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Concerto IV E Minor
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Coffret Great Piano Solos Vol.2
Piano solo
Amsco Wise Publications
A superb four-volume collection of over 180 solos for the intermediate level Pia...
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A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano
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Advanced Alto Saxophone Solos - Vol. IV: Alto Saxophone: Instrumental Album
Alto Saxophone
[Sheet music + CD]
Music Minus One
This final volume of advanced alto sax solos is a master class from virtuoso Vin...
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This final volume of advanced alto sax solos is a master class from virtuoso Vincent Abato of the Metropolitan Opera Orchestra. Mr. Abato gives you direction and demonstrates each piece then you step in and take your place at the head of the class! Includes a high-quality printed music score containing the solo part annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Vincent Abato alto saxophone Accompaniment: Harriet Wingreen piano
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The 10 Greatest Violin Concertos
Orchestra, Violin
Eulenburg
La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oe...
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La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oeuvre les plus importants de concert et de la littérature orchestrale, le rendant idéal pour les étudiants et les amateurs de musique classique le point de départ idéal pour entrer dans le monde de la lecture de partitions.En plus de l'image d'impression excellente en format convivial et préface détaillée en allemand et en anglais toutes les dépenses fournir un représentant, l'enregistrement complet sur CD directement! Avec les nouvelles top 10 des packages reCoivent chacun une collection complète du répertoire de la musique internationale à un avantage de prix attractif. / Violon Et Orchestre
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Concerto IV E Minor
2 Violons, Alto Et Basses
Schott
Les concertos en quatre volets du maître napolitain important que durante peut ...
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Les concertos en quatre volets du maître napolitain important que durante peut être effectuée par des orchestres à cordes avec ou sans la basse continue, les concertos en fa mineur et mi mineur même avec le Quatuor à cordes. / 2 Violons, Alto Et Basses
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Bach J.s. - Complete Organ Works Vol.5 - Sonatas, Trios, Concertos + Cd-rom
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter D...
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Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.
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Violin Concertos, Concerto For Two Violins Bwv 1041/1042/1043
Orchestra
Eulenburg
À ce jour, les concertos pour violon de Bach sont parmi les plus populaires pi...
(+)
À ce jour, les concertos pour violon de Bach sont parmi les plus populaires pièces de répertoire de nombreux violonistes qui doivent répondre à des exigences techniques grands dans ces oeuvres. Créé au cours du temps de Bach à Köthen, dans laquelle le compositeur a présenté des oeuvres de nove révolutionnaire / Orchestre
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New Busker's Fakebook 1001 All-Time Hit Songs
-
Easy
Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
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Concerto In E Minor Rv550
Parties Orchestrales
Peters
L'Estro Armonico' Concerti Op. 3 Cello/Double Bass part / Parties Orchestrales
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Concerto In E Minor Rv550 (VIVALDI ANTONIO)
Parties Orchestrales
[Sheet music]
Peters
Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Violin Iv Part/ Répertoir...
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Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Violin Iv Part/ Répertoire / Parties Orchestrales
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Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
Violin
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Gliozzi M./ Simon D. - L'orgue Aux Milles Saveurs Vol.3
Français
Organ
Editions Buissonnieres
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou ...
(+)
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou clavier) Comprenant une partie méthode pour pédalier, une partie pédagogique sur l'harmonie au clavier, et quelques pièces d'orgue à 4 mains et de musique d'ensemble. Recueil de 360 pages en 2 volumes Format 22,5 x 32 cm, couverture pelliculée Complément : livret relié de parties séparées pour la partie Musiques d'ensemble Ecrit par Marta Gliozzi et Damien Simon, professeurs d'orgue en conservatoire. Notre apprenti-cuisinier-organiste continue à explorer des matériaux musicaux dans divers styles, découvrant les différentes saveurs esthétiques des pays européens : dans ce deuxième volume, les auteurs poursuivent leur démarche pédagogique, en renouvelant l?approche de la formation de l?organiste. Élèves avec professeur, professeurs avec élèves, élèves avec amis, les pièces de musique d?ensemble et les pièces à 4 mains sont pensées pour vous ! Alors, bonne cuisine à tous, avec patience, écoute attentive de soi et de l?autre, rigueur et surtout amour de tout ce que vous faites ! Bonne dégustation ! Dans ce recueil : ? Chansons populaires, Noëls, Chorals. ? Chants grégoriens, mélodies populaires
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Les 10 plus Célèbres Concertos pour Piano : Partitions + CD
Piano solo
[Sheet music + CD]
-
Intermediate
Schott
Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, ta...
(+)
Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, tant au niveau des partitions qu'au niveau des enregistrements. / Classique / Partition CD / Broché / Schumann, Robert / Beethoven, Ludwig Van / Brahms, Johannes / Grieg, Edvard / Mozart, Wolfgang Amadeus / Tchaïkovski, Piotr Illitch / Beethoven, Ludwig Van / Chopin, Frédéric / Liszt, Franz :
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Coffret Great
Piano solo
[Sheet music]
-
Intermediate
Amsco Wise Publications
Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards...
(+)
Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards de jazz, de blues et de pop mais aussi des BO de film, des comédies musicales, des piéces classiques et populaires. Consiste en un ensemble de quatre livres (noir, bleu, violet et rouge) de cette collection dans un coffret en édition spéciale. Les quatres volumes sont également disponibles séparément. / Piano/Vocal/Guitare (PVG) / Partition
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Grieg E. - Peer Gynt Suite, Holdberg Suite Et Autres Pieces - Piano
Piano solo
Dover Publications
Treasury of piano music by great Norwegian composer, including the perennial fav...
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Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezza II. Non Allegro e molto espressivo III. Mazurka IV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabile III. Con moto IV. Andante con sentimento V. Allegro moderato VI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di Valse II. Tempo di Menuetto ed energico III. Allegretto con grazia IV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderato Andante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderato Adagio Allegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con moto II. Allegretto espressivo III. Vivace IV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg; arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden] II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid; Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. Praeludium II. Sarabande III. Gavotte IV. Air V. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied] II. Little Haakon [Klein Haakon] III. I Love Thee [Ich liebe dich] IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss] V. The Princess [Die Prinzessin] VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung] II. Åse's Death [Åses Tod] III. Anitra's Dance [Anitras Tanz] IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz] II. The First Meeting [Erstes Begegnen] III. The Poet's Heart [Des Dichters Herz] IV. Solvejg's Song [Solvejgs Lied] V. Love [Liebe] VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no I. Norwegian [Norwegisch] II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage] II. Arabian Dance [Arabischer Tanz] III. Peer Gynt's Return Home [Peer Gynts Heimkehr] IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. Resignation II. Scherzo-Impromptu III. Night Ride [Natligtridt] IV. Folksong [Folketone] V. Study [Studie] (Hommage à Chopin) VI. Students' Serenade [Studenternes serenade] VII. The Mountaineer's Song [Lual?t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer] II. Gnomes' Tune [Tusselsl?t] III. The Dance Goes On [Dansen går]
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Antonio Vivaldi Violin Concerto In A Minor (VIVALDI ANTONIO)
Violin
[CD + DVD]
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Intermediate
AMA Verlag
Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon ét...
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Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon étudiant répertoire - magistralement enseigné par Zakhar Bron. Le tournage d\'une classe de maître dans la salle blanche du palais Sheremetjev à Saint-Pétersbourg. DVD avec la partie de violon Solo, préparé et annoté par Zakhar Bron. Zakhar Bron est un violoniste exceptionnelle et enseignant de renommée mondiale qui a reçu de nombreux prix et professeurs, plusieurs de ses étudiants, tels que Vadim Repin, Maxim Vengerov, Erik Schumann et Mayuko Kamino, appartiennent à l\'élite mondiale des solistes de violon. / Niveau : Intermédiaire / Classic - Methods / Méthode / Violon
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Concerto Per Flauto Traversiere, Archi, Bc Rv 431A (VIVALDI ANTONIO)
Flûte Traversière Cordes et Basse Continue
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Intermediate
Ricordi
a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many f...
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a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses. The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is verypossibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as partof a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432belonged to this group of works, the last known collection of its kind in Vivaldi’s oeuvre. This critical edition places these closely related works side by side for the first time, placing them in their historical context and making them performable through its reconstruction of some lost parts. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Flûte Traversière Cordes et Basse Continue
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The Classical Film Collection
Piano solo
[Sheet music]
Hal Leonard
The Classical Film Collection brings together famous classic pieces from the mov...
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The Classical Film Collection brings together famous classic pieces from the movies, such as Tchaikovsky's Swan Lake (from Black Swan), Mozart's Clarinet Concerto (Out of Africa), Allegri's Miserere (Chariots of Fire) and, for the first time in print, House of Woodcock by Jonny Greenwood from Phantom Thread. All pieces have been arranged for the intermediate pianist./ Recueil / Piano
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Michael Aston: Piano Duets: Baroque Composers: Piano Duet: Instrumental Album
Easy Piano
Oxford University Press
Piano Duets edited by Michael Aston-This varied and exciting duet collection is ...
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Piano Duets edited by Michael Aston-This varied and exciting duet collection is full of new and accessible arrangements for every duet player and lover of Baroque music. In beautifully prepared editions you'll find perennial favourites as well as a host of other Baroque classics and less well-known gems most arranged as piano duets for the first time. There's plenty for those looking to dazzle an audience as well as lively dances and more intimate beauties.Contents:J. S. Bach: Jesu joy of man's desiring from Cantata BWV147J. S. Bach: Sinfonia from Cantata BWV29J. S. Bach: Liebster Jesu wir sind hier BWV634Handel: Arrival ofthe Queen of Sheba from SolomonHandel: Siciliana and Presto from Organ Concerto in F Op. 4 No. 5Rameau: Contredanse from Les Indes galantesStanley: Andante from Organ Voluntary in E minor Op. 6 No. 9Vivaldi: Allegro from Concerto in A minor Op. 3 No. 8 RV522
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Concerto E Minor (TELEMANN GEORG PHILIPP)
Flute, Orchestra
Eulenburg
Par TELEMANN GEORG PHILIPP. Durée: 10', Format: ETP small/ Répertoire / Flûte...
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Par TELEMANN GEORG PHILIPP. Durée: 10', Format: ETP small/ Répertoire / Flûte Traversière et Orchestre
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Vivaldi Antonio - Concerto Op.3 No.4 E Min
Peters
Instrumentation : 4Vln Soli—Str—BcTitle : Concerto in E minor RV550'L'Estro ...
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Instrumentation : 4Vln Soli—Str—BcTitle : Concerto in E minor RV550'L'Estro Armonico' Concerti Op. 3Full Score
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Frédéric Chopin: Concerto in E Minor Op. 11: Piano
Piano solo
[Sheet music + Audio access]
Music Minus One
Performed by David Syme piano. Accompaniment: Stuttgart Symphony Orchestra. Con...
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Performed by David Syme piano. Accompaniment: Stuttgart Symphony Orchestra. Conductor: Emil Kahn. This romantic concerto is one of the composer's few works with orchestra and displays great lyricism and grandeur. Revealing Chopin's unique understanding of the piano it is a challenging and rewarding work which combines poetry and excitement as only this master could. A high point in the literature essential for every serious pianist. This deluxe 3-CD set includes a slow-tempo practice version to help you get up to speed. Includes an authoritative newly engraved 112-page music score printed on high-quality ivory paper and a compact disc containing a complete versionwith soloist); a second compact disc in digitally remastered stereo of the orchestral accompaniment minus the soloist; and a third compact disc containing a -25% slow-tempo practice version of the accompaniment.
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