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Corelli - Gavotte
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La Parnasse Ou L'Apothéose De Corelli - Concert Instrumental
Saxophone and Piano
Martin, Robert
Le Parnasse ou l'Apothéose de Corelli : Paris, 1724Concert instrumental sous le...
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Le Parnasse ou l'Apothéose de Corelli : Paris, 1724Concert instrumental sous le titre d'apothéose composé à la mémoire immortelle de l'incomparable Monsieur de Lully : Paris, 1725Oeuvres en trio pour deux dessus et basse continue. La première pièce de l'apothéose de Lully avec 'basse d'archet' séparée du continuo.Présentation par Jean Saint-Arroman et Philippe Lescat : les personnages des deux apothéoses / Musique De Chambre, 2 Violons Et Basse Continue, 2 Flûtes Traversières Et Basse Continue / 60 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Walter Carroll: Gigue in A (Corelli): Piano: Instrumental Work
Piano solo
Forsyths Publications
Walter Carrolls superb arrangement of Corellis 9th Sonata for Violin Cello and ...
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Walter Carrolls superb arrangement of Corellis 9th Sonata for Violin Cello and Harpsichord works admirably for solo piano. Suggested grade 6.
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Arcangelo Corelli: Sonatas For Violin & Basso Continuo Op. 5 VII-XII: Violin:
Violin, Basso continuo
Barenreiter
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Core...
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Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violin, Basso continuo
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Violin Sonatas Op. 5 Bd. 1+2 Kplt.
Violin and Piano
Wiener Urtext
Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et au...
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Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et aujourd'hui figure dans le répertoire standard de tous les violonistes. Il est d'autant plus surprenant, donc, que jusqu'à présent il n'y a pas eu édition Urtext de ces travaux importants.Le score est basé sur une première édition supervisée par Corelli lui-même. D'après ce que nous savons de la performance en temps de Corelli, cependant, était plusattend de la violoniste qu'une lecture musicale de la partition imprimée: il était d'usage d'ajouter des ornements à la limite de l'improvisation, avec l'embellissement et 'variations' comme vous le souhaitez. La partition originale est doncprésenté ici avec le plus documenté l'ornementation d'une réimpression publiée par Roger à Amsterdam en 1708. Cette ornementation n'est pas destiné à être servilement imité, mais de stimuler le lecteur à trouver leur propre interprétation créative et stylistiquement confiant de la partition. Comme Roger n'a pas précisé les ornements pour les sonates dans le deuxième volume, les 'variations que désiré' utilisé par l'élève de Corelli Geminiani ont été reproduites avec la Sonate neuvième exemple. Conseils sur les performances est donnée par la Cologne baroque spécialiste Reinhard Goebel. Ce conseil ne s'applique pas seulement à l'ornementation, mais aussi de l'articulation, coups d'archet et d'autres choses encore, appelant à des marquages ??spécifiques dans la partie de violon séparée.La réalisation de la partie de continuo fait écho à la mode de l'époque. Ici aussi, des conseils sur la performance vise à stimuler la libre interprétation par le joueur de continuo. Une partie basse chiffrée est inclus pour le joueur qui préfère lire l'accompagnement des chiffres. / Violon Et Piano
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Trio Sonatas Vol.2
2 Violons, Violoncelle Et Orgue (Piano)
Wiener Urtext
Seules quelques oeuvres de l'histoire de la musique peuvent se parer de l'attrib...
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Seules quelques oeuvres de l'histoire de la musique peuvent se parer de l'attribut 'epoch-making'. Les sonates en trio de Corelli sont parmi eux. Avec sa Sonate da chiesa op. 1 et Sonate da camera op. 2, Corelli, en 1681 et 1685 respectivement, a jeté les bases d'un genre qui allait devenir le genre de musique de chambre autorité depuis presque 100 ans. C'est seulement en 1781 qu'il a été remplacé par Quatuors à cordes de Joseph Haydn Op. 33, qui a également constitué un groupe de travail d'une importance epoch-making. Du point de vue historique, même le quatuor à cordes est un 'enfant' de la sonate en trio, ainsi, l'importance de Corelli en tant que fondateur du genre européen de musique de chambre ne peut pas être surévaluées. En conséquence, le Wiener Urtext édition publie une sélection représentative de 12 sur un total de 48 sonates en trio à l'occasion du 300e anniversaire de la mort du compositeur. Le volume 1 contient six sonates du modèle Chiesa Da, Volume 2 six morceaux représentatifs du type de Da Camera. La nouvelle édition a été basée sur les éditions originales, les premières rééditions italiennes et l'importante édition d'Amsterdam de Roger. En plus de pièces pour les instruments mélodiques, la nouvelle édition contient également un score continue à réaliser, facilement jouable basso continuo. Sur la base de ce matériau et en raison des exigences techniques modérées, l'édition est parfaitement adapté pour commencer à jouer des morceaux de musique de chambre. / 2 Violons, Violoncelle Et Orgue (Piano)
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Arcangelo Corelli: Violinsonaten op. 5 Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wiener Urtext-These sonatas are among the epoch-making works of the Violin reper...
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Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Arcangelo Corelli: Violinsonaten op. 5 Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
These sonatas are among the epoch-making works of the Violin repertoire and nowa...
(+)
These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Arcangelo Corelli: Adagio And Allegro: Violin: Instrumental Work
Violin
Bosworth
Arcangelo Corelli (1653 - 1713) was an Italian violinist and composer. He was on...
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Arcangelo Corelli (1653 - 1713) was an Italian violinist and composer. He was one of the earliest pioneers of the modern Violin and helped define its capabilities for generations after. He only published 6 opuses in his lifetime but they are arguably the most influential collection of baroque music that survives today. His Opus 5 was a collection of 12 Violin Sonatas the only Sonatas he published. They were written for the composer’s own use and performed by him many times showcasing the Violin technique he had developed over his career. Adagio and Allegro are the last two movements in Corelli’s Sonata No.1 in DMajor. Originally written for Violin and Harpsichord they are published here for Violin and Piano.
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Arcangelo Corelli: Triosonaten op. 1 und op. 3 Band 1: Chamber Ensemble:
Wiener Urtext
Sonaten op. 1: Nr. 1 4 und 9 op. 3: Nr. 2 4 und 12. Very few works in music h...
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Sonaten op. 1: Nr. 1 4 und 9 op. 3: Nr. 2 4 und 12. Very few works in music history have been associated with the phrase 'epoch-making' yet Arcangelo Corelli's Trio Sonatas are among them. In 1681 and 1685 with the composition of Sonate da chiesa Op. 1 and Sonate da camera Op. 2 Corelli laid the foundation for a genre which was to be the chamber music format for almost 100 years. It was only in 1781 that it was superseded by Joseph Haydn's String Quartets Op. 33 which were also highly significant to the era. From a historical point of view the String Quartet can be viewed as a 'child' of the trio sonata. As a result Wiener Urtext Edition have published a selection of 12 of a total of 48 trio sonatas due to the 300th anniversary of the composer's death. Volume 1 contains six sonatas of the Da Chiesa model Volume 2 six pieces of the Da Camera type. This new edition was based on original editions the first Italian reprints as well as the Rogers Amsterdam edition. In addition to parts for the melodic instruments the new edition also contains a Continuo score with realised easily playable Basso Continuo. This edition is perfectly suitable as an introduction into chamber music.
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Rachmaninov S. - Variations Corelli Op.42
Piano solo
G. Henle
Variations Corelli op. 42 Editeur: Norbert Gertsch Doigtés: Marc-André Hameli...
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Variations Corelli op. 42 Editeur: Norbert Gertsch Doigtés: Marc-André Hamelin Edition Urtext, reliure paperback Pages: 39 (VII, 32), Dimension 23,5 x 31,0 cm N° d'article HN 1206 · ISMN M-2018-1206-9 Degré de difficulté (Piano): difficile (Degré 8) Ce célèbre cycle pour piano de Rachmaninov parut en 1931, à une époque où ce dernier s?était déjà assuré une grande popularité avec ses grandes ?uvres pour piano solo et ses concertos pour piano. Il ne s?agit cependant nullement d?une ?uvre de «vieillesse». Avec ses variations sur le thème «La folia» (repris d?une sonate de Corelli), Rachmaninov déclenche un véritable feu d?artifice pianistique. Voici ce qu?il dit laconiquement à un de ses amis à ce propos: «Cette course folle dans tous les sens est nécessaire pour effacer le thème.» Est-ce que Rachmaninov est parvenu à faire taire «La folia»? Essayez-vous même!
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Sergei Rachmaninov: Corelli Variations Op. 42: Piano: Score
Piano solo
G. Henle
Corelli Variations op. 42-Rachmaninoff wrote his well-known Piano cycle in 1931 ...
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Corelli Variations op. 42-Rachmaninoff wrote his well-known Piano cycle in 1931 at a time when his great works for Piano solo and the Piano concertos had already made him very famous. Yet it is by no means the ?work of an old man?.Thecomposer?s variations on the theme ?La folia? (taken from a sonata by Corelli) are like a series of fireworks on the Piano. He once drily said to a friend ?All this mad running about is necessary in order to efface the theme?.Did Rachmaninoff succeed in silencing ?la folia? i.e. the ?madness?? Why not see for yourself.
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Arcangelo Corelli: Triosonaten op. 2 und op. 4 Band 2: Chamber Ensemble:
Wiener Urtext
Sonaten op. 2: Nr. 1 4 und 12 op. 4: Nr. 1 4 und 7. Very few works in music h...
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Sonaten op. 2: Nr. 1 4 und 12 op. 4: Nr. 1 4 und 7. Very few works in music history have been associated with the phrase 'epoch-making' yet Arcangelo Corelli's Trio Sonatas are among them. In 1681 and 1685 with the composition of Sonate da chiesa Op. 1 and Sonate da camera Op. 2 Corelli laid the foundation for a genre which was to be the chamber music format for almost 100 years. It was only in 1781 that it was superseded by Joseph Haydn's String Quartets Op. 33 which were also highly significant to the era. From a historical point of view the String Quartet can be viewed as a 'child' of the trio sonata. As a result Wiener Urtext Edition have published a selection of 12 of a total of 48 trio sonatas due to the 300th anniversary of the composer's death. Volume 1 contains six sonatas of the Da Chiesa model Volume 2 six pieces of the Da Camera type. This new edition was based on original editions the first Italian reprints as well as the Rogers Amsterdam edition. In addition to parts for the melodic instruments the new edition also contains a Continuo score with realised easily playable Basso Continuo. This edition is perfectly suitable as an introduction into chamber music.
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6 Solos For A Flûte An A Bass - Opu V, Parte 2Da
Saxophone ensemble
Martin, Robert
Six solos for a flute and a bass. Opus V, parte 2da. (Transcription pour flûte ...
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Six solos for a flute and a bass. Opus V, parte 2da. (Transcription pour flûte à bec et basse continue de la seconde partie de l'opus V de Corelli). Edition : Walsh and Hare, London, s.d. (=1702)Présentation de Susi Möhlmeier et Frédérique Thouvenot : biographie - bibliographie - lecture de la partition - suggestions.En 1702, Walsh publie cette très utile transcription pour flûte à bec de la seconde partie de l'opus V de Corelli, paru à Rome en 1700. Publication en parties séparées : fluto primo - fluto basso. L'orthographe des titres est celle de l'original de Walsh. / Flûte A Bec Et Basse Continue / 76 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Trio Sonatas Vol.1
2 Violons, Violoncelle Et Orgue (Piano)
Wiener Urtext
Très peu de travaux en histoire de la musique ont été associées à l'express...
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Très peu de travaux en histoire de la musique ont été associées à l'expression 'epoch-making' encore les Sonates en trio de Corelli sont parmi eux. En 1681 et 1685, avec la composition du Sonate da chiesa op. 1 et Sonate da camera op. 2, Corelli jeté les bases d'un genre qui devait être le format de musique de chambre depuis presque 100 ans. C'est seulement en 1781 qu'il a été remplacé par Quatuors à cordes de Joseph Haydn Op. 33, qui étaient également très importante à l'époque.D'un point de vue historique, le quatuor à cordes peut être considérée comme un 'enfant' de la sonate en trio, donc,En conséquence, Wiener Urtext édition ont publié une sélection de 12 sur un total de 48 sonates en trio en raison de la 300e anniversaire de la mort du compositeur.Le volume 1 contient six sonates du modèle Chiesa Da, Volume 2 six pièces de type Da Camera.Cette nouvelle édition a été basée sur les éditions originales, les premières rééditions italiennes ainsi que l'édition Rogers Amsterdam. En plus de pièces pour les instruments mélodiques, la nouvelle édition contient également un score continue à réaliser, facilement jouable basso continuo.Cette édition est parfaitement approprié comme une introduction à la musique de chambre. / 2 Violons, Violoncelle Et Orgue (Piano)
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Arcangelo Corelli: Twelve Sonatas Op. 5 - Volume 1: Violin: Instrumental Album
Violin
Schirmer
Arcangelo Corelli was famous as a virtuoso on the Violin and is regarded by many...
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Arcangelo Corelli was famous as a virtuoso on the Violin and is regarded by many as the founder of modern Violin technique; he systematized the art of proper bowing and was able to extract a singing beauty and lyricism that was previously unheard of. He was one of the first to use double stops and chords and these qualities attracted international fame both for his own performances and for his many students who began to disseminate his techniques and on the Violin. Corelli’s Twelve Sonatas Op. 5 is a work of the highest order and acts like a compendium of Violin technique circa. 1700. This first volume contains Sonatas 1-6 all of which have been editedfaithfully by Gustav Jensen.
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Corelli A. - Sonates 4 A 6 Op.5 Vol.2 - Alto Et Basse Continue
Français
Billaudot
Arrangeurs : Anne Maireaux Chloé Sévère Le propos de la transcription de ces ...
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Arrangeurs : Anne Maireaux Chloé Sévère Le propos de la transcription de ces Sonates est de mettre à disposition des altistes, qu’ils jouent sur instruments modernes ou sur instruments anciens, la quintessence musicale, stylistique et technique de l’art du violon au début du XVIIIème siècle. Nous nous sommes attachées à respecter scrupuleusement le manuscrit original de Corelli et, pour l’ornementation des mouvements lents, l’édition réalisée par Estienne ROGER où l’on trouve les ”Adagios composés par Mr Corelli comme il les joue”. Une réalisation de la basse continue est proposée mais cette édition permet bien sûr aux continuistes d’exercer leurs talents (partie de violoncelle seul fournie). Ce deuxième cahier comporte les Sonates 4, 5 et 6 qui s’apparentent à la forme Sonata da chiesa. Certains mouvements de ces Sonates peuvent être abordés au cours du cycle 2, d’autres, demandent une plus grande maîtrise instrumentale.
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Arcangelo Corelli: Corelli Cap and Bells: 2-Part Choir: Vocal Score
Choral 2-part
Paterson's Publications
Corelli Cap and Bells
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Sinfonia D Minor (CORELLI ARCANGELO)
2 Violons, Alto et Basse Continue
Amadeus Verlag
Par CORELLI ARCANGELO. / Répertoire / 2 Violons, Alto et Basse Continue
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Michael Bergson Erik Satie: Solos for Clarinet: Clarinet: Instrumental Album
Clarinet
Carl Fischer
Clarinet performer and professor Denise Schmidt has compiled a comprehensive col...
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Clarinet performer and professor Denise Schmidt has compiled a comprehensive collection of solos for clarinet players with a fine mix of transcriptions of familiar classics and solos written for the clarinet. This All-Time Favourites folio has pieces from all periods of music and contains the music of Bach Beethoven Bizet Corelli Faure Gounod Handel Satie and many more.
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Parnasse Ou Apotheose De Corelli/Cordes Et Clavecin/Parties
Français
Instruments A Cordes Et Clavecin
[Sheet music]
Leduc, Alphonse
La partition Parnasse Ou Apotheose De Corelli/Cordes Et Clavecin/Parties de Coup...
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La partition Parnasse Ou Apotheose De Corelli/Cordes Et Clavecin/Parties de Couperin/Paillard a été composée pour Musique de Chambre et plus particulièrement pour Instruments A Cordes Et Clavecin. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Instruments A Cordes Et Clavecin / Partition
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12 Sonatas In 6 Volumes, Vol.6 (CORELLI ARCANGELO)
Flûte à Bec ou Alto et Clavier
[Sheet music]
Heinrichshofen Verlag
Par CORELLI ARCANGELO. A- Flûte à Bec - Piano( Clavecin)( Violoncelle / Viole ...
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Par CORELLI ARCANGELO. A- Flûte à Bec - Piano( Clavecin)( Violoncelle / Viole de Gambe ad lib) -/ Répertoire / Flûte à Bec ou Alto et Clavier
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Corelli Arcangelo - Best Of - Violin 1
String Quartet: 2 violins, viola, cello
[Solo Part]
Alfred Publishing
Paul Paradise has selected eight of Arcangelo Corelli's twelve Concerti Grossi a...
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Paul Paradise has selected eight of Arcangelo Corelli's twelve Concerti Grossi and combined the concertino parts with the concerto grosso parts, edited the bowings, and added fingerings. Now these masterful works are playable by string orchestra or string quartet. The Concerto Grossi included are: No. 4 in D Major * No. 7 in D Major * No. 10 in C Major * No. 11 in B-flat Major * No. 12 in in F Major * No. 3 in C Minor * No. 8 in G Minor (Christmas) * No. 2 in F Major.
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Follia (CORELLI / LEONARD)
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par CORELLI / LEONARD. / Répertoire / Violon et Piano
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Richard Harris: Captain Corelli's Mandolin: Piano: Instrumental Album
Piano solo
-
Intermediate
Faber Music Limited
This collection presents music played by the character of Captain Corelli himsel...
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This collection presents music played by the character of Captain Corelli himself and original pieces evoking the sounds and events of the book. The extraordinary story of love contrasted with the brutality of war played out amongst the beauty of its Greek-island setting has captured the hearts of readers all over the world. Alongside pieces inspired by the novel little-known manodolin music is idiomatically arranged for piano by Richard Harris and contrasted with Neopolitan songs and folk songs from Latin America and Greece.
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12 Sonatas Op. 2 Vol.1 2Vln Pft (CORELLI ARCANGELO)
Violin and Piano
[Sheet music]
IMC (International Music Co.)
Par CORELLI ARCANGELO. / Répertoire / Violon et Piano
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Sonate, Op. 5, No. 11 (CORELLI ARCANGELO)
Violin, Guitar (duet)
[Sheet music]
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Intermediate
Productions OZ
Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire...
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Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire / Guitare et Violon
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12 Sonatas In 6 Volumes Op. 5 Vol.1 (CORELLI ARCANGELO)
Flûte à Bec ou Alto et Clavier
[Sheet music]
Heinrichshofen Verlag
Par CORELLI ARCANGELO. A- Flûte à Bec - Piano/ Répertoire / Flûte à Bec ou ...
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Par CORELLI ARCANGELO. A- Flûte à Bec - Piano/ Répertoire / Flûte à Bec ou Alto et Clavier
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