March for Band. By John Philip Sousa. Edited by Daniel Dorff. Arranged by Daniel Dorff. Concert Band. For Piccolo, Flute I, Flute, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bass Saxophone, Cornet I, Cornet II, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Tuba, Harp, Snare Drum, Cymbal, Bass Drum, Contrabass. This edition: full score. Classical. Score and Set of Parts. 16 pages. Duration 3:00. Published by Theodore Presser Company.

Concert Band Bass Clarinet, Bass Drum, Bass Saxophone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Cornet 1, Cornet 2, Cymbal, Euphonium, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Snare Drum and more.

SKU: PR.11540190F

March for Band. Composed by John Philip Sousa. Edited by Daniel Dorff. Classical. Full Score. With Standard notation. Composed July 4 1929. 16 pages. Duration 3 minutes. Theodore Presser Company #115-40190F. Published by Theodore Presser Company (PR.11540190F).

ISBN 9781491130711. UPC: 680160020263. 9 x 12 inches. Key: F major.

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Full Score. By Joan Tower. Arranged by Daniel Forlano. (score). Full Score. Size 9x12 inches. 72 pages. Published by Associated.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

Choral (ChoirTrax CD)

SKU: HL.301214

Arranged by John Leavitt. Sacred Choral. Christmas, Easter, General Worship, Sacred. CD. Duration 190 seconds. Published by Hal Leonard (HL.301214).

UPC: 888680964221. 5.0x5.0x0.184 inches. Daniel 3:5-15, Ecclesiastes 2:5, Genesis 2:8, Psalm 51:2.

A historically significant sacred text often sung at Christmas is actually usable throughout the year. Springing from a traditional Dutch carol, the arrangement captures the elegance of the lyrics and a supportive accompaniment makes quick study of the learning. Moments of choral division build shimmering towers of luscious sound. A cathedral-worthy ending! Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

By Various. The Little Black Songbook. Pop. Softcover. Published by Hal Leonard