Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Par GADE JACOB. Jalousie is a tango written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many arrangements for various instruments and ensembles. This publication is the first for clarinet and piano, arranged by Paula Corley, former Pedagogy Chair for the International Clarinet Association, with piano accompaniment edited by Stephanie Bruning. The work consists of two themes the first a temperamental theme in D minor, followed by a lyrical section in D major, both with a typical tango rhythm. It became Gade\'s most popular and successful work, enjoying numerous radio broadcasts and recordings. The work was premiered as accompaniment for the Danish screening of the silent film, Don Q, Son of Zorro on September 14, 1925 under the baton of the composer. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano

Par FABER PHILLIP. Nine psalms with Danish text written for upper voices with piano or organ accompaniment. Nine psalms with Danish text written for upper voices with piano or organ accompaniment. / Musique contemporaine / Répertoire / Orgue

Gade's piano music is steeped in Danish folk music, yet technically demanding and always very pianistic so that both piano pupils and experienced pianists will find many rewarding challenges when playing this music. The present album provides an insight into Gade's piano oeuvre and shows his importance in his day. Thanks to their numerous facets, the piano works of this great composer still are a valuable addition to lessons and concert performances. / Piano

Par BOSVELD JAN. Shortly after the Second World War, a combative movement of Danish, Belgian and Dutch artists chose the cobra snake - extremely dangerous yet considered sacred - as a symbol of their resistance to strict guideliness of form. The name 'Cobra' also happens to contain the first letters of the cities Copenhagen, Brussels ans Amsterdam, from where most of the movement's members came. The Cobra movement, which existed from November 1948 until November 1951, can with some justicication be called the last major avant-garde movement of the 20th century. The source of inspiration for the composition Cobra comes from four paintings: 'Obhobning' by the Dane Egill Jacobsen; 'La jeune fille et lamort' by the Belgian Pierre Alechinsky; 'Orgeldraaier' and 'Le rythme joyeux de la ville' by the Dutch artists Karel Appel and Corneille. Obhobning means 'pile-up', which is represented musically in the first part by a melodic and harmonic pilling up of perfect fourth's. The first part is also characterized by a rhythmic feeling, which the painting gives through its use of numerous black stripes. In the painting La jeune fille et la mort, Pierre Alechinsky places a young girl opposite Death. The second part features the constantly pulsating motion of live while a creeping, dark, melodic line develops. The tension between life and death is tangible as a battle reveals itself. In part three, one hears the Orgeldraaier by Karel Appel, as cheerful and playful as an organ grinder's music. The painting Le rythme joyeux de la ville by Corneille is busy and extremely dynamic, a perfect source of inspiration for a powerful, rhythmic ending to this composition. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Sinuhe the Egyptian is a historical novel written in 1945 by the Finnish author Mika Waltari (* 19. SeptemberHelsinki). He was one of the best known authors in Finland and his works were translated into 30 languages. 1908 in Helsinki, ? 26. August 1979 also in This is the story of the adventures of the doctor SinuheCrete and other regions of the known world at that time. who lived from 1390 to1335 B.C. who was initially the personal physician at the court of the Pharaoh Akhenaten before subsequently visiting Babylon, Waltari was inspired by the Ancient Egyptian text The Story of Sinuhe which is considered to be one of the earliest literary works (20th century B.C.). The author additionally undertook comprehensive historical studies, and the novel with its extensive cultural history and customs of the Orient in pre-Christian times became a worldwide success. The novel also gained recognition among Egyptologists. Sinuhe the Egyptian was in turn an inspiration for the composer Olli Mustonen to create a work for the 'archaic? instrument the oboe. The original version of this two-movement piece additionally fulfilled the composer's wish to dedicate a composition to his wife Sole who is also an oboist.The current version for flute was written for the Danish flutist Janne Thomsen. / Flûte

Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has, however, only acquired this status many years after his death. Langgaard was an eminent musical talent, but with his romantic and symbolist view of art, he ended up as an outsider in an era when the trend-setting Musical life of the time was dominated by Carl Nielsen?s sober and modern attitude. / Date parution : 2022-04-01/ Recueil / Quatuor à Cordes

The 24 Etudes by the Danish flutist, conductor and composer Carl Joachim Andersen (1847-1909) cover the whole circle of fifths and would be perfect for both professional players-to-be and ambitious amateurs alike. The wide flow of melody shall encourage the flutists to take a deeper look into the musical structure beyond the skilled manual work.This edition contains not only technical and interpretational information on all pieces, but also an index of all studies listed according to their technical focus. / Flûte

Vol.1. Par WILHELM GADE NIELS. Works for Male Choir / Works for Equal Voices, Volume 1 Niels W. Gade. Werks Volume IV/10 Niels Wilhelm Gade (1817& 1890) Works Edited by the Foundation for the Publication of the Works of Niels W. Gade, Copenhagen Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific œ uvre has appeared in print. Given this fact and the growing current interest in Gade, there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers. This edition will contain all of Gade's completed compositions and separate movements as wellas the arrangements he made of his own works and those of other composers. In general, the main text presents the ; definitive version based on Gade's personal copy of the printed work. However, all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English)./ Répertoire / Choeur Mixte

Par GADE NIELS WILHELM. The Danish composer Niels W. Gade wrote these five a cappella choral pieces in the 1840s, during his years in Leipzig, when he was studying with Felix Mendelssohn Bartholdy, to whom he felt a lifelong bond. The pieces are homophonic, clearly worked out movements with modest chromaticism. All five pieces are based on the romantic nature poetry of Emanuel Geibel, who was a representative in his time of the widely known “Munich School of Poets. ” The themes are: spring, autumn, morning mood, water lilies and wandering through the forest./ Répertoire / Choeur Mixte

Par SORENSEN BENT . When it comes to titles, almost all the works I have composed have found their title before or at the same moment I started them. That is why it was also surprising - not to say transgressive - for me that my work for 9 instruments for Ensemble MidtVest was completely untitled until the last bar. Then it dawned on me that the titlelessness was a natural result of the music's volatility. It was - and is - as if the music was constantly escaping from itself. The beginning of the work is definitely an escape into a new chapter, and that feeling runs through the entire work. In a longer section, the music flies towards a Barcarole, where the piano has a soloist role, and this is probably a result of my recurring dream of Venice - the gondolas in the swaying rhythms of the canals. Hence the Italian title, 'Fuggitivo' - fugitive. The work was composed for and commissioned by Ensemble MidtVest with support from the Danish Arts Foundation. / Date parution : 2023-10-31/ Répertoire / Orchestre

Joachim Andersen (1847-1909) was a Danish virtuoso flautist and composer who travelled widely throughout Europe, becoming one of the best concert flautists of his generation. He is best known today for his eight volumes of Etudes for Flute , which he wrote throughout his career. They are still used by top professionals all over the world to improve their technique and musicianship. Twenty-Four Short Studies Op.33 is an essential volume for any aspiring Flute player. / Flûte Traversière

Par SORENSEN BENT . Abgesänge (2015) is a work by Bent Sørensen for piano trio (piano, violin and cello). The work was commissioned by and dedicated to The Danish Piano Trio. The work has a duration of ca.16 minutes./ Répertoire / Violon, Violoncelle et Piano