| Hans-Günter Heumann:
Best of Piano Classics 2:
Piano: Instrumental Album Piano solo - Intermediate Schott
40 Arrangements of Famous Classical Masterpieces-Following the success of the fi...(+)
40 Arrangements of Famous Classical Masterpieces-Following the success of the first volume of original compositions for piano in Best of Piano Classics (ED 9060) Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years. The contents include great works from Bach to Gershwin ranging from chamber music symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century from ???Air??? to ???Rhapsody in Blue???. With fingerings tempo and pedal suggestions added these appealing arrangements for advancedplayers in modern printed scores that are easy to read are recommended not only for tuition purposes but for all those who enjoy playing the piano in their leisure time.
16.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Bradenburg Concerto No.
6: Recorder Ensemble:
Score and 2 Flûtes A Bec Alto Et Piano Zen-on
Bach's Brandenburg Concerto No. 6 (BWV 1051) transcribed for 2 Treble Recorders ...(+)
Bach's Brandenburg Concerto No. 6 (BWV 1051) transcribed for 2 Treble Recorders and Keyboard by Fumio Kitamika.
13.50 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Piano Concertos Nos.1-6
Full Score: Piano: Score Piano solo Dover Publications
In Full Score.-Outstanding in their variety and degree of innovation Mozart's p...(+)
In Full Score.-Outstanding in their variety and degree of innovation Mozart's piano concertos reflect his genius as a composer and demonstrate just why he has remained so popular. The first of the works was precociously written in 1767 when he was merely 11 years old and yet the pieces all possess his characteristic keyboard mastery experimentation with texture and a natural sensitivity to form and balance. The Concerto form most notably for piano continued to be a lifelong preoccupation for Mozart though it could be said that these formative pieces foreshadow the larger and greater works to come. This volume contains the full score for each of the Concertos and has been reproducedcomplete and unabridged from authoritative editions it offers a revealing look at the development of a budding master.
20.30 GBP - Sold by Musicroom UK |
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| Vivaldi A. - Les Quatre
Saisons Et Autres
Concerto Pour Violon Op.8
- Full Score Dover Publications
INTRODUCTION The Four Seasons: Sonnet Texts Bibliography Il Cimento dell'armonia...(+)
INTRODUCTION The Four Seasons: Sonnet Texts Bibliography Il Cimento dell'armonia e dell'inventione (The Contest of Harmony and Invention) Twelve Concertos for violin, strings, and continuo (Opus 8) THE FOUR SEASONS (OPUS 8, NOS. 1-4) Concerto No. 1 in E Major: La Primavera (Spring) (Op. 8, No. 1 / RV 269) I. Allegro II. Largo III. Allegro Concerto No. 2 in G Minor: L'Estate (Summer) (Op. 8, No. 2 / RV 315) I. Allegro non molto II. Adagio III. Presto Concerto No. 3 in F Major: L'Autunno (Autumn) (Op. 8, No. 3 / RV 293) I. Allegro II. Adagio molto III. Allegro Concerto No. 4 in F Minor: L'Inverno (Winter) (Op. 8, No. 4 / RV 297) I. Allegro non molto II. Largo III. Allegro OTHER VIOLIN CONCERTOS (OPUS 8, NOS. 5-12) Concerto No. 5 in E-flat Major: La Tempesta di Mare (The Storm at Sea) (Op. 8, No. 5 / RV 253) I. Presto II. Largo III. Presto Concerto No. 6 in C Major: Il Piacere (Pleasure) (Op. 8, No. 6 / RV 180) I. Allegro II. Largo e cantabile III. Allegro Concerto No. 7 in D Minor (Op. 8, No. 7 / RV 242) I. Allegro II. Largo III. Allegro Concerto No. 8 in G Minor (Op. 8, No, 8 / RV 332) I. Allegro II. Largo III. Allegro Concerto No. 9 in D Minor (Op. 8, No. 9 / RV 236) I. Allegro II. Largo III. Allegro Concerto No. 10 in B-flat Major: La Caccia (The Hunt) (Op. 8, No. 10 / RV 362) I. Allegro II. Adagio III. Allegro Conceto No. 11 in D Major (Op. 8, No. 11 / RV 210) I. Allegro II. Largo III. Allegro Concerto No. 12 in C Major (Op. 8, No. 12 / RV 178) I. Allegro II. Largo III. Allegro IMPORTANT VARIANTS How to Use the Variants Concerto No. 7 in D Minor (RV 242) Allegro (Movement I) a. Substitute for Bars 50-76 Concerto No. 9 in D Minor (RV (Version for Oboe, Strings and Continuo, RV 454) Allegro (Movement I) a. Substitute for Bars 91-102 Concerto No. 11 in D Major (RV 210) Allegro (Movement I) a. Substitute for Bars 100-112 b. Substitute for Bars 122-132 Allegro (Movement II) c. Substitute for Bars 38-67 d. Substitute for Bars 113-154 e. Substitute for Bars 171-214 f. Substitute for Bars 171-208 CRITICAL NOTES The Sources The Amsterdam Print The Dresden Manuscripts The Manchester Partbooks The Turin Autograph Scores The Dover Edition Text Fonts Used in The Four Seasons
28.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Carl Philipp Emanuel
Bach: Harpsichord
Concerto D Minor Bwv
1052A: Harpsichord: 2 Pianos, 4 hands [Sheet music] Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
19.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Concerto #6 D Major Flûte A Bec Soprano, Cordes Et
Basse Continue Schott
Avec ces nouvelles éditions, tous les concertos de six enregistreur de John Bas...(+)
Avec ces nouvelles éditions, tous les concertos de six enregistreur de John Baston sont maintenant disponibles, chacune avec un score, score de piano et de pièces. Les scores minutieusement edited suivent essentiellement la première édition imprimée par John Walsh à Londres en 1729. Baston était considéré comme un excellent enregistreur et le joueur de flûte qui a travaillé avec des orchestres d'opera de Londres au début du XVIIIe siècle. Ses concertos faciles, anticipant la mélodie élégante de début de la période classique jouissent de grande popularité qui représente une tâche enrichissante pour les orchestres de l'école de musique et les joueurs de l'enregistreur avancé. / Flûte A Bec Soprano, Cordes Et Basse Continue
42.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Johann Sebastian Bach:
Harpsichord Concerto No.1
in D minor: Chamber
Ensemble: Harpsichord and Strings Barenreiter
D minor BWV 1052-In early 1729 Bach became director of the so-called »Scottis...(+)
D minor BWV 1052-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-minor Concerto BWV 1052 forms the opening item in Bach’s autograph score of his six harpsichord concertos BWV 1051 to BWV 1057 (Berlin Staatsbibliothek Mus. ms. Bach P 234). Bach scholars are unanimously in agreement that the piece was transcribed from a violin concerto in the same key. The originalconcerto although no longer extant today can be reconstructed with some degree of certainty from its various transcriptions.Urtext of the New Bach EditionFull score & parts (BA5224) two-keyboard reduction (BA5224-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
22.50 GBP - Sold by Musicroom UK |
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| La Stravaganza Op. 4
Vol.I: Concertos I-Vi
(VIVALDI ANTONIO) Violon, Cordes et Basse Continue [Sheet music] Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antoni...(+)
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).
The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.
This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue
93.96 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| La Stravaganza Op. 4
Vol.II: Concertos VII-XII
(VIVALDI ANTONIO) Violon, Cordes et Basse Continue [Sheet music] Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antoni...(+)
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).
The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.
This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue
93.96 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Luciano Berio: Encores
(6): Piano: Score Piano solo Universal Edition
6 first steps to new piano music - In order to become familiar with a composers ...(+)
6 first steps to new piano music - In order to become familiar with a composers works its best to consider his compositions chronologically. On the one hand this helps to recognize fundamental structures and on the other to determine changes and developments. Luciano Berios 6 Encores are ideal for such an approach. The six short pieces were composed in the years between 1965 and 1990 and reflect very different moments of Berios piano music. As can be assumed from the titles: Wasserklavier Luftklavier Erdenklavier etc. the composer uses a different harmonic structure for each work and a continually changing piano technique to ensure each work has an effect of its own.Nevertheless the cyclic character of all these little pieces becomes evident especially from Berios unequivocal formal references to other piano works (e.g. Concerto per due pianoforti Points on the curve to find Echoing curves Sequenza IV). Experienced musicians appreciate the 6 Encores as the icing on the cake.
23.99 GBP - Sold by Musicroom UK |
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| Bernhard Henrik Crusell:
Klarinettenkonzert f-moll
op. 5: Clarinet: Score Clarinet and Piano G. Henle
Opus 6-The Swedish composer Bernhard Henrik Crusell was long viewed as an inside...(+)
Opus 6-The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime his concertos have found their way to the concert stage. This is hardly surprising considering theenchanting music with which Crusell himself a Clarinet virtuoso of international rank has enriched the early romantic repertoire.Crusell’s works needn’t shy from a comparison with Weber’s and Spohr’sClarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor andclarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice the works are in the best possible hands.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| The Featured Pianist Piano solo [Sheet music + CD] - Intermediate/advanced Chester
The Featured Pianist is a splendid collection of fourteen classical favourites f...(+)
The Featured Pianist is a splendid collection of fourteen classical favourites for the intermediate to advancing pianist, providing a superb enrichment to their repertoire. Suitable for Grades 5-6, the book also comes with a CD and additional downloadable content.The book itself contains fourteen fantastic pieces that everybody is sure to know and love by the cream of classical composers. With Debussy's masterpieces Clair de Lune and Arabesque #1, the latter of which is a beautiful score merely to look at, let alone play. A couple of classic Beethoven pieces, Adagio Cantabile and Adagio Sostenuto, are included, as well as timeless compositions by Chopin, Schubert and Bach that are essential learning for any pianist worth their salt.The accompanying CD contains professional performances of each piece and includes free hints and tips which are downloadable to your computer. Either play along to the CD, or simply unwind and relax to this unbeatable compilation of inspirational performances. Other pieces include Solfeggietto by C. P. E. Bach and Sweet Remembrance by Mendelssohn, among many others that will undeniably delight any listeners within earshot. The pieces arranged in this book are between Grades 5 and 6 in standard, making them perfect for those who want to expand their repertoire and musical knowledge with some of the finest compositions of all time. The Featured Pianist, with its brilliant engravings, accompanying CD and downloadable content, is everything you'll need to learn these great pieces of music. / Piano
15.02 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Concerto #6 D Major Flûte A Bec Soprano, Cordes Et
Basse Continue Schott
Les scores minutieusement edited suivent essentiellement la première édition i...(+)
Les scores minutieusement edited suivent essentiellement la première édition imprimée par John Walsh à Londres en 1729. Baston était considéré comme un excellent enregistreur et le joueur de flûte qui a travaillé avec des orchestres d'opera de Londres au début du XVIIIe siècle. Ses concertos faciles, anticipant la mélodie élégante de début de la période classique jouissent de grande popularité qui représente une tâche enrichissante pour les orchestres de l'école de musique et les joueurs de l'enregistreur avancé. / Flûte A Bec Soprano, Cordes Et Basse Continue
17.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Concerto #6 D Major DESC REC/STR ENS/CHAM::Soprano
(Descant) Recorder, String Ensemble,
Chamber Group [Sheet music] Schott
Les scores minutieusement edited suivent essentiellement la première édition i...(+)
Les scores minutieusement edited suivent essentiellement la première édition imprimée par John Walsh à Londres en 1729. Baston était considéré comme un excellent enregistreur et le joueur de flûte qui a travaillé avec des orchestres d'opera de Londres au début du XVIIIe siècle. Ses concertos faciles, anticipant la mélodie élégante de début de la période classique jouissent de grande popularité qui représente une tâche enrichissante pour les orchestres de l'école de musique et les joueurs de l'enregistreur avancé. / Flûte A Bec Soprano, Cordes Et Basse Continue
14.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: Piano
Duet: Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
19.50 GBP - Sold by Musicroom UK |
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| Olivier Messiaen: Saint
Francois d'Assise -
Volume 3 Act 2: Opera:
Vocal Score Soli, Mixted choir and accompaniment Soli, mixted choir and piano Leduc, Alphonse
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume ...(+)
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is focused on the Act II – 6. Le Prêche Aux Oiseaux which depicts a moment when he preached to the birds in Assisi. Saint Francis gives the birds his benediction to which they answer by a Concerto. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
64.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: String Clavecin, 2 Flûtes A Bec Et
Instrument(s) A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: Mixed
Ensemble: Barenreiter
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »...(+)
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
28.50 GBP - Sold by Musicroom UK |
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| Tomaso Albinoni: Concerto
D Major op. 7/6: Oboe:
Instrumental Work Oboe, Piano (duet) Boosey and Hawkes
Written in 1715 the Oboe was still somewhat of a novelty to write for and Albi...(+)
Written in 1715 the Oboe was still somewhat of a novelty to write for and Albinoni seems to have had the Trumpet in mind and he wrote as the piece is in the Trumpet 'friendly' Key of D major. It is however a wonderful piece for Oboe and is presented here with a Piano reduction of the original Orchestral score.
12.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Piano Duet: Clavecin et Instruments à
Cordes [Sheet music] Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
17.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Chamber
Ensemble: Harpsichord and Strings Barenreiter
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottis...(+)
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
20.00 GBP - Sold by Musicroom UK |
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