Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano. There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focuson four typical techniques: Part 1 - Playing Arpeggioin left handPart 2 - 4-stacked chords in a piano movementPart 3 - Left-hand chordsPart 4 - Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master’s Degree in Musicology from University of Copenhagen.Since 1988 Tormod has been a jazz piano lecturer atThe Rhythmic Music Conservatory Copenhagen TheInstitute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen.The material you fi nd in this book has been used at theabove three educational institutions and is primarilytargeted to music students that do not have the pianoas their primary instrument at these schools. Butothers may also benefi t from this book provided youhave an elementary theoretical background in music.Since 2013 Tormod has also been Music SchoolManager at the Rødovre School of Music.

Archipel Des Solitudes for Mezzo-Soprano solo Choir SATB and Symphony Orchestra (1995). Text by Gilles Gourdon. Commissioned by the Danish National Orchestra / DR

C.E.F. Weyse's Fire Aftensange (Four Evening Songs) arranged for Mezzo-Soprano and Orchestra by Hans Abrahamsen. Lyrics by B.S. Ingemann. Commissioned by the Danish National Chamber Orcehstra in 1998.

Cradle Song-Vuggesang / Cradle Song for Organ solo by Peter Bruun (2016). The piece is based on Martin Luther's hymn 'Vom Himmel Hoch'. Dedicated to Vibeke Vanggaard. 'Peter Bruun's cradle song Vuggesang is an inventive and refreshingly unconventional set of variations on 'Vom Himmel Hoch'. There are some fascinating textures here and the whole thing is a far cry from a dutiful neo-classical perusal of stock partita motifs - the crystalline final variation which disappears into nothing in the final bars is especially striking. Numerous rhythmic complexities throughout the score will need thought but the piece will reward thediligent.' - Stephen Farr Choir & Organ Magazine 'Organ music makes up only a small part of Danish composer Peter Bruun’s (b. 1968) varied output. Nonetheless  Vuggesang (‘Cradle Song’) from 2016 is idiomatically and sympathetically written for the organ: a series of five variations on Luther’s hymn Vom Himmel hoch that affords variety of texture colour and mood. A clear head is needed to negotiate some of the rhythmic complexities but this is a fine work for the Christmas season that will reward performer and listener.' - Sunday by Sunday  

The word GONG is saturated with associations: the splendour of the Orient mysticism drama loud metallic clangour violent impact etc. The present piece draws upon all those connotations but it is primarily a symphonic drama about the life and behaviour of the sun our closest star and prime source of life on Earth. Describing the sun in music is not a new idea of course; during a visit to Greece Carl Nielsen was inspired by the orbit of the sun and its very un-Danish ferocity and thus wrote the 'Helios Overture'. GONG is a 'Helios Overture' too of sorts albeit more abstract. Recent astronomical research shows that the surface of the sun reverberates like a gong infour different simultaneous tempi (not directly depicted in the score though); the sun looks like a GONG - the O in the written work looks like the sun; there is even a solar research group called GONG (Global Oscillation Network Group). Formally the composition follows the life and fate of the sun from the initial explotional birth through the hyper-activity as energy source as we know it today to the final predicted flaring up and collapse into a so-called 'white dwarf'. But - being a musical composition not an astrophysical thesis - GONG is brought to its compositional conclusion by a 'real concert-ending' a chord taken from the middle of the piece and sustained over several bars from virtual nothingness to full force.

Anders Nordentoft's Behind for Piano solo.Behind is in 3 movements and has a duration of approximately 17 minutes. The piece was written for the Danish pianist Anne Mette Stæhr in 1995.

Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. English version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 German version: KP0193602 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html

Graham Lyons a compilé le meilleur matériau de ses précédents volumes, beaucoup de nouvelles pièces écrites, et inclus un CD de support. Les CD sont également disponibles séparément. Cette collection combine les meilleurs éléments de plusieurs styles de musique: rock, dance, classique, romantique, jazz, boogie, Folk. Pièces inspirées et conçu pour exciter les joueurs et leur donner envie de pratiquer.Les accompagnements au piano sont disponibles sur le CD d'accompagnement (imprimable en format PDF) ou dans un livre d'accompagnement au piano séparé (sélection de titres uniquement). Egalement sur ??le CD: 'extras' qui comprennent des dispositions d'ensemble en format pdf à imprimer. / Clarinette

Enregistreur Express est la voie pour devenir un joueur de grande enregistreur et s'amuser ! Plus de 120 chansons folkloriques, pop et originales et exercices sont inclus ainsi que des conseils technique et de la théorie de la musique début. Les niveaux 1 et 2 sont combinées dans cette un édition ! Notes sont enseignées dans cet ordre : faible de B, A, G, C, D, E, D faible, F #, C, F, faible élevé e. Cette méthode a été bien conçue et testée soigneusement par maître professeur clinicien et lecteur enregistreur professionnel Artie Almeida. Un CD-ROM distinct est disponibles 99 pistes branches. La plupart des pistes sont accompagnement seulement, mais certains en vedette un lecteur enregistreur professionnel afin que les étudiants peuvent s'efforcer de correspondre son ton beau et la musicalité. / Flûte A Bec / 48 pages / Partition

Learning how to play the world's most beautiful classical music has never been easier than with this handsome volume of 97 timeless works for early and intermediate players which students of all ages will quickly master.If you're just learning the piano or simply adding to your repertoire this collection belongs in your music library.

Par DYENS ROLAND. / Niveau : Difficile / classique / Répertoire / 2 Guitares

SAM-Klang. Par . Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬– soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d‘hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l’essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux œuvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d’orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des chœurs SAM. SAM-Klang permet aux chœurs de jeunes d‘acce´der a` la litte´rature chorale classique, et garantit aux chœurs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour chœur. / Date parution : 2022-07-23/ Recueil / SAM a Cappella