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Diamond Dust - Piano Concerto No. 2 (FUJIKURA DAI)
Chamber Orchestra
-
Intermediate/advanced
Ricordi
Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, vi...
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Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, viola, cello, dbass. Par FUJIKURA DAI. English / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-08/ Répertoire / Ensemble de Chambre
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Bravo! Horn
French Horn and Piano
Boosey and Hawkes
Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quel...
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Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quelque chose de simple encore gratifiant de jouer ? Carol Barratt crée des pièces faciles qui sont créatifs, idiomatique, simple encore gratifiant de jouer et qui sera vraiment élèves écoute et effectuant musi / Cor Et Piano
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Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Score]
Schott
Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Adagio In C (MOZART WOLFGANG AMADEUS)
Cor Anglais, 2 Violons et Violoncelle (Arr. Hautbo
[Sheet music]
Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Mozart’s 'Adagio in C major' for English h...
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C-Dur. Par MOZART WOLFGANG AMADEUS. Mozart’s 'Adagio in C major' for English horn, 2 violins and violoncello KV 580a has survived as a fragment but based on a comparison of analogous passages the editor, Helmut Renz, was able to complete the movement. In the Carus edition an arrangement by an unknown author from before 1900 for oboe and string quartet has also been included. The arrangement is written in G major, which is more playable on the oboe./ Répertoire / Cor Anglais, 2 Violons et Violoncelle (Arr. Hautbo
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Concert band
Edition Franco Cesarini
for Wind Orchestra, Studyscore. Par CESARINI FRANCO. Fascinated by the beauty of...
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for Wind Orchestra, Studyscore. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?./ Répertoire / Concert Band/Harmonie
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Et In Terra Pax (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. This piece was commissioned by the ‘Concert Band Vlamer...
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Par VAN DER ROOST JAN. This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words ‘Et In Terra. . . Pax’ are repeated again and again by the rest of the orchestra. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
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Sulla Spiaggia (STOCK DAVID)
Flûte Alto (Piccolo), Cor Anglais, Clarinette Bass
[Score and Parts]
Hal Leonard
for Alto Flute (Piccolo), English Horn, Bass Clarinet, Percussion. Par STOCK DAV...
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for Alto Flute (Piccolo), English Horn, Bass Clarinet, Percussion. Par STOCK DAVID. Imprimé à la demande, délai d'un mois/ Répertoire / Flûte Alto (Piccolo), Cor Anglais, Clarinette Bass
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Concert band
[Score]
Edition Franco Cesarini
for Wind Orchestra, Full Score. Par CESARINI FRANCO. Fascinated by the beauty of...
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for Wind Orchestra, Full Score. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Concert band
[Set of Parts]
Edition Franco Cesarini
for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated b...
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for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie
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Hymne A La Joie (BEETHOVEN LUDWIG VAN)
Trio à vent
[Sheet music]
FLEX Editions
2 Oboes and English Horn. Par BEETHOVEN LUDWIG VAN. / Répertoire / Trio à vent...
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2 Oboes and English Horn. Par BEETHOVEN LUDWIG VAN. / Répertoire / Trio à vent
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The Girl with the Flaxen Hair (Arr. John Moss)
Concert band
[Score and Parts]
-
Intermediate/advanced
Hal Leonard
Solo for Alto Sax or English Horn and Band. Par DEBUSSY CLAUDE. / Niveau : 4 ...
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Solo for Alto Sax or English Horn and Band. Par DEBUSSY CLAUDE. / Niveau : 4 / Œuvre solo et Orchestre / Répertoire / Concert Band ou Harmonie
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Kirsch Dirk-michael - Danse Sigillum Saturni Op.26 - Hautbois Solo
Accolade Musikverlag
The underlying idea of this work is a magic square, known in China as Lu Shu. In...
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The underlying idea of this work is a magic square, known in China as Lu Shu. In 1553, it was named Sigillum Saturni (Seal of Saturn) by the philosopher of religion Agrippa von Nettelsheim, who assigned a magic square to each planet. It is an arrangement of the numbers 1-9 in a grid such that the numbers in all rows, all columns, and both diagonals equal the same constant, which looks like a symbol: 4 9 2 3 5 7 8 1 6 This three-part composition has a short, freely rhythmical introduction, followed by a variation-like middle section. The changes in this section are a result of constantly changing bars, based on the magical square, which evoke a kind of dance. It culminates in the main section, Danse supplemented by sleigh bells, attached to the legs of the soloist, which with raising effects demand more and more extraordinary abilities to the end. The work is dedicated to Professor Christian Schneider and Heike Steinbrecher, principal Cor Anglas of the Bavarian State Opera, who played the first performance. There is use of extended technique in this work, and a chart is provided for instructions. This edition is appropriate for solo oboe, solo English horn, or solo oboe d'amore.
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Daugherty M. - Spaghetti Western - Hautbois
Schott
Reduction for English Horn and Piano / cor anglais and orchestra
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Trio Op. 87 (Three Violas Arr. Lionel Tertis)
String Orchestra
Bosworth
The Trio for Two Oboes and English Horn was composed at a time when Beethoven's ...
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The Trio for Two Oboes and English Horn was composed at a time when Beethoven's music still divulged the influence of Mozart and Haydn. This work carries a higher opus number than others from the time of its composition because it was not published until 1806. Here it is arranged for three Violas by Lionel Tertis. / Ensemble A Cordes Et Alto
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Symphonie Nr. 3 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), English-horn, Clarinet in b...
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Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), English-horn, Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Triangle, Harp, Strings/ Répertoire / Orchestre
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Difficult Passages Vol. 2 - Oboe
Boosey & Hawkes
990 Difficult Passages From the Symphonic Repertoire Instrument : Oboe (English...
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990 Difficult Passages From the Symphonic Repertoire Instrument : Oboe (English horn) Nombre de Pages : 64 Content : Franck: Symphony in D minor - Variations Symphoniques - Haydn: Symphony No. 92 in G major Oxford - Symphony No. 94 in G major The Surprise - Symphony No. 97 in C major - Symphony No. 100 in G major Military - Symphony No. 101 in D major The Clock - Symphony No. 103 in E flat major With the Roll of the Kettledrum - Symphony No. 104 in D major London - Liszt: Piano Concerto No. 1 in E flat major - Mendelssohn: Symphony No. 3 in A minor, op. 56 Scottish - Symphony No. 4 in A major, op. 90 Italian - Violin Concerto in E minor, op. 64 - A Midsummer Night's Dream. Overture, op. 21 - Fingal's Cave. Overture, op. 26 - Scherzo from A Midsummer Night's Dream - Mozart: Symphony No. 34 in C major KV 338 - Symphony No. 35 in D major KV 385 - Symphony No. 36 in C major KV 425 - Symphony No. 38 in D major Prague KV 504 - Symphony No. 40 in G minor KV 550 - Symphony No. 41 in C major Jupiter KV 551 - Piano Concerto in D minor KV 466 - Piano Concerto in B flat major KV 595 - Violin Concerto in G major KV 216 - Violin Concerto in D Major KV 218 - Violin Concerto in A major KV 219 - Oboe Concerto in C major KV 314 - Il Seraglio Overture KV 384 - The Marriage of Figaro Overture KV 492 - Don Giovanni Overture KV 527 - Cosi fan tutte Overture KV 588 - The Magic Flute Overture KV 620 - Nicolai: The Merry Wives of Windsor Overture - Rossini: The Barber of Seville Overture - The Thievish Magpie Overture - Semiramide Overture - L'Italiana in Algeri Overture - La Scala di Seta Overture - Tancredi Overture - William Tell Overture - Schubert: Symphony No. 4 in C minor - Symphony No. 5 in B flat major - Symphony No. 7 in C major - Symphony No. 8 in B minor - Rosamunde Overture - Schumann: Symphony No. 1 in B flat major, op. 38 - Symphony No. 2 in C major, op. 61 - Symphony No. 3 in E flat major, op. 97 - Symphony No. 4 in D minor, op. 120 - Piano Concerto in A minor, op. 54 - Smetana: The Bartered Bride Overture - J. Strauss: Die Fledermaus Overture - The Gypsy Baron Overture - Tschaikowsky: Symphony No. 4 in F minor, op. 36 - Symphony No. 5 in E minor, op. 64 - Symphony No. 6 in B minor, op. 74 Pathétique - Piano Concerto No. 1 in B flat minor, op. 23 - Violin Concerto in D major, op. 35 - Le Casse-Noisette Ballet Suite, op. 71a - Swan Lake Ballet Suite - Romeo and Juliet Overture-Fantasy - Wagner: The Flying Durchman Overture - Tannhäuser Overture - Lohengrin - Tristan and Isolde - The Mastersingers of Nuremberg Overture - Siegfried Idyl - Weber: The Ruler of the Spirits Overture - Euryanthe Overture - Oberon Overture - Der Freischütz Overture
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Solos For The English Horn Player
English Horn
Schirmer
/ Cor
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The Christmas Banquet
3 Hautbois et Cor Anglais
[Score and Parts]
Alry Publications
Arrangeur: Judy Nishimura. A musical celebration for the holidays, with a mix of...
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Arrangeur: Judy Nishimura. A musical celebration for the holidays, with a mix of Yuletide music and secular dances. Score for three oboes and English Horn/ Recueil / 3 Hautbois et Cor Anglais
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Concert band
[Score and Parts]
Edition Franco Cesarini
for Wind Orchestra, World Set (no ESS). Par CESARINI FRANCO. Fascinated by the b...
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for Wind Orchestra, World Set (no ESS). Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band
635.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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