SKU: HL.1742629
Signature sound, open feeling. The first beyerdynamic open-ear true wireless headphones deliver high-quality beyerdynamic sound as expected, and leverage the open-ear design to allow users to hear their surroundings. With an open-ear design, secure fit, long-lasting battery life, superior ergonomic comfort, and in-app customizable sound tuning – another first for beyerdynamic – VERIO 200 is perfect for those with active lifestyles. VERIO 200 is equipped with a 16.22mm high-performance, custom-designed graphene neodynmium driver. The new driver delivers precise sound and deep bass while minimizing sound leakage, ensuring an immersive listening experience in any environment. Together with the open-ear design, VERIO 200 enhances spatial awareness, making it an ideal device for use during commutes, workouts, and outdoor activities. With the free beyerdynamic app, users can personalize their sound experience by creating EQ acoustic profiles and tuning the earphones' sound via the 5-band equalizer, as well as customizing on-board controls. The open-ear VERIO 200 features high-quality integrated microphones enhanced with aptX™ Voice technology, ensuring crystal-clear speech intelligibility in any environment – a necessity for on-the-go earphones. Additionally, advanced ambient noise detection and filtering features guarantee clear voice transmission whether engaged in calls or recording audio. Seamless connectivity across multiple applications, thanks to Multipoint Bluetooth® 5.3 compatibility, ensures smooth transitions between devices. Compatible with both iOS and Android devices, VERIO 200 supports the latest audio codecs, including aptX™ Lossless, AAC, and SBC, guaranteeing high-quality audio streaming for an enhanced listening experience. Designed and crafted in Germany using premium materials and components, VERIO 200 exemplifies beyerdynamic's commitment to quality and durability. Available in three colors: Black, Cream, and Sport, VERIO 200 combines style with performance, catering to diverse preferences of discerning users.
SKU: HL.1742630
SKU: HL.1742631
SKU: FJ.B1816
UPC: 241444421444. English.
This programmatic work paints a portrait of the worst maritime disaster in U.S. history. In 1865, after the end of the Civil War, the Sultana was carrying Union soldiers up the Mississippi River when she exploded. This work combines original material with the classic hymn, Abide with Me and two Union songs (We're Coming, Father Abra'am and The Battle Cry of Freedom) to create a dramatic narrative that will deeply impact players and audiences alike.
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: PR.110418140
ISBN 9781491129432. UPC: 680160640379.
Matheson’s five-movement work is a setting of stained glass windows created by Marc Chagall and Henri Matisse for a rustic country church adjoining the Rockefeller estate near Sleepy Hollow on the Hudson River. Matheson’s suite draws from four Chagall windows: 1. Jeremiah, 2. Isaiah, 3. Crucifixion, 4. The Good Samaritan, and culminates with Matisse’s 5. The Rose.In 1954, the Rockefeller family asked Henri Matisse to create a stained glass Rose Window for the Union Church of Pocantico Hills, New York as a memorial to Abby Aldrich Rockefeller, the great art patroness and a founder of the Museum of Modern Art. It was to be the artist’s last work. A few years later, Mrs. Rockefeller’s youngest son, David, acting on behalf of the family, commissioned Marc Chagall to create an entire series of stained glass windows to fill the rest of the small church resulting in the large, majestic “Good Samaritan†window and eight sublime smaller windows, each depicting a biblical figure or scene. In 2015, Premiere Commission commissioned James Matheson to compose WINDOWS to celebrate the centennial of the Union Church of Pocantico Hills and the 100th birthday of David Rockefeller. This deeply touching, epic cycle distills into music the intimate, often heart-rending, visions of Chagall as well as the powerful simplicity of Matisse’s modern design which utilizes the striking collage forms he employed in his final years. Matheson’s work also reflects the influence of Olivier Messiaen’s own theologically-inspired music. Like the French master, Matheson utilizes large-scale blocks of harmonies with organ-like sonorities to support and shift the music’s kaleidoscopic planes of color and set into relief the work’s piercing motifs and intricate patterns. The universal themes of love and sacrifice (“Jeremiah†and “Isaiahâ€), loss and altruism (“Crucifixion†and “The Good Samaritanâ€) and the jubilant celebration of life and nature (“The Roseâ€) are memorably portrayed in this poignant tribute to the human spirit.—Bruce Levingston.
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