SKU: CA.5022200

Composed by Josef Gabriel Rheinberger. Edited by Sebastian Hammelsbeck. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Ensemblemusik Mit Begleitung. Secular choral music. Full score (complete edition / selected edition). 224 pages. Carus Verlag #CV 50.222/00. Published by Carus Verlag (CA.5022200).

ISBN 9790007090296.

This volume contains Rheinberger's choral works with accompaniment which are not ballads. These compositions, some of which are unknown today, merit a rediscovery and offer a wide range of different scorings: Included among them are compositions for mixed voices, for women's choir and men's choir. Most of them can be performed either chorally or with a group of soloists. Rheinberger's romantic-idyllic setting of Eichendorff's Die Nacht op. 56, with the unusual accompaniment of a piano quartet, is very attractive. In the Hymnus an die Tonkunst op. 179 a wind orchestra is added to the choir. The remaining works are with piano accompaniment.

Piano - late intermediate

SKU: CR.977924

Composed by Benjamin Culli. Piano. Book. With music. Concordia Publishing House #977924. Published by Concordia Publishing House (CR.977924).

ISBN 9780758668769. 8.5 X 11 inches.

Benjamin M. Culli contributes three delightful hymn preludes to the piano repertoire. ROCKINGHAM OLD is arranged in the style of Erik Satie's delicate Gymnopédies; LOVE UNKNOWN gently places eighth notes against triplets; and the highlight of the set is FAITHFULNESS, which features lush, rich, subtly jazzy harmonic language.

SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3106963

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/63. Published by Carus Verlag (CA.3106963).

ISBN 9790007206710. Text language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo - Level 3

SKU: CA.3410412

Passions-Oratorium. Composed by Johann Christoph Friedrich Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Violin 2. BR JCFB D 1. 36 pages. Duration 135 minutes. Carus Verlag #CV 34.104/12. Published by Carus Verlag (CA.3410412).

ISBN 9790007212582. Language: German.

An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score and part available separately - see item CA.3410400.

Piano (Piano Solo)

SKU: HL.51481594

For Piano Solo Op. 2, No. 1. Composed by Alexander Scriabin. Edited by Valentina Rubcova. Henle Music Folios. Classical. Softcover. 4 pages. G. Henle #HN1594. Published by G. Henle (HL.51481594).

UPC: 196288215837. 9.0x12.0x0.046 inches.

One of Scriabin's best-known piano pieces is also one of his very first compositions. He wrote it when he was only fifteen years old; when it appeared in print in 1893, the twenty-one-year-old was still so unknown that he did not receive any remuneration from the publisher. The rapturous etude was soon to enjoy unprecedented success. Marked “Andante”, it is not a virtuoso piece – but nevertheless it is a challenge to master the full-handed chords in legato and to clearly work out the upper and middle parts at the same time. In the Henle Urtext edition, Boris Giltburg's fingerings support this task in an exemplary manner. As an etude of medium difficulty, this earworm offers a wonderful introduction to the piano world of Scriabin!

About Henle Urtext

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• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
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Heures mystiques: Entrees, Offertoires, Offertoire funebre. By Leon Boellmann. Edited by Schauerte-Maubouet, Helga. For Organ. Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

3 wind instruments - intermediate

SKU: HL.49016230

Composed by Richard Zettler. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Playing score. 27 pages. Schott Music #SHS 6003. Published by Schott Music (HL.49016230).

ISBN 9790001101189.

This collection consists mainly of unknown dance movements from northern, western and southern Europe, intermingled with original movements by Richard Zettler and written for small groups of players. The music is arranged so that it can be played by woodwind or brass instruments in various keys. Thus many combinations of Instruments can be used as desired.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106950

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Full score. BWV BWV 69a. 60 pages. Duration 25 minutes. Carus Verlag #CV 31.069/50. Published by Carus Verlag (CA.3106950).

ISBN 9790007181529. Language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913909

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. 1x 39.139/21 recorder, 1x 39.139/22 oboe, 1x 39.139/23 bassoon. Stuttgart Urtext Edition: Telemann-Archiv. Harmony parts. Sacred vocal music, Cantatas, Mourning, death. Set of Orchestra Parts. TVWV 4:17. Duration 30 minutes. Carus Verlag #CV 39.139/09. Published by Carus Verlag (CA.3913909).

ISBN 9790007216153. Text language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and parts available separately - see item CA.3913900.

SATB choir, piano - Late Intermediate

SKU: MN.CH-1328

Composed by Antonin Dvorak and Nick Strimple. Arranged by Nick Strimple. Multi-Movement/Large Choral Work. Romantic, Faith. Score & instrument parts. Laurendale Associates #CH-1328. Published by Laurendale Associates (MN.CH-1328).

Large work, published here in Piano/Vocal version only. This oratorio deals with the conversion to Christianity of the 9th-century Bohemian pricess Ludmila, grandmother of the first great Czech hero, St. Wenceslas. Although Ludmila was virtually unknown outside the Czech lands, the original British audience easily identified with the libretto's universal themes of faith, love and patriotism. This edition is a reissue of the original Novello P/V score, with some note corrections, addition of measure #s (to correspond to the orch score) and permormance notes. Full score and parts available from Supraphon (distributed by Baerenreiter).

Concert Band - Grade 3

SKU: AP.45990S

Composed by Jared Barnes. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Light Concert; Programmatic. Score. 20 pages. Duration 4:15. Alfred Music #00-45990S. Published by Alfred Music (AP.45990S).

UPC: 038081525716. English.

The Lost Temple captures the intrigue of ancient legends, lost treasures, and adventures into the unknown. A quiet, mysterious theme opens the piece, eventually giving way to a driving adventure theme. A sense of calm and wonder emerges as dangers reveal themselves. A triumphant flourish ends the musical journey. (4:15).

Solo/unison voices or duet/2-part voices with cello, harp, and organ or cello and piano or harp - Early Intermediate

SKU: MN.55-3000

Composed by Cesar Auguste Franck and Michael Burkhardt. Arranged by Michael Burkhardt. Choral Collection. Feast of Corpus Christi, Romantic. Score & instrument part. MorningStar Music Publishers #55-3000. Published by MorningStar Music Publishers (MN.55-3000).

UPC: 688670006470. English, Latin. Scripture: Psalms 78:23-29; Exodus 16:2-4, 12-15; John 6:24-35.

This reproducible performance edition of Panis angelicus includes the Latin text by Aquinas, a singing translation by the editor, and the text, “O Lord, Most Holy” of an unknown source. It also presents Franck’s setting in both A Major and F Major for solo/unison voice(s), cello, harp, and organ. In addition, a piano transcription of the original instrumentation, as well as an optional second voice part based on the original cello material, has been provided. Performance options are included in the score.

Chamber Music Cello

SKU: PR.UE037194

Composed by Pierre Boulez. With Standard notation. Universal Edition #UE037194. Published by Universal Edition (PR.UE037194).

ISBN 9783702474911. UPC: 803452072027.

Commissioned by the 1991 Yehudi Menuhin International Competition (Paris) and dedicated to Universal Edition director Alfred Schlee on the occasion of his 90th birthday. Originally for solo violin, Anthemes I is presented in a transcription for solo cello. Although the transcriber is unknown, it is known that Boulez approved.