Volume contains standard works of the repertoire, and also works of composers rarely encountered within other collections. There are works from the baroque through the modern periods, and each piece is in its original form. / Piano Accompagnement

Compilation de 148 chansons Folk arrangées pour piano, voix, guitare (diagrammes d'accords) / Variétés Internationales / Partition /

Cet arrangement charmant de la vieille chanson populaire anglais 'Drink Me De tes yeux seulement' fournit jeunes groupes symphoniques avec la possibilité de jouer avec lyrisme tout en sonnant riche et mature. Beaucoup de variété dans la notation et certaines tournures harmoniques jazzy font de ce morceau parfait comme un beau changement de rythme pour votre prochain concert! / Concert Band

40 of the hottest country hits from the decade in arrangements for piano, voice and guitar. Songs include: American Honey (Lady A) ? Blue Ain't Your Color (Keith Urban) ? Broken Halos (Chris Stapleton) ? Cruise (Florida Georgia Line) ? Drinkin' Problem (Midland) ? Homesick (Kane Brown) ? If I Die

(piano accompaniment)Includes: Andante from Symphony No. 5 (Tchaikovsky) • Andantino (Lemare) • Barcarolle from Tales of Hoffman (Offenbach) • Drink to Me Only with Thine Eyes • Evening Star fromTannhauser (R. Wagner) • Largo from New World Symphony (Dvorak) • Liebestraume (Liszt) • Melody in F (Rubenstein) • Nocturne (von Blon) • Swanee River (Foster) • Merry Widow Waltz(Lehar) • Volga Boatman

One hundred and one chansons pour les parties, les mariages, les anniversaires, les Noël et les autres occasions spéciales. / Chant Et Guitare / Partition

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north ofLondon. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegromovement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive of percussion instruments give expression to this image. Thefirst part is concluded by two Calmo movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely whichwas built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of thecathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These ?public houses? which may be open until the earlyhours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would havewished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.

Flute trio only (different instrument parts are not interchangeable) Includes: Blue Bells of Scotland (Traditional) · Minuet No. 1 (from Notebook for Anna Magdalena Bach) · The Red River Valley (Traditional Cowboy Song) · America (My Country 'Tis of Thee) · Polly Wolly Doodle (Minstrel Song) · Russian Dance (Tchaikovsky) · Drink to Me Only with Thine Eyes (18th-Century English Song) · Waves of the Danube (Ivanovici) · Choucoune (Mocking Bird - Haitian Folk Song) · Old French Song (Tchaikovsky Op. 39 No. 16) · Oh! Susanna (Stephen Foster) · Deck the Hall · German Dance (Haydn) · Country Gardens (Traditional) · Hark! the Herald Angels Sing · Hymn (J.S. Bach) · O Little Town ofBethlehem · For He's a Jolly Good Fellow · Pop Goes the Weasel · Santa Lucia (Italian Folk Melody) · Yankee Doodle Boy (George M. Cohan)

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north of London. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegro movement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image. The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely which was built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These ?public houses? which may be open until the early hours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would have wished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.

Zimbe! Come sing the songs of Africa! is the 40-minute choral fusion of African song and jazz for SATB chorus children’s choir and jazz quintet which established composer Alexander L’Estrange's name worldwide and spawned a hugely successful series of large-scale works for the same forces. The addition of the children’s choir provides an opportunity for adult or secondary school SATB choirs to team up with local primary school or youth choirs bringing communities together through singing something for which L'Estrange has long been a passionate advocate. The work opens and closes with anattention-grabbing Njooni Zimbe*! Nyimbo za Africa! imploring us to 'Come sing the Songs of Africa!'; by the time you've heard the vibrant sequence of twelve songs which includes playground wedding funeral drinking protest worship songs and lullabies you will want to do just that. Zimbe! is the ideal piece for choirs who have enjoyed performing L'Estrange's Songs of a Rainbow Nation works by Karl Jenkins or David Fanshawe's African Sanctus. (* 'Zimbe' is the anglicised version of the Swahili word 'Ziimbe')

Wagner's sense of what he wanted to do with the Ring drama changed by the time he returned to Siegfried. When he began the Ring he had clearly seen Siegfried as the hero of the drama but the desire to more fully explore Wotan'spredicament impelled him to expand the project.Siegfried and Mime quarrel Siegfried demands that the sword Nothung be mended but Mime cannot do so much to his own chagrin he wants to win the Ring back for himself. TheWanderer a disguised Wotung tells Mime that Nothung can be forged only by one who has never known fear. This is Siegfried and he repairs the sword himself smashing the anvil as he leaves to reclaim the Ring. He arrives atFafner?s lair and kills him. As he dies Fafner warns that whoever put Siegfried up to this deed is plotting his death as well. From the The Forest Bird Siegfried learns of the Nibelung hoard the Tarnhelm and all-powerful Ring and also of Brünnhilde who sleeps on a fire-encircled rock - a bride who can be won only by a hero who knows no fear. Mime and Alberich (who had recognised the Wanderer and heeded his warning to fear Mime) quarrel over thespoils withdrawing when Siegfried reappears carrying the Tarnhelm and the Ring. Mime tries to persuade Siegfried to take a cup of poisoned drink and Siegfried kills him. Siegfried sets out to climb the mountain. He meetsWotan who asks him about his exploits but the youth splinters the Wanderer's spear with a single stroke of Nothung. Wotan realises he is old and must go to Valhalla but bequeaths the world to the redemptive power ofBrünnhilde's love. Siegfried goes on to the top of the mountain where he discovers an armed sleeping figure the first woman he has ever seen. At last sensing fear he summons the courage to kiss her. Brünnhilde roused from herlong slumber realises that Siegfried has come. Throwing herself into Siegfried's arms she bids farewell to Valhalla and abandons herself to human love.This is the Schirmer edition of the Libretto in the original German