Instrumental Play-Along-Solo arrangements of thirteen songs from the beloved Boublil and Schonberg musical.Songs include At The End of The Day and Bring Him Home.

Instrumental Play-Along-Solo arrangements of thirteen songs from the beloved Boublil and Schonberg musical.Songs include At The End of The Day and Bring Him Home.

Le médecin peut vous dire de ne pas mélanger le vin et les spiritueux, mais comme Willie Nelson a chanté, 'Il ya plus de vieux que ivrognes il ya de vieux médecins alors j'imagine que je ferais mieux en avoir un autre tour.Tirer le liège ou dévisser le bouchon et laisser déchirer avec vos numéros préférés de cette collection classique des chansons trinquant, avec les paroles, les accords et ligne mélodique. / Guitare / 56 pages / Partition

These 30 easy level (grade 2) violin duets from the masters arranged by Rubank legends Harvey Whistler and Herman Hummel are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measureslong with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) • Allegro from Der Freischutz (Weber) • Ave Verum (Mozart) • Carnivalof Venice • Chanson Triste (Tchaikovsky) • Cielito Lindo • Country Dance (Beethoven) • Liebestraum (Liszt) • Drink to Me Only with Thine Eyes • New World Symphony Excerpts (Dvorak) • Jesu Joy ofMan's Desiring (students play the melody not the triplet pattern) • Jolly Coppersmith • Melody for Strings (Rubinstein) • Men of Harlech • Menuet from Symphony No. 7 (Haydn) • Procession (Handel) •Theme from Fantasie Impromptu (Chopin) • Rondo (Schubert) • Theme from Symphony No. 1 (Brahms) • Vienna Life (Strauss) • Volga Boatman • Waltz from HMS Pinafore

Durablement populaire depuis sa sortie en 1985, Les Misérables est la plus longue course de l'histoire musicale. Musique Boublil et Schönberg pour ce classique stade est entré dans la conscience publique dans la mesure où peu de gens pouvaient ne pas fredonner une mélodie ou de chanter une ligne du spectacle.Ce piano à jour / Vocal Songbook poursuit la tradition musicale Les Misérables, ce qui rend les chansons classiques de l'émission disponible à une nouvelle génération de fans qui aimeraient jouer et chanter des chansons pour eux-mêmes. À cette fin, toutes les chansons apparaissent dans leurs versions authentiques et en plus des chansons du recueil de chansons originales, une chanson supplémentaire, Qui suis-je?, A été inclus.Dispose également d'une introduction de 15 pages couleurs avec des images du spectacle, une histoire du spectacle et résumé de l'intrigue. / Piano/Vocal/Guitare (PVG)

Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Here in a special album designed specifically for the violinist in the earlier stages of technical mastery we have compiled much of the best literature and favorite selections for the violin. Specifically selected for the easiest keys on the violin and with a minimum of fancy finger - or bow - work these magical classics from Offenbach's legendary Barcarolle to Tchaikovsky's Chanson Triste will bring a challenging and rewarding collection of short and medium-length concert-piece masterworks to inspire your development on the violin. Noted American violinistGeoffrey Applegate performs these pieces with grace and subtlety. Study his masterful interpretations and then as he steps aside learn and perform them against the magnificent backdrop of the Stuttgart Symphony Orchestra conducted by Emil Kahn. This is quite simply a treasure-trove of beautiful violin classics which you will come back to again and again - even after you've established yourself as the next virtuoso! Includes a music score printed on high-quality ivory paper and a compact disc containing a complete version with soloist in stereo; then a second version in full stereo of the orchestral accompaniment minus the soloist.

13 songs from the musical: At the End of the Day • Bring Him Home • Castle on a Cloud • Do You Hear the People Sing? • Drink with Me (To Days Gone By) • Empty Chairs at Empty Tables • A Heart Full ofLove • I Dreamed a Dream • In My Life • A Little Fall of Rain • On My Own • Stars • Who Am I?.

This folio features 14 classics from the Oscar-winning movie adaptation of Boublil and Schönberg superlative musical Les Misérables expertly arranged for solo Flute. Includes the new song Suddenly and: At the End of the Day ? Bring Him Home ? Castle on a Cloud ? Do You Hear the People Sing? ? Drink with Me (To Days Gone By) ? Empty Chairs at Empty Tables ? A Heart Full of Love ? I Dreamed a Dream ? In My Life ? A Little Fall of Rain ? On My Own ? Stars ? Who Am I?

This folio features 14 classics from the Oscar-winning movie adaptation of Boublil and Schönberg superlative musical Les Misérables expertly arranged for solo Clarinet. Includes the new song Suddenly and: At the End of the Day ? Bring Him Home ? Castle on a Cloud ? Do You Hear the People Sing? ? Drink with Me (To Days Gone By) ? Empty Chairs at Empty Tables ? A Heart Full of Love ? I Dreamed a Dream ? In My Life ? A Little Fall of Rain ? On My Own ? Stars ? Who Am I?

Walter Brown Mcghee (1915-1996) était un éloquent porte-parole pour les blues qui, a fait un en partenariat avec Sonny Terry, prosélyte le Campania-blues-style flottant à des auditoires folkloriques une décennie avant plus jamais entendu parler du Delta du Mississippi. Bien qu'il est largement associé à la boom folk qui fait des noms familiers de Sonny & Brownie dans le monde entier, carrière d'enregistrement de Brownie commença à Chicago en 1940 - la deuxième chanson dans cette rétrospective, moi et mon chien, c'était le premier enregistrement émis de Brownie. Autres rappels ici de carrière de blues d'avant-guerre de Brownie sont mort de Blind Boy Fuller (écrit à l'ordre à l'occasion de la disparition de 1941 de Fuller) et les Blues de boutique de pion Fuller-ébriété. Tennessee né, Caroline-ébriété, New York, basé à sa gloire boom folk et Nations Unies californien au moment de sa mort, Brownie ont montré une gamme large de stylistique de ragtime turn-of-the-century (Come sur Keep It Coming) à... / Guitare / Dvd

Béguines... sambas... congas... rumbas... et des rythmes latins plus nombreux. Comprend les index classifiés rythmique. / Piano/Vocal/Guitare (PVG) / Partition

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

Thirteen songs from the musical including 'Bring Him Home', 'I Dreamed A Dream' and 'On My Own'. / Trompette