Be with You 'Til We Meet Again · How Firm a Foundation · In the Garden · Jesus Wants Me for a Sunbeam · The Lord Is My Shepherd · Sweet Hour of Prayer · There Is a Green Hill Far Away · Were You There? · and more.
25.99 GBP - Sold by Musicroom UK | |
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