SKU: HL.49027812

SKU: HL.49027807

SKU: HL.49027811

SKU: BT.HU3194

ISBN 9789043167727. English.

Sixteen duets in all. Each Part can be played by more than one instrument, for example, Oboe and Clarinet or Violin and Clarinet.

SKU: HL.227375

ISBN 9781540026941. UPC: 888680746049. 8.5x11 inches.

SKU: ST.C523

ISBN 9790570815234.

For Flute, Flute or Violin and Cello or Bassoon.
Score and Parts included.

François Devienne was born in Joinville in 1759 and died in Paris in 1803. He was a flautist, bassoonist, composer and teacher. He arrived in Paris in 1779 and soon became a chamber musician to the Cardinal de Rohan. He made solo appearances playing his own concerti and was employed as an orchestral bassoonist. He eventually transferred his allegiance to the Band of the Paris National Guard (who paid better!) and to their Free School of Music where he became a teacher and administrator. He wrote comic operas and in 1794 published a method for the one-key flute. This includes useful duets and gives insights into late 18th century articulation. He became Professor of Flute at the Paris Conservatoire when it opened in 1795. Devienne was also a prolific composer of chamber music, producing 25 quartets, 46 trios, 147 duos and 67 sonatas.

The Trio, Opus 19 is sometimes referred to as Opus 60 and the publication date is around 1787. A one movement work, the Trio Op. 19 No. 1 features two melody lines with a supporting cello or bassoon part, characteristic of Devienne’s composition technique. The variation form of the last movement is also a device associated with Devienne, who helped to raise the standard of music written for wind instruments. The source is a copy of the earlier publication, used with the permission of the Syndics of Cambridge University Library. The music was typeset by C.M.M. and F.H. Nex and replaces PP564 and includes both score and set of three parts.

Former Spartan Press Cat. No.: PP564.

SKU: FH.FLS01

ISBN 978-1-55440-297-7.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Study in F Major Robert Winn
Learning to Skate Dianne Aitken
Study in C Major Giuseppe Gariboldi
The Yeti Waltz Jamie Thompson
Siren Kathryn Cernauskas
Many and Few Wil Offermans
Study in C Major Giuseppe Gariboldi
Study in C Major Robert Winn
Study in F Major Wilhelm Popp
Study in G Major Christian Cheret
Itchy Feet Oliver Ledbury
Study in G Major Russell Stokes
Study in C Major Hans Koehler
Study in G Major Ernesto Koehler
Study in F Major Giuseppe Gariboldi
Study in C Major Charles Nicholson
Romany Song Philip Sparke
Flute Salad Oliver Ledbury
Cloud Nine James Rae
Study in C Minor Hans Koehler
Study in D Minor Heinrich Soussmann
Study in F sharp Minor Francois Devienne
Hungarian Dance Philip Sparke
Waltzer Oliver Ledbury
One-Line Story Wil Offermans
Groove It! James Rae
Study in E Minor Hans Koehler
Study in B Minor Wilhelm Popp
Study in F Minor Johann Georg Tromliltz
Party Piece Philip Sparke
The Wrong Button! James Rae
Interlude Allen Vizzutti.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

SKU: BT.DHP-0981380-020

Der belgische Komponist Johan Nijs hat diesen Gefühlen mit dem Stück Millennium Fever stimmigen Ausdruck gegeben. Es handelt sich dabei um ein Feuerwerk bewegter Klänge, ein Zusammenspiel fiebernder Rhyhmen und unerwarteter Wendungen, worin verschiedene Instrumentengruppen miteinander dialogisiern.

Le passage au troisième millénaire avait généré une certaine inquiétude, de la curiosité et même un certain optimisme. Dans Millennium Fever (“La fièvre du millénaire”), les sentiments oscillants deviennent un puissant tourbillon. Les rythmes, l’éclat et l’intensité des sons, associés un choix de notes inhabituel, traduisent la fébrilité de l’attente tandis qu’un dialogue très expressif se crée entre les différents groupes d’instruments, comme un dialogue entre les peuples pour un monde de paix.