Edvard Grieg (1843-1907) a délibérément choisi de donner à ses œuvres une touche norvégienne et nordique très personnelle. La notoriété de plusieurs de ses œuvres a dépassé les frontières de la Scandinavie. Ainsi le Concerto pour piano en La mineur (1868) et la musique de scène Peer Gynt (1876) ont été salués par les mélomanes du monde entier. Edvard Grieg a également composé un grand nombre de mélodies chansons et lieder. Jacob de Haana choisi d?arranger trois de ces chansons : Fremad! Fremad! une chanson au caractère majestueux ; Stille Nu! plus mélancolique en raison de sa tonalité mineure et Fola Fola Blakken unallegro plein de gaieté qui vient conclure cette petite suite en trois parties.

Norwegian composer Edvard Grieg (1843-1907) wrote a lot of songs several of which Jacob de Haan has arranged for ensemble of variable strength. The songs are: Fremad! Fremad! Stille Nu! and Fola Fola Blakken. It has been arranged for beginner bands and can be played with a minimum of four players (+ percussion).

This guidebook teaches songwriters exactly how to create awesome solos that will really help their material stand out. Based on the study of nearly 900 songs from six decades of great music it explains the musical role played bysolos illustrates which notes work over any chord sequence and offers a comprehensive range of hints and tips for creating instrumental breaks that will enhance any song. An accompanying CD includes no fewer than 42 sample solosin a range of styles and moods. Separate backing tracks are provided for the reader to work with and play over. For songwriting guitarists the book goes beyond mere instrumental technique to demonstrate how lead guitar can bemade to serve a song rather than simply decorating it. It also explores the wide range of other instruments that can be used to create really stunning solos.

With Homemade Instmnts - With Online Audio-Many instruments in this book can be built in a half hour or less by children as young as age 5 using common household items. Songs include guitar and autoharp chords as well as dulcimer tablature. Includes access to onlineaudio.

Letter from Sado is an exciting new piece for young band based on a Japanese haiku of the same name. Sado refers to Sado Island in Japan in which various artists religious and military leaders were sent in exile many years ago. The island hashistorically had a strong community of taiko drummers and as such the piece incorporates optional homemade taiko drums. Blackshaw writes: ?To capture the idea of interpretation and the concept of reading between the lines the students are invitedto become decision makers about particular sections in the music. For example the opening and closing sections of the piece use the same material which is a selection of repeated melodic figures. The students themselves decide how to play thesefigures as individuals in small teams and then as a whole band. Their decisions include ideas regarding tempo (how fast?) dynamics (how loud?) and articulation (smooth short or hard?). To inspire them we use the haiku poem; i.e. the openingsection invites the students to play the material as if it were a stormy wild sea and the closing section invites the students to play the same melodic figures but this time draw their inspiration from Heavens River or as we know it the MilkyWay. In-between there is an elaborate heavily textured section that becomes increasingly powerful. The music doesnt rest harmonically until the whole band plays in unison. These multiple layers of sound represent the many thoughts and ideas thatwould have surrounded those individuals sent to Sado Island in exile the final unison is representative of their own breakthrough experience sending them on a pathway to inner peace and acceptance.? Embrace your players creativity offer them yourtrust and see how far Letter from Sado can take your band!

Homemade American Music In visits with their friends and mentors Mike Seeger and Alice Gerrard trace the origins of rural American music from traditional folk cultures in the southern United States and then demonstrate how traditional music is learned played adapted and performed by younger musicians from urban backgrounds. In addition to Mike and Alice musicians include Tommy Jarrell Roscoe Holcomb Lily May Ledford Elizabeth Cotten Dewey Balfa Marc Savoy Tracy Schwarz Hank Bradley Jody Stecher Irene Herrmann Stefan Senders Will Spires Eric Thompson and Susie Rothfield. (1980 42 minutes) Sonny Terry Shoutin' the BluesIn a motel room inOakland California blind blues harmonica great Sonny Terry tells a story about his start in show business and then plays an original solo in his own amazing style created in over 50 years of playing. (1969 6 minutes) Les Blues de BalfaThrough their festival appearances concerts and recordings the Balfa Brothers became the most renowned Cajun musicians and the first group to take their traditional music outside of southwest Louisiana. Tragically just after this film was undertaken in 1979 brothers Rodney and Will were killed in a car crash. The surviving member of the group Dewey Balfa tells the history of his musical family and demonstrates the role of their musical tradition in his life as he continues to spread Cajun music and culture in schools music festivals and by playing with other musicians in local dance halls and clubs. In addition to the Balfa Brothers musicians include Allie Young Nathan Abshire Tony Balfa Rockin' Dopsie Raymond François and the Cajun Playboys and Tracy Schwarz. (1983 27 minutes) Cajun Visits Filmed at homes in rural southwest Louisiana this film presents six masters of traditional Cajun music: Denis McGee Wallace 'Cheese' Read Canray Fontenot Leopold François Robert Jardell and Dewey Balfa singing and playing traditional songs and tunes and talking about

The sophomore album release by the recording star from New Zealand was released in June 2017. Our matching folio to this concept album features all 11 songs from the album in arrangements for piano voice and guitar including the lead single “Green Light” plus: Hard Feelings/Loveless • Homemade Dynamite • Liability • Liability (Reprise) • The Louvre • Perfect Places • Sober • Sober II (Melodrama) • Supercut • Writer in the Dark.

Tre Koncertstykker For Orgel / Three Concert Pieces for Organ by Rued Langgaard edited by Erik Haumann (1994).Contents: 1. Hjemad - minde for orgel BVN 267 2. Som lynet er Kristi genkomst BVN 341 3. Øde gader BVN 373

Edition : Paris, C. Ballard, 1702Dans sa table des matières, le compositeur précise que les six premiers motets peuvent être chantés par une soprano ou un ténor.Présentation de : Philippe Lescat : Terminologie italienneJean Saint-Arroman : Chiffrages de la basse continue / Musique De Chambre, Voix Et Basse Continue, Motets A 1 Voix Et Basse Continue / 108 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

100 ans de musique populaire chronique la plus grande musique du siècle dernier. Ce livre contient plus de 70 chansons des années 1940 arrangé pour piano, voix et guitare, fournissant un aperçu fascinant de la musique de l'époque. Une liste des nouvelles inventions d'abord vu pendant les années 1940 est également incluse. / Piano/Vocal/Guitare (PVG)