SKU: KN.52940S

Recorded by the Bob Mintzer Big Band on the album Incredible Journey, this laidback Basie excursion starts with a 32-bar (expandable) piano solo backed by bass and drums before the ensemble joins in. Trumpet and trombone carry additional solos, the full-group writing is exceptional, and the ending has a big, full sound. Duration 10:30.

SKU: KN.52720S

As recorded by the Toshiko Akiyoshi/Lew Tabackin Big Band on the album Long Yellow Road. Duration 6:00.

SKU: AP.49448

ISBN 9781470650384. UPC: 038081571164. English.

Many special experiences are joyful or thrilling, such as flying for the first time, a big sports moment, or the excitement of a first concert. Whatever it might be, Cooper Ford's Exhilaration is a musical expression of the emotions that come from these memorable moments. Young musicians should find this both easily accessible and fun to play, as melodies are passed around to different sections while reinforcing foundational rhythms, notes within a D major scale, and playing with a big sound. Written with the young orchestra in mind, 2nd violin and viola parts are doubled, as well as cello and string bass. (1:40) This title is available in MakeMusic Cloud.

SKU: CA.3501249

ISBN 9790007213039. Text language: Latin.

Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score and part available separately - see item CA.3501200.

SKU: KN.52325

This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodwinds, then recaps the strong opening before going out very quietly with soprano (or alto) sax and trombones only in the final bars. No improvised solos are required. Duration 4:00.

SKU: CA.9101213

ISBN 9790007230104. Key: B flat major. Language: Latin.

This Salve Regina was originally intended to be accompanied by strings and wind instruments. However, the wind parts merely double the strings and the voices, adding color but not indispensable. In our edition the wind parts are omitted, so that the intimate choral texture is heard to far greater effect, the strings providing it with a sometimes virtuosic frame. Score and part available separately - see item CA.9101200.

SKU: AP.4323

UPC: 038081026213. English.

Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud.

SKU: SU.80300210

Ed. by James H. Laster (b. 1934). This bouyant baroque setting of a Psalm text imitates the sound of the trumpet with melismas in both choral parts. (If your two-part treble choir enjoyed Purcell’s Sound the Trumpet, they will revel in this.) The basso continuo part has been realized, and may be doubled by cello or bassoon. SA & Organ; Latin. Easy-Medium. SA, organ Published by: Treble Clef Music Minimum order quantity: 8 copies.