| Vespro della Beata Vergine Choral SATB Carus Verlag
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 vi...(+)
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo SKU: CA.2780117 Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello. SV 206. 36 pages. Duration 90 minutes. Carus Verlag #CV 27.801/17. Published by Carus Verlag (CA.2780117). ISBN 9790007202750. Language: Latin. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Art of Accompaniment from a Thorough-Bass -- As Practiced in the XVII and XVIII Centuries, Volume II Oxford University Press
SKU: AP.6-431959 Composed by F. T. Arnold. Reference Textbooks; Textbook ...(+)
SKU: AP.6-431959 Composed by F. T. Arnold. Reference Textbooks; Textbook - General. Dover Edition. Book. Dover Publications #06-431959. Published by Dover Publications (AP.6-431959). ISBN 9780486431956. English. A solid grounding in musical techniques of the seventeenth and eighteenth centuries is essential to a complete understanding of Baroque music. As scholar Denis Stevens says in his introduction to this work, Full enjoyment will come only when the soloist learns the gentle art of tasteful embellishment of a melodic line, and when continuo players learn that their role is perhaps the most important in the entire ensemble. Arnold's legendary work is a comprehensive survey of its topic, covering every issue of significance to today's performer. The text is fully amplified with numerous musical examples, authoritative citations, scholarly interpretations and syntheses, and the author's own conclusions. An inexhaustible collection of source material for the musicologist as well as an indispensable companion for conductor, editor, or performer.Unabridged republication of the first edition (1931), originally published by Oxford University Press. Introduction to the Dover edition by Denis Stevens. Second of two volumes. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Flute in D major (Concerto per il Flauto traverso in D / Flotenkonzert in D) Carus Verlag
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.38404...(+)
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.3840413 Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Single Part, Viola. Composed 1768. Warb C 79. 8 pages. Duration 20 minutes. Carus Verlag #CV 38.404/13. Published by Carus Verlag (CA.3840413). ISBN 9790007215217. Key: D major. Language: all languages. Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vespro della Beata Vergine Choral SATB Carus Verlag
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 vi...(+)
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo SKU: CA.2780111 Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. SV 206. 24 pages. Duration 90 minutes. Carus Verlag #CV 27.801/11. Published by Carus Verlag (CA.2780111). ISBN 9790007202699. Language: Latin. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Flute in D major (Concerto per il Flauto traverso in D / Flotenkonzert in D) Carus Verlag
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.38404...(+)
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.3840414 Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Single Part, Cello/Double Bass. Composed 1768. Warb C 79. 12 pages. Duration 20 minutes. Carus Verlag #CV 38.404/14. Published by Carus Verlag (CA.3840414). ISBN 9790007215224. Key: D major. Language: all languages. Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Flute in D major (Concerto per il Flauto traverso in D / Flotenkonzert in D) [Score and Parts] Carus Verlag
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.38404...(+)
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.3840419 Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Set of Orchestra Parts. Composed 1768. Warb C 79. Duration 20 minutes. Carus Verlag #CV 38.404/19. Published by Carus Verlag (CA.3840419). ISBN 9790007144340. Key: D major. Language: all languages. Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and parts available separately - see item CA.3840400. $105.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah Carus Verlag
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 viol...(+)
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.5505653 Composed by George Frideric Handel. Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/53. Published by Carus Verlag (CA.5505653). ISBN 9790007093853. Language: English/German. Text: Jennens, Charles. Text: Charles Jennens. George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Consolation Brass ensemble [Score and Parts] - Easy De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1094676-030 Wer nur den lieben Gott l...(+)
Brass Band - Grade 3 SKU: BT.DHP-1094676-030 Wer nur den lieben Gott lässt walten. Arranged by Jan de Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094676-030. Published by De Haske Publications (BT.DHP-1094676-030). 9x12 inches. English-German-French-Dutch. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.
Wer nur den lieben Gott lässt walten wurde um 1641 von Georg Neumark geschrieben. Alte Gesangbücher belegen eine frühe Popularität des Liedes, das heute nicht zuletzt durch Johann Sebastian Bach, der es u. a. für einen Choral verwendete, jeder kennt. In dieser Bearbeitung erklingt der Bach-Choral zweimal: einmal alternierend mit dem Motiv aus Jan de Haans Einleitung und einmal ohne Unterbrechung in einer Besetzung, die der ursprünglichen Absicht gerecht wird: einem Trostlied.
Intorno al 1641, Georg Neumark compone il cantico Wer nur den lieben Gott laesst walten, nel quale ogni strofa esprime la fede in Dio e gli d il sottotitolo di Canto di consolazione. Il cantico ebbe grande notoriet . In questo arrangiamento firmato Jan de Haan, il corale è esposto a due riprese: dapprima preceduto da una breve introduzione seguita da una variazione tra ogni verso, in seguito in una trama continua che, fedele al sottotitolo originale, cerca nella sua azione la consolazione. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Consolation Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094676-010 Wer nur den li...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094676-010 Wer nur den lieben Gott lässt walten. Arranged by Jan de Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094676-010. Published by De Haske Publications (BT.DHP-1094676-010). 9x12 inches. English-German-French-Dutch. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.
Wer nur den lieben Gott lässt walten werd omstreeks 1641 door Georg Neumark geschreven. Het gezang bestaat uit zeven strofen waarin het vertrouwen in God wordt bezongen. Neumark zelf voegde er de subtitel Troostlied aan toe. Johann Sebastian Bach heeft het meermaals gebruikt. Zo draagt zijn cantate BWV 93 de titel Wer nur den lieben Gott lässt walten. In dit arrangement van Jan de Haan klinkt het koraal twee keer.
Wer nur den lieben Gott lässt walten wurde um 1641 von Georg Neumark geschrieben. Alte Gesangbücher belegen eine frühe Popularität des Liedes, das heute nicht zuletzt durch Johann Sebastian Bach, der es u. a. für einen Choral verwendete, jeder kennt. In dieser Bearbeitung erklingt der Bach-Choral zweimal: einmal alternierend mit dem Motiv aus Jan de Haans Einleitung und einmal ohne Unterbrechung in einer Besetzung, die der ursprünglichen Absicht gerecht wird: einem Trostlied.
Vers 1641, Georg Neumark compose l’hymne chrétienne Wer nur den lieben Gott lässt walten, dont chacune des sept strophes exprime sa foi en Dieu. Il lui donne le soustitre Chant de consolation. Dans cet arrangement de Jan de Haan, le choral est exposé deux reprises : d’abord précédé d’une courte introduction suivie d’une variation entre chaque vers, puis dans une trame continue qui, fidèle au sous-titre original, cherche dans son action la consolation.
Intorno al 1641, Georg Neumark compone il cantico Wer nur den lieben Gott laesst walten, nel quale ogni strofa esprime la fede in Dio e gli d il sottotitolo di Canto di consolazione. Il cantico ebbe grande notoriet . In questo arrangiamento firmato Jan de Haan, il corale è esposto a due riprese: dapprima preceduto da una breve introduzione seguita da una variazione tra ogni verso, in seguito in una trama continua che, fedele al sottotitolo originale, cerca nella sua azione la consolazione. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Consolation Marching band [Score and Parts] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1094676-020 Wer nur den lieben Gott...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1094676-020 Wer nur den lieben Gott lässt walten. Arranged by Jan de Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094676-020. Published by De Haske Publications (BT.DHP-1094676-020). 9x12 inches. English-German-French-Dutch. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.
Wer nur den lieben Gott lässt walten wurde um 1641 von Georg Neumark geschrieben. Alte Gesangbücher belegen eine frühe Popularität des Liedes, das heute nicht zuletzt durch Johann Sebastian Bach, der es u. a. für einen Choral verwendete, jeder kennt. In dieser Bearbeitung erklingt der Bach-Choral zweimal: einmal alternierend mit dem Motiv aus Jan de Haans Einleitung und einmal ohne Unterbrechung in einer Besetzung, die der ursprünglichen Absicht gerecht wird: einem Trostlied.
Intorno al 1641, Georg Neumark compone il cantico Wer nur den lieben Gott laesst walten, nel quale ogni strofa esprime la fede in Dio e gli d il sottotitolo di Canto di consolazione. Il cantico ebbe grande notoriet . In questo arrangiamento firmato Jan de Haan, il corale è esposto a due riprese: dapprima preceduto da una breve introduzione seguita da una variazione tra ogni verso, in seguito in una trama continua che, fedele al sottotitolo originale, cerca nella sua azione la consolazione. $110.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Consolation Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094676-140 Wer nur den li...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094676-140 Wer nur den lieben Gott lässt walten. Arranged by Jan de Haan. Musica Sacra. Hymns & Chorals. Score Only. Composed 2009. 16 pages. De Haske Publications #DHP 1094676-140. Published by De Haske Publications (BT.DHP-1094676-140). 9x12 inches. English-German-French-Dutch. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.
Wer nur den lieben Gott lässt walten werd omstreeks 1641 door Georg Neumark geschreven. Het gezang bestaat uit zeven strofen waarin het vertrouwen in God wordt bezongen. Neumark zelf voegde er de subtitel Troostlied aan toe. Johann Sebastian Bach heeft het meermaals gebruikt. Zo draagt zijn cantate BWV 93 de titel Wer nur den lieben Gott lässt walten. In dit arrangement van Jan de Haan klinkt het koraal twee keer.
Wer nur den lieben Gott lässt walten wurde um 1641 von Georg Neumark geschrieben. Alte Gesangbücher belegen eine frühe Popularität des Liedes, das heute nicht zuletzt durch Johann Sebastian Bach, der es u. a. für einen Choral verwendete, jeder kennt. In dieser Bearbeitung erklingt der Bach-Choral zweimal: einmal alternierend mit dem Motiv aus Jan de Haans Einleitung und einmal ohne Unterbrechung in einer Besetzung, die der ursprünglichen Absicht gerecht wird: einem Trostlied.
Vers 1641, Georg Neumark compose l’hymne chrétienne Wer nur den lieben Gott lässt walten, dont chacune des sept strophes exprime sa foi en Dieu. Il lui donne le soustitre Chant de consolation. Dans cet arrangement de Jan de Haan, le choral est exposé deux reprises : d’abord précédé d’une courte introduction suivie d’une variation entre chaque vers, puis dans une trame continue qui, fidèle au sous-titre original, cherche dans son action la consolation.
Intorno al 1641, Georg Neumark compone il cantico Wer nur den lieben Gott laesst walten, nel quale ogni strofa esprime la fede in Dio e gli d il sottotitolo di Canto di consolazione. Il cantico ebbe grande notoriet . In questo arrangiamento firmato Jan de Haan, il corale è esposto a due riprese: dapprima preceduto da una breve introduzione seguita da una variazione tra ogni verso, in seguito in una trama continua che, fedele al sottotitolo originale, cerca nella sua azione la consolazione. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vespro della Beata Vergine Choral SATB Carus Verlag
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 vi...(+)
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo SKU: CA.2780116 Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 3. SV 206. 28 pages. Duration 90 minutes. Carus Verlag #CV 27.801/16. Published by Carus Verlag (CA.2780116). ISBN 9790007202743. Language: Latin. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Deus noster refugium Carus Verlag
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cel...(+)
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, basso continuo SKU: CA.2100703 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Vocal score. 52 pages. Duration 26 minutes. Carus Verlag #CV 21.007/03. Published by Carus Verlag (CA.2100703). ISBN 9790007142971. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100700. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Quam dilecta tabernacula Carus Verlag
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas...(+)
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, bassoon, basso continuo SKU: CA.2100603 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Vocal score. 44 pages. Duration 20 minutes. Carus Verlag #CV 21.006/03. Published by Carus Verlag (CA.2100603). ISBN 9790007142964. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah Carus Verlag
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 viol...(+)
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.5505655 Composed by George Frideric Handel. Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/55. Published by Carus Verlag (CA.5505655). ISBN 9790007226787. Text language: English/German. Text: Jennens, Charles. Text by Charles Jennens. George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vespro della Beata Vergine Choral SATB Carus Verlag
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 vi...(+)
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo SKU: CA.2780112 Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. SV 206. 24 pages. Duration 90 minutes. Carus Verlag #CV 27.801/12. Published by Carus Verlag (CA.2780112). ISBN 9790007202705. Language: Latin. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Flute in D major (Concerto per il Flauto traverso in D / Flotenkonzert in D) [Score and Parts] Carus Verlag
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.38404...(+)
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.3840409 Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. 1x 38.404/21 flute, 1x 38.404/31 horn 1, 1x 38.404/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Set of Orchestra Parts. Composed 1768. Warb C 79. 24 pages. Duration 20 minutes. Carus Verlag #CV 38.404/09. Published by Carus Verlag (CA.3840409). ISBN 9790007215187. Key: D major. Language: all languages. Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and parts available separately - see item CA.3840400. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah [Score and Parts] Carus Verlag
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 viol...(+)
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.5505609 Composed by George Frideric Handel. Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/09. Published by Carus Verlag (CA.5505609). ISBN 9790007226732. Language: English/German. Text: Jennens, Charles. Text: Charles Jennens. George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score and parts available separately - see item CA.5505600. $40.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Quam dilecta tabernacula [Score] Carus Verlag
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas...(+)
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, bassoon, basso continuo SKU: CA.2100600 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Full score. 56 pages. Duration 20 minutes. Carus Verlag #CV 21.006/00. Published by Carus Verlag (CA.2100600). ISBN 9790007142162. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. $50.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Flute in D major (Concerto per il Flauto traverso in D / Flotenkonzert in D) Carus Verlag
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.38404...(+)
Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo SKU: CA.3840411 Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 1. Single Part, Violin 1. Composed 1768. Warb C 79. 12 pages. Duration 20 minutes. Carus Verlag #CV 38.404/11. Published by Carus Verlag (CA.3840411). ISBN 9790007215194. Key: D major. Language: all languages. Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stars Choral SATB SATB divisi - Easy Oxford University Press
SATB choir, divisi, a cappella (SATB) - Easy to Moderately Difficult SKU: OU....(+)
SATB choir, divisi, a cappella (SATB) - Easy to Moderately Difficult SKU: OU.9780193528161 Composed by Oliver Tarney. Secular Choral - Mixed Voices. New Horizons. Vocal score. 8 pages. Duration 3'. Oxford University Press #9780193528161. Published by Oxford University Press (OU.9780193528161). ISBN 9780193528161. 10 x 7 inches. For SATB (with divisions) unaccompanied In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language that perfectly captures the beauty and wonder that the poet describes. About Oxford New Horizons New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music. $3.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vespro della Beata Vergine Choral SATB Carus Verlag
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 vi...(+)
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo SKU: CA.2780114 Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. SV 206. 20 pages. Duration 90 minutes. Carus Verlag #CV 27.801/14. Published by Carus Verlag (CA.2780114). ISBN 9790007202729. Language: Latin. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vespro della Beata Vergine Choral SATB Carus Verlag
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 vi...(+)
SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo SKU: CA.2780113 Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 3. SV 206. 16 pages. Duration 90 minutes. Carus Verlag #CV 27.801/13. Published by Carus Verlag (CA.2780113). ISBN 9790007202712. Language: Latin. As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Consolation Marching band [Score] De Haske Publications
Fanfare Band SKU: BT.DHP-1094676-120 Wer nur den lieben Gott lässt ...(+)
Fanfare Band SKU: BT.DHP-1094676-120 Wer nur den lieben Gott lässt walten. Arranged by Jan de Haan. Musica Sacra. Hymns & Chorals. Score Only. Composed 2009. 16 pages. De Haske Publications #DHP 1094676-120. Published by De Haske Publications (BT.DHP-1094676-120). 9x12 inches. English-German-French-Dutch. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.
Wer nur den lieben Gott lässt walten wurde um 1641 von Georg Neumark geschrieben. Alte Gesangbücher belegen eine frühe Popularität des Liedes, das heute nicht zuletzt durch Johann Sebastian Bach, der es u. a. für einen Choral verwendete, jeder kennt. In dieser Bearbeitung erklingt der Bach-Choral zweimal: einmal alternierend mit dem Motiv aus Jan de Haans Einleitung und einmal ohne Unterbrechung in einer Besetzung, die der ursprünglichen Absicht gerecht wird: einem Trostlied.
Intorno al 1641, Georg Neumark compone il cantico Wer nur den lieben Gott laesst walten, nel quale ogni strofa esprime la fede in Dio e gli d il sottotitolo di Canto di consolazione. Il cantico ebbe grande notoriet . In questo arrangiamento firmato Jan de Haan, il corale è esposto a due riprese: dapprima preceduto da una breve introduzione seguita da una variazione tra ogni verso, in seguito in una trama continua che, fedele al sottotitolo originale, cerca nella sua azione la consolazione. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| French Caroler's Dance Concert band - Easy Curnow Music
Concert Band - Grade 2 SKU: HL.44007666 Grade 2 - Score Only. Arra...(+)
Concert Band - Grade 2 SKU: HL.44007666 Grade 2 - Score Only. Arranged by Stephen Bulla. Curnow Music Concert Band. Christmas, French. 18 pages. Published by Curnow Music (HL.44007666). UPC: 884088310219. 9x12 inches. Festive music for your winter concert! This delightful arrangement of a traditional French Canadian melody is a pleasant diversion from the usual Christmas tunes you've heard so many times before. Rhythmic and colorful, it's a sure winner for the holiday season. (Grade 2). $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| French Caroler's Dance Concert band [Score] - Easy Curnow Music
Concert Band - Grade 2 SKU: HL.44007665 Grade 2 - Score and Parts....(+)
Concert Band - Grade 2 SKU: HL.44007665 Grade 2 - Score and Parts. Arranged by Stephen Bulla. Curnow Music Concert Band. Christmas, French. Full Score and Parts. Published by Curnow Music (HL.44007665). UPC: 884088310202. 9x12 inches. Festive music for your winter concert! This delightful arrangement of a traditional French Canadian melody is a pleasant diversion from the usual Christmas tunes you've heard so many times before. Rhythmic and colorful, it's a sure winner for the holiday season. (Grade 2). $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Huron Indian Carol ('Twas in the Moon of Wintertime) 3 French horns (trio) Eighth Note Publications
By Traditional. Arranged by Morley Calvert. For 3 F Horns and Keyboard. Brass - ...(+)
By Traditional. Arranged by Morley Calvert. For 3 F Horns and Keyboard. Brass - French Horn Trio; Trio. Christmas. Duration 00:03:25
$12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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