Since most of Lisztâ??s vast output of piano music both original and arranged was obviously intended for the virtuoso it's easy to forget that he also wrote short and beautiful pieces which are technically undemanding. Moreover many of these are far more interesting musically than the typically brilliant works. By way of introducing this less familiar side of a great keyboard composer this edition offers twenty-one non-virtuoso pieces that he wrote between the ages of 38 and 74. They are arranged roughly in chronological order and prepared from original sources by leading scholars including informative introductions and performance notes. This book comprisescollections of pieces which include: Consolations Six Pieces S.172; Vier Kleine Klavierstucke (Four Short Piano Pieces) S.192; and Funf Ungarische Volkslieder (Five Hungarian Folksongs) S.245.

The Consolations are among the best-known Piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris wereconsulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore a clear notation without page-turn problems makes it easier to study and perform the popular works.

Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.

Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.

Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.

Consolations (Six pensées poétiques) Publié par Sulyok Imre, Mező Imre Instrument: Piano Série: Liszt Separate Editions Genre: Romantic Pages: 16 pp Date du parution: 1984

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Consolation du compositeur Mereaux Max a été cataloguée sous la référence FP 1139 par l'éditeur. Cette oeuvre est écrite pour Tuba, Euphonium ou Saxhorn. En 3 clics et quelques jours elle peut être chez vous. / Tuba, Euphonium ou Saxhorn / Partition

Franz Liszt est toujours considéré comme l'un des plus grands pianistes de tous les temps : un superbe virtuose dont les œuvres pour piano sont également hérissées de difficultés techniques extrêmes. Mais personne ne doit avoir peur des grands noms. Notre sélection soigneusement choisie de l'immense œuvre de Liszt va ici du facile au modérément difficile. Ces pièces sont vraiment charmantes et bien adaptées aux « mortels ordinaires ». Et pour ceux qui arrivent à la fin du volume, il y a une récompense qui en vaut la peine : peut-être la pièce pour piano la plus connue de Liszt, le troisième « Liebestraum »...
Pièce pour piano no. 3 en fa dièse majeur de Quatre pièces pour piano
Pièce pour piano no. 4 en fa dièse majeur de Quatre pièces pour piano
N° de consolation 1 en mi majeur de Consolations
N° de consolation 2 en mi majeur de Consolations
N° de consolation 3 en ré bémol majeur de Consolations
Années de Pèlerinage, Deuxième Année – Italie : Il Penseroso
Hymne de l'enfant à son réveil de Harmonies poétiques et religieuses
Années de Pèlerinage, Première Année – Suisse : Le mal du pays
Années de Pèlerinage, Deuxième Année – Italie : Canzonetta del Salvator Rosa
Années de Pèlerinage, Troisième Année : Aux Cyprès de la Villa d'Este
Liebestraum no. 3 en lab majeur de Liebesträume – 3 Notturnos
/ Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

Guitar Tab edition of Consolers Of The Lonely the second album by the Raconteurs. This matching folio conatains all songs from the album arranged for Guitar TAB complete with full lyrics.